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Evokation
 
 
Index
 

 

 

 

 

 

 

 

 

 

26
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
8
9
-
-
-
-
5
6
-
-
-
1
-
-
-
-
6
-
8
+
=
43
4+3
=
7
=
7
=
7
-
-
-
-
-
-
-
-
8
9
-
-
-
-
14
15
-
-
-
19
-
-
-
-
24
-
26
+
=
115
1+1+5
=
7
=
7
=
7
26
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
-
-
-
-
-
-
-
-
-
-
-
1
2
3
4
5
6
7
-
-
1
2
3
4
-
-
7
8
9
-
2
3
4
5
-
7
-
+
=
83
8+3
=
11
1+1
2
=
2
-
1
2
3
4
5
6
7
-
-
10
11
12
13
-
-
16
17
18
-
20
21
22
23
-
25
-
+
=
236
2+3+6
=
11
1+1
2
=
2
26
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
-
-
-
-
-
-
-
-
-
-
-
1
2
3
4
5
6
7
8
9
10
11
12
13
14
15
16
17
18
19
20
21
22
23
24
25
26
+
=
351
3+5+1
=
9
=
9
=
9
-
1
2
3
4
5
6
7
8
9
1
2
3
4
5
6
7
8
9
1
2
3
4
5
6
7
8
+
=
126
1+2+6
=
9
=
9
=
9
26
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
-
-
-
-
-
-
-
-
-
-
-
1
-
-
-
-
-
-
-
-
1
-
-
-
-
-
-
-
-
1
-
-
-
-
-
-
-
+
=
1
occurs
x
3
=
3
=
3
-
-
2
-
-
-
-
-
-
-
-
2
-
-
-
-
-
-
-
-
2
-
-
-
-
-
-
+
=
2
occurs
x
3
=
6
=
6
-
-
-
3
-
-
-
-
-
-
-
-
3
-
-
-
-
-
-
-
-
3
-
-
-
-
-
+
=
3
occurs
x
3
=
9
=
9
-
-
-
-
4
-
-
-
-
-
-
-
-
4
-
-
-
-
-
-
-
-
4
-
-
-
-
+
=
4
occurs
x
3
=
12
1+2
3
-
-
-
-
-
5
-
-
-
-
-
-
-
-
5
-
-
-
-
-
-
-
-
5
-
-
-
+
=
5
occurs
x
3
=
15
1+5
6
-
-
-
-
-
-
6
-
-
-
-
-
-
-
-
6
-
-
-
-
-
-
-
-
6
-
-
+
=
6
occurs
x
3
=
18
1+8
9
-
-
-
-
-
-
-
7
-
-
-
-
-
-
-
-
7
-
-
-
-
-
-
-
-
7
-
+
=
7
occurs
x
3
=
21
2+1
3
-
-
-
-
-
-
-
-
8
-
-
-
-
-
-
-
-
8
-
-
-
-
-
-
-
-
8
+
=
8
occurs
x
3
=
24
2+4
6
-
-
-
-
-
-
-
-
-
9
-
-
-
-
-
-
-
-
9
-
-
-
-
-
-
-
-
+
=
9
occurs
x
2
=
18
1+8
9
26
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
-
-
45
-
-
26
-
126
-
54
-
-
-
-
-
-
-
-
-
9
-
-
-
-
-
-
-
-
9
-
-
-
-
-
-
-
-
-
-
4+5
-
-
2+6
-
1+2+6
-
5+4
26
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
-
-
9
-
-
8
-
9
-
9
-
1
2
3
4
5
6
7
8
9
1
2
3
4
5
6
7
8
9
1
2
3
4
5
6
7
8
-
-
-
-
-
-
-
-
-
-
26
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
-
-
9
-
-
8
-
9
-
9

 

 

THE LIGHT IS RISING NOW RISING IS THE LIGHT

 

 

0
-
Z
=
8
-
4
ZERO
64
28
1
1
-
O
=
6
-
3
ONE
34
16
7
2
-
T
=
2
-
3
TWO
58
13
4
3
-
T
=
2
-
5
THREE
56
29
2
4
-
F
=
6
-
4
FOUR
60
24
6
5
-
F
=
6
-
4
FIVE
42
24
6
6
-
S
=
1
-
3
SIX
52
16
7
7
-
S
=
1
-
5
SEVEN
65
20
2
8
-
E
=
5
-
5
EIGHT
49
31
4
9
-
N
=
5
-
4
NINE
42
24
6
45
-
-
-
42
-
40
Add
522
225
45
4+5
-
-
-
4+2
-
4+0
Reduce
5+2+2
2+2+5
4+5
9
-
-
-
6
-
4
Deduce
9
9
9

 

 

-
-
-
-
-
-
-
-
-
-
-
-
1
2
3
4
5
6
7
8
9
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
0
-
Z
=
8
-
4
ZERO
64
28
1
-
1
-
-
-
-
-
-
-
-
1
-
O
=
6
-
3
ONE
34
16
7
-
-
-
-
-
-
-
7
-
-
2
-
T
=
2
-
3
TWO
58
13
4
-
-
-
-
4
-
-
-
-
-
3
-
T
=
2
-
5
THREE
56
29
2
-
-
2
-
-
-
-
-
-
-
4
-
F
=
6
-
4
FOUR
60
24
6
-
-
-
-
-
-
6
-
-
-
5
-
F
=
6
-
4
FIVE
42
24
6
-
-
-
-
-
-
6
-
-
-
6
-
S
=
1
-
3
SIX
52
16
7
-
-
-
-
-
-
-
7
-
-
7
-
S
=
1
-
5
SEVEN
65
20
2
-
-
2
-
-
-
-
-
-
-
8
-
E
=
5
-
5
EIGHT
49
31
4
-
-
-
-
4
-
-
-
-
-
9
-
N
=
5
-
4
NINE
42
24
6
-
-
-
-
-
-
6
-
-
-
45
-
-
-
42
-
40
Add
522
225
45
-
1
4
3
8
5
18
14
8
9
4+5
-
-
-
4+2
-
4+0
Reduce
5+2+2
2+2+5
4+5
-
-
-
-
-
-
1+8
1+4
-
-
9
-
-
-
6
-
4
Deduce
9
9
9
-
1
4
3
8
5
9
5
8
9

 

 

1
-
O
=
6
-
3
ONE
34
16
7
2
-
T
=
2
-
3
TWO
58
13
4
3
-
T
=
2
-
5
THREE
56
29
2
4
-
F
=
6
-
4
FOUR
60
24
6
5
-
F
=
6
-
4
FIVE
42
24
6
6
-
S
=
1
-
3
SIX
52
16
7
7
-
S
=
1
-
5
SEVEN
65
20
2
8
-
E
=
5
-
5
EIGHT
49
31
4
9
-
N
=
5
-
4
NINE
42
24
6
45
-
-
-
34
-
36
Add
458
197
44
4+5
-
-
-
3+4
-
3+6
Reduce
4+5+8
1+9+7
4+4
9
-
-
-
7
4
9
Deduce
17
17
8
-
-
-
-
-
-
-
Produce
1+7
1+7
-
9
-
-
-
7
-
9
Essence
8
8
8

 

 

-
-
-
-
-
-
-
-
-
-
-
-
1
2
3
4
5
6
7
8
9
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
1
-
O
=
6
-
3
ONE
34
16
7
-
-
-
-
-
-
-
7
-
-
2
-
T
=
2
-
3
TWO
58
13
4
-
-
-
-
4
-
-
-
-
-
3
-
T
=
2
-
5
THREE
56
29
2
-
-
2
-
-
-
-
-
-
-
4
-
F
=
6
-
4
FOUR
60
24
6
-
-
-
-
-
-
6
-
-
-
5
-
F
=
6
-
4
FIVE
42
24
6
-
-
-
-
-
-
6
-
-
-
6
-
S
=
1
-
3
SIX
52
16
7
-
-
-
-
-
-
-
7
-
-
7
-
S
=
1
-
5
SEVEN
65
20
2
-
-
2
-
-
-
-
-
-
-
8
-
E
=
5
-
5
EIGHT
49
31
4
-
-
-
-
4
-
-
-
-
-
9
-
N
=
5
-
4
NINE
42
24
6
-
-
-
-
-
-
6
-
-
-
45
-
-
-
34
-
36
Add
458
197
44
-
1
4
3
8
5
18
14
8
9
4+5
-
-
-
3+4
-
3+6
Reduce
4+5+8
1+9+7
4+4
-
-
-
-
-
-
1+8
1+4
-
-
9
-
-
-
7
4
9
Deduce
17
17
8
-
1
4
3
8
5
18
14
8
9
-
-
-
-
-
-
-
Produce
1+7
1+7
-
-
-
-
-
-
-
-
-
-
-
9
-
-
-
7
-
9
Essence
8
8
8
-
1
4
3
8
5
9
5
8
9

 

 

0
-
4
ZERO
8
5
9
6
-
=
28
2+8
=
10
1+0
1
1
-
3
ONE
6
5
5
-
-
=
16
1+6
=
7
-
7
2
-
3
TWO
2
5
6
-
-
=
13
1+3
=
4
-
4
3
-
5
THREE
2
8
9
5
5
=
29
2+9
=
11
1+1
2
4
-
4
FOUR
6
6
3
9
-
=
24
2+4
=
6
-
6
5
-
4
FIVE
6
9
4
5
-
=
24
2+4
=
6
-
6
6
-
3
SIX
1
9
6
-
-
=
16
1+6
=
7
-
7
7
-
5
SEVEN
1
5
4
5
5
=
20
2+0
=
2
-
2
8
-
5
EIGHT
5
9
7
8
2
=
31
3+1
=
4
-
4
9
-
4
NINE
5
9
5
5
-
=
24
2+4
=
6
-
6
45
-
40
Add
42
70
58
43
12
-
225
-
-
63
-
45
4+5
-
4+0
-
4+2
7+0
5+8
4+3
1+2
-
2+2+5
-
-
6+3
-
4+5
9
-
4
Reduce
6
7
13
7
3
-
9
-
-
9
-
-
-
-
-
-
-
-
1+3
-
-
-
-
-
-
-
-
-
9
-
4
Deduce
6
7
4
7
3
-
9
-
-
9
-
9

 

 

A

MAZE

IN

ZAZAZA ENTER AZAZAZ

AZAZAZAZAZAZAZZAZAZAZAZAZAZA

ZAZAZAZAZAZAZAZAZAAZAZAZAZAZAZAZAZAZ

THE

MAGICALALPHABET

ABCDEFGHIJKLMNOPQRSTUVWXYZZYXWVUTSRQPONMLKJIHGFEDCBA

 12345678910111213141516171819202122232425262625242322212019181716151413121110987654321

 

 

WORK DAYS OF GOD

Herbert W Morris D.D.circa 1883

Page 22

"As all the words in the English language are composed out of the twenty-six letters of the alphabet,.."

 

 

LIGHT AND LIFE

Lars Olof Bjorn 1976

Page 197

"By writing the 26 letters of the alphabet in a certain order one may put down almost any message (this book 'is written with the same letters' as the Encyclopaedia Britannica and Winnie the Pooh, only the order of the letters differs). In the same way Nature is able to convey with her language how a cell and a whole organism is to be constructed and how it is to function. Nature has succeeded better than we humans; for the genetic code there is only one universal language which is the same in a man, a bean plant and a bacterium."

"BY WRITING THE 26 LETTERS OF THE ALPHABET IN A CERTAIN ORDER

ONE MAY PUT DOWN ALMOST ANY MESSAGE"

 

 

A
B
C
D
E
F
G
H
I
1
2
3
4
5
6
7
8
9
 =
 =
 =
 =
 =
 =
 =
 =
=
 =
 =
 =
 =
 =
 =
 =
 =
=
J
K
L
M
N
O
P
Q
R
10
11
12
13
14
15
16
17
18
1+0
1+1
1+2
1+3
1+4
1+5
1+6
1+7
1+8
1
2
3
4
5
6
7
8
9
 =
 =
 =
 =
 =
 =
 =
 =
=
 =
 =
 =
 =
 =
 =
 =
 =
=
S
T
U
V
W
X
Y
Z
I
19
20
21
22
23
24
25
26
9
1+9
2+0
2+1
2+2
2+3
2+4
2+5
2+6
ME
1
2
3
4
5
6
7
8
9
 =
 =
 =
 =
 =
 =
 =
 =
=
 =
 =
 =
 =
 =
 =
 =
 =
=
I
ME
I
ME
I
ME
I
ME
I
9
18
9
18
9
18
9
18
9
=
1+8
=
1+8
=
1+8
=
1+8
=
=
9
=
9
=
9
=
9
=
I
ME
I
ME
I
ME
I
ME
1
9
9
9
9
9
9
9
9
9
I
ME
I
ME
I
ME
I
ME
1

 

 

"BY WRITING THE 26 LETTERS OF THE ALPHABET IN A CERTAIN ORDER

ONE MAY PUT DOWN ALMOST ANY MESSAGE"

 

 

A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
1
2
3
4
5
6
7
8
9
10
11
12
13
14
15
16
17
18
19
20
21
22
23
24
25
26
-
-
-
-
-
-
-
-
-
1+0
1+1
1+2
1+3
1+4
1+5
1+6
1+7
1+8
1+9
2+0
2+1
2+2
2+3
2+4
2+5
2+6
1
2
3
4
5
6
7
8
9
1
2
3
4
5
6
7
8
9
1
2
3
4
5
6
7
8
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
 -
-
-
-
-
-
-
-
-
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
1
2
3
4
5
6
7
8
9
1
2
3
4
5
6
7
8
9
1
2
3
4
5
6
7
8
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z

 

 

A

HISTORY OF GOD

Karen Armstrong 1993

The God of the Mystics

Page 250

"Perhaps the most famous of the early Jewish mystical texts is the fifth century Sefer Yezirah (The Book of Creation). There is no attempt to describe the creative process realistically; the account is unashamedly symbolic and shows God creating the world by means of language as though he were writing a book. But language has been entirely transformed and the message of creation is no longer clear. Each letter of the Hebrew alphabet is given a numerical value; by combining the letters with the sacred numbers, rearranging them in endless configurations, the mystic weaned his mind away from the normal connotations of words."

 

THIS IS THE SCENE OF THE SCENE UNSEEN

THE UNSEEN SEEN OF THE SCENE UNSEEN THIS IS THE SCENE

 

 

3
THE
33
15
6
4
MIND
40
22
4
2
OF
21
12
3
9
HUMANKIND
95
41
5
18
First Total
189
90
18
1+8
Add to Reduce
1+8+9
9+0
1+8
9
Second Total
18
9
9
-
Reduce to Deduce
1+8
-
-
9
Essence of Number
9
9
9

 

 

THE

FAR YONDER SCRIBE

AND OFT TIMES SHADOWED SUBSTANCES WATCHED IN FINE AMAZE

THE

ZED ALIZ ZED

IN SWIFT REPEAT SCATTER STAR DUST AMONGST THE LETTERS OF THEIR PROGRESS

AT THE THROW OF THE NINTH RAM WHEN IN CONJUNCTION SET

THE

FAR YONDER SCRIBE

MADE RECORD OF THEIR FALL

 

 

NUMBER

9

THE SEARCH FOR THE SIGMA CODE

Cecil Balmond 1998

Cycles and Patterns

Page 165

Patterns

"The essence of mathematics is to look for patterns.

Our minds seem to be organised to search for relationships and sequences. We look for hidden orders.

These intuitions seem to be more important than the facts themselves, for there is always the thrill at finding something, a pattern, it is a discovery - what was unknown is now revealed. Imagine looking up at the stars and finding the zodiac!

Searching out patterns is a pure delight.

Suddenly the counters fall into place and a connection is found, not necessarily a geometric one, but a relationship between numbers, pictures of the mind, that were not obvious before. There is that excitement of finding order in something that was otherwise hidden.

And there is the knowledge that a huge unseen world lurks behind the facades we see of the numbers themselves."

 

 

FINGERPRINTS OF THE GODS

A QUEST FOR THE BEGINNING AND THE END

Graham Hancock 1995

Chapter 32

Speaking to the Unborn

Page 285

"It is understandable that a huge range of myths from all over the ancient world should describe geological catastrophes in graphic detail. Mankind survived the horror of the last Ice Age, and the most plausible source for our enduring traditions of flooding and freezing, massive volcanism and devastating earthquakes is in the tumultuous upheavals unleashed during the great meltdown of 15,000 to 8000 BC. The final retreat of the ice sheets, and the consequent 300-400 foot rise in global sea levels, took place only a few thousand years before the beginning of the historical period. It is therefore not surprising that all our early civilizations should have retained vivid memories of the vast cataclysms that had terrified their forefathers.
Much harder to explain is the peculiar but distinctive way the myths of cataclysm seem to bear the intelligent imprint of a guiding hand.l Indeed the degree of convergence between such ancient stories is frequently remarkable enough to raise the suspicion that they must all have been 'written' by the same 'author'.
Could that author have had anything to do with the wondrous deity, or superhuman, spoken of in so many of the myths we have reviewed, who appears immediately after the world has been shattered by a horrifying geological catastrophe and brings comfort and the gifts of civilization to the shocked and demoralized survivors?
White and bearded, Osiris is the Egyptian manifestation of this / Page 286 / universal figure, and it may not be an accident that one of the first acts he is remembered for in myth is the abolition of cannibalism among the primitive inhabitants of the Nile Valley.2 Viracocha, in South America, was said to have begun his civilizing mission immediately after a great flood; Quetzalcoatl, the discoverer of maize, brought the benefits of crops, mathematics, astronomy and a refined culture to Mexico after the Fourth Sun had been overwhelmed by a destroying deluge.
Could these strange myths contain a record of encounters between scattered palaeolithic tribes which survived the last Ice Age and an as yet unidentified high civilization which passed through the same epoch?
And could the myths be attempts to communicate?

A message in the bottle of time"

'Of all the other stupendous inventions,' Galileo once remarked,

what sublimity of mind must have been his who conceived how to communicate his most secret thoughts to any other person, though very distant either in time or place, speaking with those who are in the Indies, speaking to those who are not yet born, nor shall be this thousand or ten thousand years? And with no greater difficulty than the various arrangements of two dozen little signs on paper? Let this be the seal of all the admirable inventions of men.3

If the 'precessional message' identified by scholars like Santillana, von Dechend and Jane Sellers is indeed a deliberate attempt at communication by some lost civilization of antiquity, how come it wasn't just written down and left for us to find? Wouldn't that have been easier than encoding it in myths? Perhaps.
Nevertheless, suppose that whatever the message was written on got destroyed or worn away after many thousands of years? Or suppose that the language in which it was inscribed was later forgotten utterly (like the enigmatic Indus Valley script, which has been studied closely for more than half a century but has so far resisted all attempts at decoding)? It must be obvious that in such circumstances a written / Page 287 / legacy to the future would be of no value at all, because nobody would be able to make sense of it.
What one would look for, therefore, would be a universal language, the kind of language that would be comprehensible to any technologically advanced society in any epoch, even a thousand or ten thousand years into the future. Such languages are few and far between, but mathematics is one of them - and the city of Teotihuacan may be the calling-card of a lost civilization written in the eternal language of mathematics.
Geodetic data, related to the exact positioning of fixed geographical points and to the shape and size of the earth, would also remain valid and recognizable for tens of thousands of years, and might be most conveniently expressed by means of cartography (or in the construction of giant geodetic monuments like the Great Pyramid of Egypt, as we shall see).
Another 'constant' in our solar system is the language of time: the great but regular intervals of time calibrated by the inch-worm creep of precessional motion. Now, or ten thousand years in the future, a message that prints out numbers like 72 or 2160 or 4320 or 25,920 should be instantly intelligible to any civilization that has evolved a modest talent for mathematics and the ability to detect and measure the almost imperceptible reverse wobble that the sun appears to make along the ecliptic against the background of the fixed stars..."

"What one would look for, therefore, would be a universal language, the kind of language that would be comprehensible to any technologically advanced society in any epoch, even a thousand or ten thousand years into the future. Such languages are few and far between, but mathematics is one of them"

"WRITTEN IN THE ETERNAL LANGUAGE OF MATHEMATICS"

 

 

-
THE RAINBOW LIGHT
-
-
-
3
THE
33
15
6
7
RAINBOW
82
37
1
5
LIGHT
56
29
2
15
THE RAINBOW LIGHT
171
81
9
1+5
-
1+7+1
8+1
-
6
THE RAINBOW LIGHT
9
9
9

 

 

15
THE RAINBOW LIGHT
-
-
-
-
THE
33
15
6
-
R
18
9
9
-
A
1
1
1
-
I
9
9
9
-
N+B+O+W
54
18
9
-
L
12
3
3
-
I
9
9
9
-
G+H+T
35
17
8
15
THE RAINBOW LIGHT
171
81
54
1+5
-
1+7+1
8+1
5+4
6
THE RAINBOW LIGHT
9
9
9

 

 

THE LIGHT IS RISING RISING IS THE LIGHT

 

 

26
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
-
-
-
-
-
-
-
1
2
3
4
5
6
7
8
9
10
11
12
13
14
15
16
17
18
19
20
21
22
23
24
25
26
+
=
351
3+5+1
=
9
-
1
2
3
4
5
6
7
8
9
1
2
3
4
5
6
7
8
9
1
2
3
4
5
6
7
8
+
=
126
1+2+6
=
9
26
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
-
-
-
-
-
-

 

 

9
A
B
C
D
E
F
G
H
I
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
8
9
+
=
17
1+7
=
8
=
8
-
-
-
-
-
-
-
-
8
9
+
=
17
1+7
=
8
=
8
9
A
B
C
D
E
F
G
H
I
-
-
-
-
-
-
-
-
-
1
2
3
4
5
6
7
-
-
+
=
28
2+8
=
10
1+0
1
-
1
2
3
4
5
6
7
-
-
+
=
28
2+8
=
10
1+0
1
9
A
B
C
D
E
F
G
H
I
-
-
-
-
-
-
-
-
-
1
2
3
4
5
6
7
8
9
+
=
45
4+5
=
9
=
9
-
1
2
3
4
5
6
7
8
9
+
=
45
4+5
=
9
=
9
9
A
B
C
D
E
F
G
H
I
-
-
-
-
-
-
-
-
-
1
-
-
-
-
-
-
-
-
+
=
1
occurs
x
1
=
1
-
-
2
-
-
-
-
-
-
-
+
=
2
occurs
x
1
=
2
-
-
-
3
-
-
-
-
-
-
+
=
3
occurs
x
1
=
3
-
-
-
-
4
-
-
-
-
-
+
=
4
occurs
x
1
=
4
-
-
-
-
-
5
-
-
-
-
+
=
5
occurs
x
1
=
5
-
-
-
-
-
-
6
-
-
-
+
=
6
occurs
x
1
=
6
-
-
-
-
-
-
-
7
-
-
+
=
7
occurs
x
1
=
7
-
-
-
-
-
-
-
-
8
-
+
=
8
occurs
x
1
=
8
-
-
-
-
-
-
-
-
-
9
+
=
9
occurs
x
1
=
9
9
A
B
C
D
E
F
G
H
I
-
-
45
-
-
9
-
45
-
1
2
3
4
5
6
7
8
9
-
-
4+5
-
-
-
-
4+5
9
A
B
C
D
E
F
G
H
I
-
-
9
-
-
9
-
9
-
1
2
3
4
5
6
7
8
9
-
-
-
-
-
-
-
-
9
A
B
C
D
E
F
G
H
I
-
-
9
-
-
9
-
9

 

 

9
J
K
L
M
N
O
P
Q
R
-
-
-
-
-
-
-
-
-
-
-
-
-
5
6
-
-
-
+
=
11
1+1
=
2
=
2
-
-
-
-
-
14
15
-
-
-
+
=
29
2+9
=
11
1+1
2
9
J
K
L
M
N
O
P
Q
R
-
-
-
-
-
-
-
-
-
1
2
3
4
-
-
7
8
9
+
=
34
3+4
=
7
=
7
-
10
11
12
13
-
-
16
17
18
+
=
97
9+7
=
16
1+6
7
9
J
K
L
M
N
O
P
Q
R
-
-
-
-
-
-
-
-
-
10
11
12
13
14
15
16
17
18
+
=
126
1+2+6
=
9
=
9
-
1
2
3
4
5
6
7
8
9
+
=
45
4+5
=
9
=
9
9
J
K
L
M
N
O
P
Q
R
-
-
-
-
-
-
-
-
-
1
-
-
-
-
-
-
-
-
+
=
1
occurs
x
1
=
1
-
-
2
-
-
-
-
-
-
-
+
=
2
occurs
x
1
=
2
-
-
-
3
-
-
-
-
-
-
+
=
3
occurs
x
1
=
3
-
-
-
-
4
-
-
-
-
-
+
=
4
occurs
x
1
=
4
-
-
-
-
-
5
-
-
-
-
+
=
5
occurs
x
1
=
5
-
-
-
-
-
-
6
-
-
-
+
=
6
occurs
x
1
=
6
-
-
-
-
-
-
-
7
-
-
+
=
7
occurs
x
1
=
7
-
-
-
-
-
-
-
-
8
-
+
=
8
occurs
x
1
=
8
-
-
-
-
-
-
-
-
-
9
+
=
9
occurs
x
1
=
9
9
J
K
L
M
N
O
P
Q
R
-
-
45
-
-
9
-
45
-
10
11
12
13
14
15
16
17
18
-
-
4+5
-
-
-
-
4+5
9
J
K
L
M
N
O
P
Q
R
-
-
9
-
-
9
-
9
-
1
2
3
4
5
6
7
8
9
-
-
-
-
-
-
-
-
9
J
K
L
M
N
O
P
Q
R
-
-
9
-
-
9
-
9

 

 

8
S
T
U
V
W
X
Y
Z
-
-
-
-
-
-
-
-
-
1
-
-
-
-
6
-
8
+
=
15
1+5
=
6
=
6
-
19
-
-
-
-
24
-
26
+
=
69
6+9
=
15
1+5
6
8
S
T
U
V
W
X
Y
Z
-
-
-
-
-
-
-
-
-
-
2
3
4
5
-
7
-
+
=
21
2+1
=
3
=
3
-
-
20
21
22
23
-
25
-
+
=
111
1+1+1
=
3
=
3
8
S
T
U
V
W
X
Y
Z
-
-
-
-
-
-
-
-
-
19
20
21
22
23
24
25
26
+
=
180
1+8+0
=
9
=
9
-
1
2
3
4
5
6
7
8
+
=
36
3+6
=
9
=
9
8
S
T
U
V
W
X
Y
Z
-
-
-
-
-
-
-
-
-
1
-
-
-
-
-
-
-
+
=
1
occurs
x
1
=
1
-
-
2
-
-
-
-
-
-
+
=
2
occurs
x
1
=
2
-
-
-
3
-
-
-
-
-
+
=
3
occurs
x
1
=
3
-
-
-
-
4
-
-
-
-
+
=
4
occurs
x
1
=
4
-
-
-
-
-
5
-
-
-
+
=
5
occurs
x
1
=
5
-
-
-
-
-
-
6
-
-
+
=
6
occurs
x
1
=
6
-
-
-
-
-
-
-
7
-
+
=
7
occurs
x
1
=
7
-
-
-
-
-
-
-
-
8
+
=
8
occurs
x
1
=
8
8
S
T
U
V
W
X
Y
Z
-
-
36
-
-
8
-
36
-
1
2
3
4
5
6
7
8
-
-
3+6
-
-
-
-
3+6
8
S
T
U
V
W
X
Y
Z
-
-
9
-
-
8
-
9
-
19
20
21
22
23
24
25
26
-
-
-
-
-
-
-
-
8
S
T
U
V
W
X
Y
Z
-
-
9
-
-
8
-
9

 

 

26
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
8
9
-
-
-
-
5
6
-
-
-
1
-
-
-
-
6
-
8
+
=
43
4+3
=
7
=
7
=
7
-
-
-
-
-
-
-
-
8
9
-
-
-
-
14
15
-
-
-
19
-
-
-
-
24
-
26
+
=
115
1+1+5
=
7
=
7
=
7
26
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
-
-
-
-
-
-
-
-
-
-
-
1
2
3
4
5
6
7
-
-
1
2
3
4
-
-
7
8
9
-
2
3
4
5
-
7
-
+
=
83
8+3
=
11
1+1
2
=
2
-
1
2
3
4
5
6
7
-
-
10
11
12
13
-
-
16
17
18
-
20
21
22
23
-
25
-
+
=
236
2+3+6
=
11
1+1
2
=
2
26
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
-
-
-
-
-
-
-
-
-
-
-
1
2
3
4
5
6
7
8
9
10
11
12
13
14
15
16
17
18
19
20
21
22
23
24
25
26
+
=
351
3+5+1
=
9
=
9
=
9
-
1
2
3
4
5
6
7
8
9
1
2
3
4
5
6
7
8
9
1
2
3
4
5
6
7
8
+
=
126
1+2+6
=
9
=
9
=
9
26
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
-
-
-
-
-
-
-
-
-
-
-
1
-
-
-
-
-
-
-
-
1
-
-
-
-
-
-
-
-
1
-
-
-
-
-
-
-
+
=
1
occurs
x
3
=
3
=
3
-
-
2
-
-
-
-
-
-
-
-
2
-
-
-
-
-
-
-
-
2
-
-
-
-
-
-
+
=
2
occurs
x
3
=
6
=
6
-
-
-
3
-
-
-
-
-
-
-
-
3
-
-
-
-
-
-
-
-
3
-
-
-
-
-
+
=
3
occurs
x
3
=
9
=
9
-
-
-
-
4
-
-
-
-
-
-
-
-
4
-
-
-
-
-
-
-
-
4
-
-
-
-
+
=
4
occurs
x
3
=
12
1+2
3
-
-
-
-
-
5
-
-
-
-
-
-
-
-
5
-
-
-
-
-
-
-
-
5
-
-
-
+
=
5
occurs
x
3
=
15
1+5
6
-
-
-
-
-
-
6
-
-
-
-
-
-
-
-
6
-
-
-
-
-
-
-
-
6
-
-
+
=
6
occurs
x
3
=
18
1+8
9
-
-
-
-
-
-
-
7
-
-
-
-
-
-
-
-
7
-
-
-
-
-
-
-
-
7
-
+
=
7
occurs
x
3
=
21
2+1
3
-
-
-
-
-
-
-
-
8
-
-
-
-
-
-
-
-
8
-
-
-
-
-
-
-
-
8
+
=
8
occurs
x
3
=
24
2+4
6
-
-
-
-
-
-
-
-
-
9
-
-
-
-
-
-
-
-
9
-
-
-
-
-
-
-
-
+
=
9
occurs
x
2
=
18
1+8
9
26
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
-
-
45
-
-
26
-
126
-
54
-
-
-
-
-
-
-
-
-
9
-
-
-
-
-
-
-
-
9
-
-
-
-
-
-
-
-
-
-
4+5
-
-
2+6
-
1+2+6
-
5+4
26
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
-
-
9
-
-
8
-
9
-
9
-
1
2
3
4
5
6
7
8
9
1
2
3
4
5
6
7
8
9
1
2
3
4
5
6
7
8
-
-
-
-
-
-
-
-
-
-
26
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
-
-
9
-
-
8
-
9
-
9

 

 

 

 

 

 

THE DEATH OF GODS IN ANCIENT EGYPT

Jane B. Sellars 1992

Page 204

"The overwhelming awe that accompanies the realization, of the measurable orderliness of the universe strikes modern man as well. Admiral Weiland E. Byrd, alone In the Antarctic for five months of polar darkness, wrote these phrases of intense feeling:

Here were the imponderable processes and forces of the cosmos, harmonious and soundless. Harmony, that was it! I could feel no doubt of oneness with the universe. The conviction came that the rhythm was too orderly. too harmonious, too perfect to be a product of blind chance - that, therefore there must be purpose in the whole and that man was part of that whole and not an accidental offshoot. It was a feeling that transcended reason; that went to the heart of man's despair and found it groundless. The universe was a cosmos, not a chaos; man was as rightfully a part of that cosmos as were the day and night.10

Returning to the account of the story of Osiris, son of Cronos god of' Measurable Time, Plutarch takes, pains to remind the reader of the original Egyptian year consisting of 360 days.

Phrases are used that prompt simple mental. calculations and an attention to numbers, for example, the 360-day year is described as being '12 months of 30 days each'. Then we are told that, Osiris leaves on a long journey, during which Seth, his evil brother, plots with 72 companions to slay Osiris: He also secretly obtained the measure of Osiris and made ready a chest in which to entrap him.

The, interesting thing about this part of the-account is that nowhere in the original texts of the Egyptians are we told that Seth, has 72 companions. We have already been encouraged to equate Osiris with the concept of measured time; his father being Cronos. It is also an observable fact that Cronos-Saturn has the longest sidereal period of the known planets at that time, an orbit. of 30 years. Saturn is absent from a specific constellation for that length of time.

A simple mathematical fact has been revealed to any that are even remotely sensitive to numbers: if you multiply 72 by 30, the years of Saturn's absence (and the mention of Osiris's absence prompts one to recall this other), the resulting product is 2,160: the number of years required, for one 30° shift, or a shift: through one complete sign of the zodiac. This number multplied by the /Page205 / 12 signs also gives 25,920. (And Plutarch has reminded us of 12)

If you multiply the unusual number 72 by 360, a number that Plutarch mentions several times, the product will be 25,920, again the number of years symbolizing the ultimate rebirth.

This 'Eternal Return' is the return of, say, Taurus to the position of marking the vernal equinox by 'riding in the solar bark with. Re' after having relinquished this honoured position to Aries, and subsequently to the to other zodiacal constellations.

Such a return after 25,920 years is indeed a revisit to a Golden Age, golden not only because of a remarkable symmetry In the heavens, but golden because it existed before the Egyptians experienced heaven's changeability.

But now to inform the reader of a fact he or she may already know. Hipparaus did: not really have the exact figures: he was a trifle off in his observations and calculations. In his published work, On the Displacement of the Solstitial and Equinoctial Signs, he gave figures of 45" to 46" a year, while the truer precessional lag along the ecliptic is about 50 seconds. The exact measurement for the lag, based on the correct annual lag of 50'274" is 1° in 71.6 years, or 36in 25,776 years, only 144 years less than the figure of 25,920.

With Hipparchus's incorrect figures a 'Great Year' takes from 28,173.9 to 28,800 years, Incorrect by a difference of from 2,397.9 years to 3,024.

Since Nicholas Copernicus (AD 1473-1543) has always been credited with giving the correct numbers (although Arabic astronomer Nasir al-Din Tusi,11 born AD 1201, is known to have fixed the Precession at 50°), we may correctly ask, and with justifiable astonishment 'Just whose information was Plutarch transmitting'

AN IMPORTANT POSTSCRIPT

Of course, using our own notational system, all the important numbers have digits that reduce to that amazing number 9 a number that has always delighted budding mathematician.

Page 206

Somewhere along the way, according to Robert Graves, 9 became the number of lunar wisdom.12

This number is found often in the mythologies of the world. the Viking god Odin hung for nine days and nights on the World Tree in order to acquire the secret of the runes, those magic symbols out of which writing and numbers grew. Only a terrible sacrifice would give away this secret, which conveyed upon its owner power and dominion over all, so Odin hung from his neck those long 9 days and nights over the 'bottomless abyss'. In the tree were 9 worlds, and another god was said to have been born of 9 mothers.

Robert Graves, in his White Goddess, Is intrigued by the seemingly recurring quality of the number 72 in early myth and ritual. Graves tells his reader that 72 is always connected with the number 5, which reflects, among other things, the five Celtic dialects that he was investigating. Of course, 5 x 72= 360, 360 x 72= 25,920. Five is also the number of the planets known to the ancient world, that is, Saturn, Jupiter, Mars, Venus Mercury.

Graves suggests a religious mystery bound up with two ancient Celtic 'Tree Alphabets' or cipher alphabets, which as genuine articles of Druidism were orally preserved and transmitted for centuries. He argues convincingly that the ancient poetry of Europe was ultimately based on what its composers believed to be magical principles, the rudiments of which formed a close religious secret for centuries. In time these were-garbled, discredited and forgotten.

Among the many signs of the transmission of special numbers he points out that the aggregate number of letter strokes for the complete 22-letter Ogham alphabet that he is studying is 72 and that this number is the multiple of 9, 'the number of lunar wisdom'. . . . he then mentions something about 'the seventy day season during which Venus moves successively from. maximum eastern elongation 'to inferior conjunction and maximum western elongation'.13

Page 207

"...Feniusa Farsa, Graves equates this hero with Dionysus Farsa has 72 assistants who helped him master the 72 languages created at the confusion of Babel, the tower of which is said to be built of 9 different materials

We are also reminded of the miraculous translation into Greek of the Five Books of Moses that was done by 72 scholars working for 72 days, Although the symbol for the Septuagint is LXX, legend, according to the fictional letter of Aristeas, records 72. The translation was done for Ptolemy Philadelphus (c.250 BC), by Hellenistic Jews, possibly from Alexandra.14

Graves did not know why this number was necessary, but he points out that he understands Frazer's Golden Bough to be a a book hinting that 'the secret involves the truth that the Christian dogma, and rituals, are the refinement of a great body of primitive beliefs, and that the only original element in Christianity- is the personality of Christ.15

Frances A. Yates, historian of Renaissance hermetisma tells, us the cabala had 72 angels through which the sephiroth (the powers of God) are believed to be approached, and further, she supplies the information that although the Cabala supplied a set of 48 conclusions purporting to confirm the Christian religion from the foundation of ancient wisdom, Pico Della Mirandola, a Renaissance magus, introduced instead 72, which were his 'own opinion' of the correct number. Yates writes, 'It is no accident there are seventy-two of Pico's Cabalist conclusions, for the conclusion shows that he knew something of the mystery of the Name of God with seventy-two letters.'16

In Hamlet's Mill de Santillarta adds the facts that 432,000 is the number of syllables in the Rig-Veda, which when multiplied by the soss (60) gives 25,920" (The reader is forgiven for a bit of laughter at this point)

Thee Bible has not escaped his pursuit. A prominent Assyriologist of the last century insisted that the total of the years recounted
mounted in Genesis for the lifetimes of patriarchs from the Flood also contained the needed secret numbers. (He showed that in the 1,656.years recounted in the Bible there are 86,400 7 day weeks, and dividing this number yields / Page 208 / 43,200.) In Indian yogic schools it is held that all living beings exhale and inhale 21,600 times a day, .multiply this by 2 and again we have.the necessary 432 digits.

Joseph Campbell discerns the secret in the date set for the coming of Patrick to Ireland. Myth-gives this date-as.- the interest-
ing number of AD.432.18

Whatever one may think-of some of these number coincidences, it becomes. difficult to escape the suspicion that many signs (number and otherwise) -indicate that early man observed the results.. of the movement of Precession . and that the-.transmission of this information was .considered of prime importance.

'With the awareness of the phenomenon, observers would certainly have tried for its measure, and such an endeavour would
have constituted the construction-of a 'Unified Field Theory' for nothing .less than Creation itself. Once determined, it would have been information worthy of secrecy and worthy of the passing on to future adepts.

But one last word about mankind's romance with number coincidences.The antagonist in John Updike's novel, Roger's Version, is a computer hacker, who, convinced.,that scientific evidence of God's existence is accumulating, endeavours to prove it by feeding -all the available scientific information. into a comuter. In his search for God 'breaking, through', he has become fascinated by certain numbers that have continually been cropping up. He explains them excitedly as 'the terms of Creation':

"...after a while I noticed that all over the sheet there seemed to hit these twenty-fours Jumping out at me. Two four; two,four.Planck time, for instance, divided by the radiation constant yields a figure near eight times ten again to the negative twenty-fourth, and the permittivity of free space, or electric constant, into the Bohr radiusekla almost exactly six times ten to the negative twenty-fourth. On positive side, the electromagnetic line-structure constant times Hubble radius - that is, the size of the universe as we now perceive it gives us something quite close to ten to the twenty-fourth, and the strong-force constant times the charge on the proton produces two point four times ten to the negative eighteenth, for another I began to circle twenty-four wherever it appeared on the Printout here' - he held it up. his piece of striped and striped wallpaper, decorated / Page 209 / with a number of scarlet circles - 'you can see it's more than random.'19
This inhabitant of the twentieth century is convinced that the striking occurrences of 2 and 4 reveal the sacred numbers by which God is speaking to us.

So much for any scorn directed to ancient man's fascination with number coincidences. That fascination is alive and well, Just a bit more incomprehensible"

 

 

OF TIME AND STARS

Arthur C. Clarke 1972

FOREWORD

"'Into the Comet' and 'The Nine Billion Names of God' both involve computers and the troubles they may cause us. While writing this preface, I had occasion to call upon my own HP 9100A computer, Hal Junior, to answer an interesting question. Looking at my records, I find that I have now written just about one hundred short stories. This volume contains eighteen of them: therefore, how many possible 18-story collections will I be able to put together? The answer ­as I am sure will be instantly obvious to you - is 100 x 99. . . x 84 x 83 divided by 18 x 17 x 16 ... x .2 x 1. This is an impressive number - Hal Junior tells me that it is approximately 20,772,733,124,605,000,000.

 

 

3
THE
33
15
6
4
NINE
42
24
6
7
BILLION
73
37
1
5
NAMES
52
16
7
2
OF
21
12
3
3
GOD
26
17
8
24
-
247
121
31
2+4
-
2+4+7
1+2+1
3+1
6
-
13
4
4
-
-
1+3
-
-
6
-
4
4
4

Page 15

The Nine Billion Names of God

'This is a slightly unusual request,' said Dr Wagner, with what he hoped was commendable restraint. 'As far as I know, it's the first time anyone's been asked to supply a Tibetan monastery with an Automatic Sequence Computer. I don't wish to be inquisitive, but I should hardly have thought that your - ah - establishment had much use for such a machine. Could you explain just what you intend to do with it?'
'Gladly,' replied the lama, readjusting his silk robes and carefully putting away the slide rule he had been using far currency conversions. 'Your Mark V Computer can carry out any routine mathematical operation involving up to ten digits. However, for our work we are interested in letters, not numbers. As we wish you to modify the output circuits, the machine will be printing words, not columns of figures.'
'I don't quite understand. . .'
'This is a project on which we have been working for the last three centuries - since the lamasery was founded, in fact. It is somewhat alien to your way of thought, so I hope you will listen with an open mind while I explain it.'
'Naturally.'
'It is really quite simple. We have been compiling a list which shall contain all the possible names of God.'
'I beg your pardon?'

Page16

'We have reason to believe,' continued the lama imperturbably, 'that all such names can be written with not more than nine letters in an alphabet we have devised.'
'And you have been doing this for three centuries?'
'Yes: we expected it would take us about fifteen thousand years to complete the task.'
'Oh,' Dr Wagner looked a little dazed. 'Now I see why you wanted to hire one of our machines. But what exactly is the purpose of this project?'
The lama hesitated for a fraction of a second, and Wagner wondered if he had offended him. If so, there was no trace of annoyance in the reply.
'Call it ritual, if you like, but it's a fundamental part of our belief. All the many names of the Supreme Being - God Jehova, Allah, and so on - they are only man-made labels. There is a philosophical problem of some difficulty here, which I do not propose to discuss, but somewhere among all the possible combinations of letters that can occur are what one may call the real names of God. By systematic permutation of letters, we have been trying to list them all.'
'I see. You've been starting at AAAAAAA . . . and working up to ZZZZZZZZ . . .'
'Exactly - though we use a special alphabet of our own. Modifying the electromatic typew
riters to deal with this is, of course, trivial. A rather more interesting problem is that of devising suitable circuits to eliminate ridiculous combinations. For example, no letter must occur more than three times in succession.'
,'Three? Surely you mean two.'
'Three is correct: I am afraid it would take too long to explain why, even if you understood our language.' "

 

I = 9 9 = I

R = 9 9 = R

 

 

OF

T9ME AND STA9S

A9thu9 C. Cla9ke,1972

Page 15

THE N9NE B9LL9ON NAMES OF GOD

'Th9s 9s a sl9ghtly unusual 9equest,'sa9d D9 Wagne9, w9th what he hoped was commendable 9est9a9nt.' As fa9 as 9 know, 9t's the f99st t9me anyone's been asked to supply a T9betan monaste9y with an Automat9c Sequence Compute9. 9 don't w9sh to be 9nqu9s9t9ve, but 9 should ha9dly have thought that you9- ah - establ9shment had much use for such a mach9ne.Could you expla9n just what you 9ntend to do w9th 9t?'

'Gladly,' 9epl9ed the lama, 9eadjust9ng h9s s9lk 9obes and ca9efully putting away the sl9de 9ule he had been us9ng fo9 cu99ency conve9s9ons. 'You9 Ma9k V Compute9 can ca99y out any 9out9ne mathemat9cal ope9at9on 9nvolv9ng up to ten d9g9ts. Howeve9, for ou9 work we are 9nte9ested 9n lette9s, not numbe9s. As we w9sh you to mod9fy the output c9rcu9ts,the mach9ne w9ll be p99nt9ng wo9ds not columns of f9gu9es.'

'9 dont qu9te unde9stand…'

'Th9s 9s a p9oject on wh9ch we have been work9ng fo9 the last th9ee centu99es - s9nce the lamase9y was founded, 9n fact.9t 9s somewhat al9en to you9 way of thought, so9 hope you w9ll l9sten with an open m9nd wh9le 9 expla9n 9t

'Natu9ally.'

'9t 9s 9eally qu9te s9mple.We have been comp9l9ng a l9st wh9ch shall conta9n all the poss9ble names of God'

'9 beg you9 pa9don?' / Page16 / 'We have 9eason to bel9eve' cont9nued the lama 9mpe9tu9bably, ' that all such names can be w99tten with not mo9e than n9ne lette9s 9n an alphabet we have dev9sed,'

'And you have been do9ng th9s for three centu99es?

'Yes: we expected9t would take us about f9fteen thousand years to complete the task.'

'Oh, Dr Wagne9 looked a l9ttle dazed. 'Now9 see why you wanted to h99e one of ou9 mach9nes. But what exactly9s the pu9pose of th9s p9oject ?

'The lama hes9tated fo9 a f9act9on of a second, and Wagne9 wonde9ed9f he had offended h9m.9f so the9e was no t9ace of annoyance9n the 9eply.

'Call9t 99tual, 9f you l9ke, but 9t's a fundamental pa9t of ou9 bel9ef. All the many names of the Sup9eme Be9ng - God , Jehova , Allah , and so on - they a9e only man made labels. The9e 9s a ph9losoph9cal p9oblem of some d9ff9culty he9e, wh9ch9 do not p9opose to d9scuss, but somewhe9e among all the poss9ble comb9nat9ons of lette9s that can occu9 a9e what one may call the 9eal names of God. By systemat9c pe9mutat9on of lette9s, we have been t9y9ng to l9st them all'

9 see. You've been sta9t9ng at AAAAAAA… and wo9k-9ng up to ZZZZZZZZ …'

'Exactly - though we use a spec9al alphabet of ou9 own. Mod9fy9ng the elect9omat9c typew99te9s to deal w9th th9s 9s of cou9se t99v9al. A 9athe9 mo9e 9nte9est9ng p9oblem 9s that of dev9s9ng su9table c99cu9ts to el9m9nate 9 9d9culous comb9nat9ons. Fo9 example, no lette9 must occu9 mo9e than th9ee t9mes 9n sucess9on.'

'Th9ee? Su9ely you mean two.'

'Th9ee 9s co99ect; 9 am af9a9d 9t would take too long to expla9n why , even 9f you unde9stood ou9 language.'/ Page 17 / '9'm su9e 9t would,' sa9d Wagne9 hast9ly. 'Go on.'

'Luck9ly, 9t w9ll be a s9mple matte9 to adapt you9 Automat9c Sequence Compute9 fo9 th9s wo9k, s9nce once 9t has been p9og9ammed p9ope9ly 9t w9ll pe9mute each lette9 9n tu9n and p99nt the 9esult. What would have taken us f9fteen thousand years 9t w9ll be able to do 9n a hund9ed days.'

'Dr Wagne9 was sca9cely consc9ous of the fa9nt sounds f9om the Manhatten st9eets fa9 below. He was 9n a d9ffe9ent wo9ld, a wo9ld of natu9al, not man-made mounta9ns. H9gh up 9n the99 9emote ae99es these monks had been pat9ently at wo9k gene9at9on afte9 gene9at9on, comp9l9ng the99 l9sts of mean9ngless wo9ds. Was the9e any l9m9ts to the foll9es of mank9nd ? St9ll, he must g9ve no h9nt of h9s 9nne9 thoughts. The custome9 was always 99ght…"

 

 

OF TIME AND STARS

Arthur C. Clarke 1972

Page 68

Into the Comet


"Pickett's fingers danced over the beads, sliding them up and down the wires with lightning speed. There were twelve wires in all, so that the abacus could handle numbers up to 999,999,999,999 - or could be divided into separate sections where several independent calculations could be carried out simultaneously.
'374072,' said Pickett, after an incredibly brief interval of time. 'Now see how long you take to do it, with pencil and paper.'
There was a much longer delay before Martens, who like most mathematicians was poor at arithmetic, called out '375072'. A hasty check soon confirmed that Martens had taken at least three times as long as Pickett to arrive at the wrong answer.
The atronomer's face was a study in mingled chagrin, astonishment, and curiosity.
'Where did you learn that trick?' he asked. 'I thought those things could only add and subtract.'
'Well - multiplication's only repeated addition, isn't it? All I did was to add 856 seven times in the unit column, three times in the tens column, and four times in the hundreds column. You do the same thing when you use pencil and paper. Of course, there are some short cuts, but if you think I'm fast, you should have seen my grand-uncle. He used to work in a Yokohama bank, and you couldn't see his fingers / Page 69 / when he was going at speed"

 

 

I

SAY

THREAD THAT THREAD

THREAD READ DEATH DEATH READ THREAD

THREAD R DEATH DEATH R THREAD

THREAD READ DEAR THREAD

 

 

THE NEW ELIZABETHAN

REFERENCE DICTIONARY

An up-to-date vocabulary of the living English language

Circa 1900

FOURTH EDITION

Page 1472

thread (thred) [A.-S. thraed, from thrawan, to THROW (cp. Dut. draad, G. draht, Icel. thrathr)], n. A slender cord consisting of two or more yarns doubled or twisted ; a single filament of cotton, silk, wool, etc., esp. Lisle thread ; anything resembling this ; a fine line of colour etc. ; a thin seam or vein ; the spiral on a screw ; (fig.) a continuous course (of life etc.). v.t. To pass a thread through the eye or aperture of ; to string (beads etc.) on a thread ; (fig.) to pick (one's way) or to go through an intricate or crowded place, etc. ; to streak (the hair) with grey etc. ; to cut a thread on (a screw). thread and thrum : Good and bad together, all alike. threadbare, a. Worn so that the thread is visible, having the nap worn off ; (fig.) worn, trite, hackneyed. threadbareness, n. thread-mark, n. A mark produced by coloured silk fibres in banknotes to prevent counterfeiting. thread-paper, n. Soft paper for wrapping up thread, thread-worm, n. A thread-like nematode worm, esp. one infesting the rectum of children. threader, n. threadlike, a. and adv. thready, a. threadiness, n.

 

 

THE NEW ELIZABETHAN

REFERENCE DICTIONARY

An up-to-date vocabulary of the living English language

FOURTH EDITION

Circa 1900

Page 1472

thread (thred) [A.-S. thraed, from thrawan, to THROW (cp. Dut. draad, G. draht, Icel. thrathr)], n. A slender cord consisting of two or more yarns doubled or twisted ; a single filament of cotton, silk, wool, etc., esp. Lisle thread ; anything resembling this ; a fine line of colour etc. ; a thin seam or vein ; the spiral on a screw ; (fig.) a continuous course (of life etc.). v.t. To pass a thread through the eye or aperture of ; to string (beads etc.) on a thread ; (fig.) to pick (one's way) or to go through an intricate or crowded place, etc. ; to streak (the hair) with grey etc. ; to cut a thread on (a screw). thread and thrum : Good and bad together, all alike. threadbare, a. Worn so that the thread is visible, having the nap worn off ; (fig.) worn, trite, hackneyed. threadbareness, n. thread-mark, n. A mark produced by coloured silk fibres in banknotes to prevent counterfeiting. thread-paper, n. Soft paper for wrapping up thread, thread-worm, n. A thread-like nematode worm, esp. one infesting the rectum of children. threader, n. threadlike, a. and adv. thready, a. threadiness, n.

 

 

lisle thread: lisle thread

A strong tightly twisted cotton thread (usually made of long-staple cotton) - lisle. Derived forms: lisle threads. Type of: cotton. Nearest ... www.wordwebonline.com/en/LISLETHREAD

 

 

Definition - of Lisle from Dictionary.net

Lisle thread, a hard twisted cotton thread, originally produced at Lisle. Source: Webster's Revised Unabridged Dictionary (1913) ... www.dictionary.net/lisle - 9k

 

 

CASSELL'S ENGLISH DICTIONARY

1974

Lisle thread (lil thred) [ town in France, now Lille], n, A fine, hard thread orig. made at Lille.

 

 

L
=
3
4
LIFE
32
23
5
H
=
8
7
HANGING
60
42
6
B
=
2
2
BY
27
9
9
A
=
1
1
A
1
1
1
T
=
2
6
THREAD
56
29
2
-
-
16
20
First Total
176
104
23
-
-
1+6
2+0
Add to Reduce
1+7+6
1+0+4
2+3
Q
-
7
2
Second Total
14
5
5
-
-
-
-
Reduce to Deduce
1+4
-
-
-
-
7
2
Essence of Number
5
5
5

 

 

-
THREAD
-
-
-
1
R
18
9
9
5
DEATH
38
20
2
6
THREAD
56
29
2

 

LIFE HANGING BY A THREAD

 

-
20
L
I
F
E
-
H
A
N
G
I
N
G
-
B
Y
-
A
-
T
H
R
E
A
D
-
-
-
-
-
--
-
-
-
-
44
-
-
9
-
-
-
8
-
5
-
9
5
-
-
-
-
-
-
-
-
8
-
-
-
-
+
=
44
4+4
=
8
=
8
=
8
62
-
-
9
-
-
-
8
-
14
-
9
14
-
-
-
-
-
-
-
-
8
-
-
-
-
+
=
62
6+2
=
8
=
8
=
8
-
20
L
I
F
E
-
H
A
N
G
I
N
G
-
B
Y
-
A
-
T
H
R
E
A
D
-
-
-
-
-
--
-
-
-
-
60
-
3
-
6
5
-
-
1
-
7
-
-
7
-
2
7
-
1
-
2
-
9
5
1
4
+
=
60
6+0
=
6
=
6
=
6
114
-
12
-
6
5
-
-
1
-
7
-
-
7
-
2
25
-
1
-
20
-
18
5
1
4
+
=
114
1+1+4
=
6
=
6
=
6
-
20
L
I
F
E
-
H
A
N
G
I
N
G
-
B
Y
-
A
-
T
H
R
E
A
D
-
-
-
-
-
--
-
-
-
-
176
-
12
9
6
5
-
8
1
14
7
9
14
7
-
2
25
-
1
-
20
8
18
5
1
4
+
=
176
1+7+6
=
14
1+4
5
=
5
104
-
3
9
6
5
-
8
1
5
7
9
5
7
-
2
7
-
1
-
2
8
9
5
1
4
+
=
104
1+0+4
=
5
=
5
=
5
-
20
L
I
F
E
-
H
A
N
G
I
N
G
-
B
Y
-
A
-
T
H
R
E
A
D
-
-
-
-
-
-
-
-
-
-
1
-
-
-
-
-
-
-
1
-
-
-
-
-
-
-
-
-
1
-
-
-
-
-
1
-
-
-
1
occurs
x
3
=
3
=
3
2
``-
-
-
-
-
-
-
-
-
-
-
-
-
-
2
-
-
-
-
2
-
-
-
-
-
-
-
2
occurs
x
2
=
4
=
4
3
-
3
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
3
occurs
x
1
=
3
=
3
4
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
4
-
-
4
occurs
x
1
=
4
=
4
5
-
-
-
-
5
-
-
-
5
-
-
5
-
-
-
-
-
-
-
-
-
-
5
-
-
-
-
5
occurs
x
4
=
20
2+0
2
6
-
-
-
6
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
6
occurs
x
1
=
6
=
6
7
-
-
-
-
-
-
-
-
-
7
-
-
7
-
-
7
-
-
-
-
-
-
-
-
-
-
-
7
occurs
x
3
=
21
2+1
3
8
-
-
-
-
-
-
8
-
-
-
-
-
-
-
-
-
-
-
-
-
8
-
-
-
-
-
-
8
occurs
x
2
=
16
1+6
7
9
-
-
9
-
-
-
-
-
-
-
9
-
-
-
-
-
-
-
-
-
-
9
-
-
-
-
-
9
occurs
x
3
=
27
2+7
9
45
20
L
I
F
E
-
H
A
N
G
I
N
G
-
B
Y
-
A
-
T
H
R
E
A
D
-
-
45
-
-
20
-
104
-
41
4+5
2+0
-
9
-
-
-
-
-
-
-
9
-
-
-
-
-
-
-
-
-
-
9
-
-
-
-
-
4+5
-
-
2+0
-
1+0+4
-
4+1
9
2
L
I
F
E
-
H
A
N
G
I
N
G
-
B
Y
-
A
-
T
H
R
E
A
D
-
-
9
-
-
2
-
5
-
5
-
-
3
9
6
5
-
8
1
5
7
9
5
7
-
2
7
-
1
-
2
8
9
5
1
4
-
-
-
-
-
-
-
-
-
-
9
2
L
I
F
E
-
H
A
N
G
I
N
G
-
B
Y
-
A
-
T
H
R
E
A
D
-
-
9
-
-
2
-
5
-
5

 

 

THE LIGHT IS RISING RISING IS THE LIGHT

 

 

2
IS
28
10
1
9
UNIVERSAL
121
40
4
4
MIND
40
22
4
3
THE
33
15
6
4
MIND
40
22
4
2
OF
21
12
3
9
HUMANKIND
95
41
5
33
First Total
378
162
27
3+3
Add to Reduce
3+7+8
1+6+2
2+7
6
Second Total
18
9
9
-
Reduce to Deduce
1+8
-
-
6
Essence of Number
9
9
9

 

 

9
UNIVERSAL
121
40
4
4
MIND
40
22
4
2
IS
28
10
1
3
THE
33
15
6
4
MIND
40
22
4
2
OF
21
12
3
9
HUMANKIND
95
41
5
33
First Total
378
162
27
3+3
Add to Reduce
3+7+8
1+6+2
2+7
6
Second Total
18
9
9
-
Reduce to Deduce
1+8
-
-
6
Essence of Number
9
9
9

 

 

E
=
5
-
2
EX
11
2
2
U
=
3
-
6
UMBRIS
82
28
1
E
=
5
-
2
ET
25
7
7
I
=
9
-
10
IMAGINIBUS
104
50
5
I
=
9
-
2
IN
23
14
5
V
=
4
-
9
VERITATEM
113
41
5
-
-
35
-
31
First Total
358
142
25
-
-
3+5
-
3+1
Add to Reduce
3+5+8
1+4+2
2+5
-
-
8
-
4
Second Total
16
7
7
-
-
-
-
-
Reduce to Deduce
1+6
-
-
-
-
8
-
4
Essence of Number
7
7
7

 

 

O
=
6
-
3
OUT
56
11
2
O
=
6
-
2
OF
21
12
3
S
=
1
-
7
SHADOWS
89
26
8
A
=
1
-
3
AND
82
28
1
P
=
7
-
9
PHANTASMS
111
30
3
I
=
9
-
4
INTO
58
22
4
T
=
2
-
5
TRUTH
87
24
6
-
-
32
-
33
Add to Reduce
441
135
27
-
-
3+2
-
3+3
Reduce to Deduce
4+4+1
1+3+5
2+7
-
-
5
-
6
Essence of Number
9
9
9

 

 

I

ME YOU ME

CREATORS GODS CREATORS

THOU ART THAT THAT ART THOU

GOD SPIRIT ART THOU THOU ART GOD SPIRIT

MIND MATTER SPIRIT GOD SPIRIT MATTER MIND

THOU ART UNIVERSAL MIND GODS UNIVERSAL MIND ART THOU

 

 

E
=
5
-
6
ENTERS
81
27
9
I
=
9
-
4
INTO
58
22
4
N
=
5
-
3
NEW
42
15
6
E
=
5
-
10
EXPERIENCE
104
59
5
-
-
24
-
23
First Total
285
123
24
-
-
2+4
-
2+3
Add to Reduce
2+8+5
1+2+3
2+4
Q
-
6
-
5
Second Total
15
6
6
-
-
-
-
-
Reduce to Deduce
1+5
-
-
-
-
6
5
5
Essence of Number
6
6
6

 

 

-
6
E
N
T
E
R
S
-
-
-
-
-
-
-
-
-
-
-
-
-
5
-
-
-
1
+
=
6
-
=
6
=
6
=
6
-
-
-
14
-
-
-
19
+
=
33
3+3
=
6
=
6
=
6
-
6
E
N
T
E
R
S
-
-
-
-
-
--
-
-
-
-
-
-
5
-
2
5
9
-
+
=
21
2+1
=
3
=
3
=
3
-
-`
5
-
20
5
18
-
+
=
48
4+8
=
12
1+2
3
=
3
-
6
E
N
T
E
R
S
-
-
-
-
-
-
-
-
-
-
-
-
5
14
20
5
18
19
+
=
81
8+1
=
9
=
9
=
9
-
-
5
5
2
5
9
1
+
=
27
2+7
=
9
=
9
=
9
-
6
E
N
T
E
R
S
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
1
-
-
1
occurs
x
1
=
1
=
1
-
-
-
-
2
-
-
-
-
-
2
occurs
x
1
=
2
=
2
3
-
-
-
-
-
-
-
-
-
3
-
-
-
-
-
-
-
4
-
-
-
-
-
-
-
-
-
4
-
-
-
-
-
-
-
-
-
5
5
-
5
-
-
-
-
5
occurs
x
3
=
15
1+5
6
6
-
-
-
-
-
-
-
-
-
6
-
-
-
-
-
-
-
7
-
-
-
-
-
-
-
-
-
7
-
-
-
-
-
-
-
8
-
-
-
-
-
-
-
-
-
8
-
-
-
-
-
-
-
-
-
-
-
-
-
9
-
-
-
9
occurs
x
1
=
9
=
9
28
6
E
N
T
E
R
S
-
-
17
-
-
6
-
27
-
18
2+8
-
5
5
-
5
-
-
-
-
1+7
-
-
-
-
2+7
-
1+8
10
6
E
N
T
E
R
S
-
-
8
-
-
6
-
9
-
9
1+0
-
5
5
2
5
9
1
-
-
-
-
-
-
-
-
-
-
6
5
E
N
T
E
R
S
-
-
3
-
-
5
-
6
-
6

 

 

-
4
I
N
T
O
-
-
-
-
-
--
-
-
-
-
9
5
-
6
+
=
20
2+0
=
2
=
2
-
-
9
14
-
15
+
=
38
3+8
=
11
1+1
2
-
4
I
N
T
O
-
-
-
-
-
--
-
-
-
-
-
-
2
-
+
=
2
-
=
2
=
2
-
-
-
-
20
-
+
=
20
2+0
=
2
=
2
-
4
I
N
T
O
-
-
-
-
-
--
-
-
-
-
9
14
20
15
+
=
58
5+8
=
13
1+3
4
-
-
9
5
2
6
+
=
22
2+2
=
4
-
4
-
4
I
N
T
O
-
-
-
-
-
--
-
-
1
-
-
-
-
-
-
-
1
-
1
-
-
-
-
-
-
-
2
-
-
-
2
occurs
x
1
=
2
3
-
-
-
-
-
-
-
2
-
2
-
-
-
4
-
-
-
-
-
-
-
3
-
3
-
-
-
-
-
-
5
-
-
-
-
5
occurs
x
1
=
5
-
-
-
-
-
6
-
-
6
occurs
x
1
=
6
7
-
-
-
-
-
-
-
7
-
7
-
-
-
8
-
-
-
-
-
-
-
8
-
8
-
-
-
-
-
9
-
-
-
-
-
9
occurs
x
1
=
9
23
4
I
N
T
O
-
-
22
-
-
4
-
22
2+3
-
9
-
-
-
-
-
2+2
-
-
-
-
2+2
5
4
I
N
T
O
-
-
4
-
-
4
-
4
-
-
9
5
2
6
-
-
-
-
-
-
-
-
5
4
I
N
T
O
-
-
4
-
-
4
-
4

 

 

-
3
N
E
W
-
-
-
-
-
--
-
-
-
-
-
-
5
-
-
+
=
5
-
=
5
=
5
=
5
-`
-
14
-
-
+
=
14
1+4
=
5
=
5
=
5
-
3
N
E
W
-
-
--
-
-
-
-
-
-
-
-
-
-
5
5
+
=
10
1+0
=
1
=
1
=
1
-
-
-
5
23
+
=
28
2+8
=
10
1+0
1
=
1
-
3
N
E
W
-
-
--
-
-
-
-
-
-
-
-
-
14
5
23
+
=
42
4+2
=
6
=
6
=
6
-
-
5
5
5
+
=
15
1+5
=
6
=
6
=
6
-
3
N
E
W
-
-
-
-
-
-
-
-
-
-
1
-
-
--
--
-
-
1
-
-
-
-
-
-
-
2
-
-
--
--
-
-
2
-
-
-
-
-
-
-
3
-
-
--
--
-
-
3
-
-
-
-
-
-
--
4
-
-
--
--
-
--
4
-
-
-
-
-
-
-
-
-
5
5
5
-
-
5
occurs
x
3
=
15
1+5
6
6
-
-
--
--
-
-
6
-
-
-
-
-
-
-
7
-
-
--
--
-
-
7
-
-
-
-
-
-
-
8
-
-
--
--
-
-
8
-
-
-
-
-
-
-
9
-
-
--
--
-
-
9
-
-
-
-
-
-
-
40
3
N
E
W
-
-
5
-
-
3
-
15
-
6
4+0
-
5
5
5
-
-
-
-
-
-
-
1+5
-
-
4
3
N
E
W
-
-
5
-
-
3
-
6
-
6
4+0
-
5
5
5
-
-
-
-
-
-
-
-
-
-
4
3
N
E
W
-
-
5
-
-
3
-
6
-
6

 

 

-
10
E
X
P
E
R
I
E
N
C
E
-
-
-
-
-
--
-
-
-
-
-
-
-
6
-
-
-
9
-
5
-
-
+
=
20
2+0
=
2
=
2
=
2
-
-
-
24
-
-
-
9
-
14
-
-
+
=
47
4+7
=
11
1+1
2
=
2
-
10
E
X
P
E
R
I
E
N
C
E
-
-
-
-
-
--
-
-
-
-
-
-
5
-
7
5
9
-
5
-
3
5
+
=
39
3+9
=
12
1+2
3
=
3
-
-
5
-
16
5
18
-
5
-
3
5
+
=
57
5+7
=
12
1+2
3
=
3
-
10
E
X
P
E
R
I
E
N
C
E
-
-
-
-
-
--
=
-
-
-
-
-
5
24
16
5
18
9
5
14
3
5
+
=
104
1+0+4
=
5
=
5
=
5
-
-
5
6
7
5
9
9
5
5
3
5
+
=
59
5+9
=
14
1+4
5
=
5
-
10
E
X
P
E
R
I
E
N
C
E
-
-
-
-
-
-
-
-
-
-
1
-
-
-
-
-
-
-
-
-
-
-
-
-
1
-
-
-
-
-
-
-
2
-
-
-
-
-
-
-
-
-
-
-
-
-
2
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
3
-
-
-
3
occurs
x
1
=
3
=
3
4
-
-
-
-
-
-
-
-
-
-
-
-
-
4
-
-
-
-
-
-
-
-
-
5
-
-
5
-
-
5
5
-
5
-
-
5
occurs
x
5
=
25
2+5
7
-
-
-
6
-
-
-
-
-
-
-
-
-
-
6
occurs
x
1
=
6
=
6
-
-
-
-
7
-
-
-
-
-
-
-
-
-
7
occurs
x
1
=
7
=
7
8
-
-
-
-
-
-
-
-
-
-
-
-
-
8
-
-
-
-
-
-
-
-
-
-
-
-
-
9
9
-
-
-
-
-
-
9
occurs
x
2
=
18
1+8
9
15
10
E
X
P
E
R
I
E
N
C
E
-
-
30
-
-
10
-
59
-
32
1+5
1+0
-
-
-
-
9
9
-
-
-
-
-
-
3+0
-
-
1+0
-
5+9
-
3+2
6
1
E
X
P
E
R
I
E
N
C
E
-
-
3
-
-
1
-
14
-
5
-
-
5
6
7
5
9
9
5
5
3
5
-
-
-
1
-
-
-
1+4
-
-
6
1
E
X
P
E
R
I
E
N
C
E
-
-
3
-
-
9
-
5
-
5

 

 

E
=
5
-
8
ENTERING
92
47
2
E
=
5
-
12
EXPERIENCING
129
75
3
R
=
9
-
8
RENEWING
95
50
5
-
-
19
-
28
First Total
316
123
24
-
-
1+9
-
2+8
Add to Reduce
3+1+6
1+2+3
2+4
Q
-
10
-
10
Second Total
15
6
6
-
-
1+0
-
1+0
Reduce to Deduce
1+5
-
-
-
-
1
5
1
Essence of Number
6
6
6

 

 

E
=
5
-
8
ENTERING
92
47
2
N
=
5
-
3
NEW
42
15
6
E
=
5
-
11
EXPERIENCES
123
60
6
-
-
15
-
22
First Total
257
122
14
-
-
1+5
-
2+2
Add to Reduce
2+5+7
1+2+2
1+4
Q
-
6
-
3
Second Total
14
5
5
-
-
-
-
-
Reduce to Deduce
1+4
-
-
-
-
6
5
3
Essence of Number
5
5
5

 

 

-
22
E
N
T
E
R
I
N
G
-
N
E
W
-
E
X
P
E
R
I
E
N
C
E
S
-
-
-
-
-
--
-
-
-
-
-
-
-
5
-
-
-
9
5
-
-
5
-
-
-
-
6
-
-
-
9
-
5
-
-
1
+
=
45
2+0
=
9
=
9
=
9
-
-
-
14
-
-
-
9
14
-
-
14
-
-
-
-
24
-
-
-
9
-
14
-
-
19
+
=
117
1+1+7
=
9
=
9
=
9
-
22
E
N
T
E
R
I
N
G
-
N
E
W
-
E
X
P
E
R
I
E
N
C
E
S
-
-
-
-
-
--
-
-
-
-
-
-
5
-
2
5
9
-
-
7
-
-
5
5
-
5
-
7
5
9
-
5
-
3
5
-
+
=
77
7+7
=
14
1+4
5
=
5
-
-
5
-
20
5
18
-
-
7
-
-
5
23
-
5
-
16
5
18
-
5
-
3
5
-
+
=
140
1+4+0
=
5
=
5
=
5
-
22
E
N
T
E
R
I
N
G
-
N
E
W
-
E
X
P
E
R
I
E
N
C
E
S
-
-
-
-
-
--
=
-
-
-
-
-
5
14
20
5
18
9
14
7
-
14
5
23
-
5
24
16
5
18
9
5
14
3
5
19
+
=
257
2+5+7
=
14
1+4
5
=
5
-
-
5
5
2
5
9
9
5
7
-
5
5
5
-
5
6
7
5
9
9
5
5
3
5
1
+
=
122
1+2+2
=
5
=
5
=
5
-
22
E
N
T
E
R
I
N
G
-
N
E
W
-
E
X
P
E
R
I
E
N
C
E
S
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
--
--
-
-
-
-
-
-
-
-
-
-
-
1
-
-
1
occurs
x
1
=
1
=
1
-
-
-
-
2
-
-
-
-
-
-
-
--
--
-
-
-
-
-
-
-
-
-
-
-
-
-
-
2
occurs
x
1
=
2
=
2
-
-
-
-
-
-
-
-
-
-
-
-
--
--
-
-
-
-
-
-
-
-
-
3
-
-
-
-
3
occurs
x
1
=
3
=
3
4
-
-
-
-
-
-
-
-
-
-
-
--
--
-
-
-
-
-
-
-
-
-
-
-
-
-
-
4
FOUR
4
-
-
-
-
-
-
-
5
5
-
5
-
-
5
-
-
5
5
5
-
5
-
-
5
-
-
5
5
-
5
-
-
-
5
occurs
x
12
=
60
6+0
6
-
-
-
-
-
-
-
-
-
-
-
-
--
--
-
-
6
-
-
-
-
-
-
-
-
-
-
-
6
occurs
x
1
=
6
=
6
-
-
-
-
-
-
-
-
-
7
-
-
--
--
-
-
-
7
-
-
-
-
-
-
-
-
-
-
7
occurs
x
2
=
14
1+4
5
8
-
-
-
-
-
-
-
-
-
-
-
--
--
-
-
-
-
-
-
-
-
-
-
-
-
-
-
8
EIGHT
8
-
-
-
-
-
-
-
-
-
-
-
9
9
-
-
-
-
--
--
-
-
-
-
-
9
9
-
-
-
-
-
-
-
9
occurs
x
4
=
36
3+6
9
12
22
E
N
T
E
R
I
N
G
-
N
E
W
-
E
X
P
E
R
I
E
N
C
E
S
-
-
12
-
-
10
-
122
-
32
1+2
2+2
5
5
-
5
-
-
5
-
-
5
5
5
-
5
-
-
5
-
-
5
5
-
5
-
-
-
3+0
-
-
1+0
-
1+2+2
-
3+2
3
1
E
N
T
E
R
I
N
G
-
N
E
W
-
E
X
P
E
R
I
E
N
C
E
S
-
-
3
-
-
1
-
14
-
5
-
-
5
5
2
5
9
9
5
7
-
5
5
5
-
5
6
7
5
9
9
5
5
3
5
1
-
-
-
1
-
-
-
1+4
-
-
3
1
E
N
T
E
R
I
N
G
-
N
E
W
-
E
X
P
E
R
I
E
N
C
E
S
-
-
8
-
-
9
-
5
-
5

 

 

I

ME

CREATORS

REINCARNATION IS A REALITY A REALITY IS REINCARNATION

THAT IS LIFE GODS LIFE IS THAT

THAT THAT THAT

IS

LIFE FOREVER IMMORTAL GODS IMMORTAL FOREVER LIFE

GODS ALWAYS GODS

 

 

3
THE
33
15
6
5
FIRST
72
27
9
6
FRUITS
93
30
3
14
First Total
198
72
18
1+4
Add to Reduce
1+9+8
7+2
1+8
5
Second Total
18
9
9
-
Reduce to Deduce
1+8
-
-
5
Essence of Number
9
9
9

 

 

1
-
O
=
6
-
3
ONE
34
16
7
2
-
T
=
2
-
3
TWO
56
29
2
3
-
T
=
2
-
5
THREE
52
16
7
4
-
F
=
6
-
4
FOUR
60
24
6
5
-
F
=
6
-
4
FIVE
65
20
2
6
-
S
=
1
-
3
SIX
42
24
6
7
-
S
=
1
-
5
SEVEN
58
13
4
8
-
E
=
5
-
5
EIGHT
49
31
4
9
-
N
=
5
-
4
NINE
42
24
6
45
-
-
-
34
-
36
Add
458
197
44
4+5
-
-
-
3+4
-
3+6
Reduce
4+5+8
1+9+7
4+4
9
-
-
-
7
4
9
Deduce
17
17
8
-
-
-
-
-
-
-
Produce
1+7
1+7
-
9
-
-
-
7
-
9
Essence
8
8
8

 

 

0
-
Z
=
8
-
4
ZERO
64
28
1
1
-
O
=
6
-
3
ONE
34
16
7
2
-
T
=
2
-
3
TWO
56
29
2
3
-
T
=
2
-
5
THREE
52
16
7
4
-
F
=
6
-
4
FOUR
60
24
6
5
-
F
=
6
-
4
FIVE
65
20
2
6
-
S
=
1
-
3
SIX
42
24
6
7
-
S
=
1
-
5
SEVEN
58
13
4
8
-
E
=
5
-
5
EIGHT
49
31
4
9
-
N
=
5
-
4
NINE
42
24
6
45
-
-
-
42
-
40
Add
522
225
45
4+5
-
-
-
4+2
-
4+0
Reduce
5+2+2
2+2+5
4+5
9
-
-
-
6
-
4
Deduce
9
9
9

 

 

ZEROREZ ZEROREZ ZEROREZ ZEROREZ ZEROREZ ZEROREZ ZEROREZ ZEROREZ ZEROREZ

 

 

OUT OF ZERO COMETH ONE

GOD

THAT HE AZIN SHE THAT IS THEE

 

 

-
HAI-EM-AKHET
-
-
-
3
HAI
18
18
9
2
EM
18
9
9
5
AKHET
45
18
9
10
Add to Reduce
81
45
27
1+0
Reduce to Deduce
8+1
7+4
2+7
1
Essence of Number
9
9
9

 

 

TUTANKHAMEN

Christiane Desroches-Noblecourt

1963

Page 114

"One might provisionally assume that at the time of the famous Amarna parade, the king succeeding Amenophis III, presumably Akhenaten, may, in spite of his vow never to leave the heretical centre, have visited the southern city, Malkata, and resided there in his palace, which is called in the Tell el Amarna letter No. 27 "the castle (Pabekhen) named Rejoicing in the horizon (Hai-em-akhet) ".

"Rejoicing in the horizon (Hai-em-akhet)"

HAI - EM - AKHET

 

-
HAI-EM-AKHET
-
-
-
3
HAI
18
18
9
2
EM
18
9
9
5
AKHET
45
18
9
10
Add to Reduce
81
45
27
1+0
Reduce to Deduce
8+1
7+4
2+7
1
Essence of Number
9
9
9

 

 

-
HAI-EM-AKHET
-
-
-
2
HA
18
18
9
1
I
9
9
9
2
EM
18
9
9
5
AKHET
45
18
9
10
Add to Reduce
81
45
36
1+0
Reduce to Deduce
8+1
7+4
2+0
1
Essence of Number
9
9
9

 

Page 33

"Sometimes we encounter accusations, as in the case of one Hai, a / Page 34 / foreman of works said to have spoken offensively of the pharaoh. The private necropolis tribunal was convened, and the account of the trial shows what exceptional privileges these specialized artisans enjoyed. Hai was judged by the kenbet, a court of his peers, four "right" and four "left" men of Deir el Medineh, presided over by a fellow worker of his own standing. The accused was given every chance to state his case, and justice took its course.

"Hai was judged by the kenbet,"

HAI

 

-
HAI
-
-
-
2
HA
9
9
9
1
I
9
9
9
3
HAI
18
18
18
-
-
1+8
1+8
1+8
3
HAI
9
9
9

 

 

 

-
ILLUMINED
-
-
-
1
I
9
9
9
3
L+L+U
45
9
9
3
M+I+N
36
18
9
2
E+D
9
9
9
9
ILLUMINED
99
45
36
-
9+9
4+5
3+6
9
ILLUMINED
9
9
9
-
1+8
-
-
9
ILLUMINED
9
9
9

 

 

-
9
I
L
L
U
M
I
N
E
D
-
-
-
-
-
--
-
-
-
-
-
-
9
-
-
-
-
9
5
-
-
+
=
23
2+3
=
5
=
5
=
5
-
`-
9
-
-
-
-
9
15
-
-
+
=
32
3+2
=
5
=
5
=
5
-
9
I
L
L
U
M
I
N
E
D
-
-
-
-
-
--
-
-
-
-
-
-
-
3
3
3
4
-
-
5
4
+
=
22
2+2
=
4
=
4
=
4
-
`-
-
12
12
21
13
-
-
5
4
+
=
67
6+7
=
13
1+3
4
=
4
-
9
I
L
L
U
M
I
N
E
D
-
-
-
-
-
-
-
-
-
-
-
`-
9
12
12
21
13
9
14
5
4
+
=
99
9+9
=
18
1+8
9
=
9
-
-
9
3
3
3
4
9
5
5
4
+
=
45
4+5
=
9
=
9
=
9
-
9
I
L
L
U
M
I
N
E
D
T
-
-
-
-
-
-
-
-
-
1
-
-
-
-
-
-
-
-
-
-
-
-
1
ONE
1
-
-
-
-
-
2
-
-
-
-
-
-
-
-
-
-
-
-
2
TWO
2
-
-
-
-
-
-
-
-
3
3
3
--
-
-
-
-
-
-
3
occurs
x
3
=
9
=
9
-
--
-
-
-
-
4
-
-
-
4
-
-
4
occurs
x
2
=
8
=
8
-
--
-
-
-
-
-
-
5
5
-
-
-
5
occurs
x
2
=
10
1+0
1
6
--
-
-
-
-
-
-
-
-
-
-
-
6
SIX
6
-
-
-
-
-
7
-
7
-
-
-
-
-
-
-
-
-
-
7
SEVEN
7
-
-
-
-
-
8
--
-
-
-
-
-
-
-
-
-
-
-
8
EIGHT
8
-
-
-
-
-
-
-
9
-
-
-
-
9
-
-
9
-
-
9
occurs
x
2
=
18
1+8
9
24
9
I
L
L
U
M
I
N
E
D
-
-
21
-
-
9
-
45
-
27
2+4
-
9
-
-
-
-
9
-
-
-
-
-
2+1
-
-
-
-
4+5
-
2+7
6
9
I
L
L
U
M
I
N
E
D
-
-
3
-
-
9
-
9
-
9
-
-
9
3
3
3
4
9
5
5
4
T
-
-
-
-
-
-
-
-
-
6
9
I
L
L
U
M
I
N
E
D
-
-
3
-
-
9
-
9
-
9

 

 

9
I
L
L
U
M
I
N
E
D
-
-
-
-
-
--
-
-
-
-
-
9
-
-
-
-
9
5
-
-
+
=
23
2+3
=
5
=
5
=
5
`-
9
-
-
-
-
9
15
-
-
+
=
32
3+2
=
5
=
5
=
5
9
I
L
L
U
M
I
N
E
D
-
-
-
-
-
--
-
-
-
-
-
-
3
3
3
4
-
-
5
4
+
=
22
2+2
=
4
=
4
=
4
`-
-
12
12
21
13
-
-
5
4
+
=
67
6+7
=
13
1+3
4
=
4
9
I
L
L
U
M
I
N
E
D
-
-
-
-
-
-
-
-
-
-
`-
9
12
12
21
13
9
14
5
4
+
=
99
9+9
=
18
1+8
9
=
9
-
9
3
3
3
4
9
5
5
4
+
=
45
4+5
=
9
=
9
=
9
9
I
L
L
U
M
I
N
E
D
T
-
-
-
-
-
-
-
-
-
-
-
3
3
3
--
-
-
-
-
-
-
3
occurs
x
3
=
9
=
9
--
-
-
-
-
4
-
-
-
4
-
-
4
occurs
x
2
=
8
=
8
--
-
-
-
-
-
-
5
5
-
-
-
5
occurs
x
2
=
10
1+0
1
-
9
-
-
-
-
9
-
-
9
-
-
9
occurs
x
2
=
18
1+8
9
9
I
L
L
U
M
I
N
E
D
-
-
21
-
-
9
-
45
-
27
-
-
3
3
3
--
-
-
-
-
-
-
2+1
-
-
-
-
4+5
-
2+7
9
I
L
L
U
M
I
N
E
D
-
-
3
-
-
9
-
9
-
9
-
9
3
3
3
4
9
5
5
4
T
-
-
-
-
-
-
-
-
-
9
I
L
L
U
M
I
N
E
D
-
-
3
-
-
9
-
9
-
9

 

 

8
ILLUSION
111
39
3
8
ILLUMINE
95
41
5
9
ILLUMINES
114
42
6
9
ILLUMINED
99
45
9
10
ILLUMINATI
120
48
3
11
ILLUMINATED
120
48
3

 

 

-
8
I
L
L
U
S
I
O
N
-
-
-
-
-
--
-
-
-
-
-
-
9
-
-
-
1
9
6
5
+
=
30
3+0
=
3
-
3
-
3
-
`-
9
-
-
-
19
9
15
14
+
=
66
6+6
=
12
1+2
3
-
3
-
8
I
L
L
U
S
I
O
N
-
-
-
-
-
--
-
-
-
-
--
-
-
3
3
3
-
-
-
-
+
=
9
-
=
9
-
9
-
9
--
`-
-
12
12
21
-
-
-
-
+
=
36
3+6
=
9
-
9
-
9
-
8
I
L
L
U
S
I
O
N
-
-
-
-
-
--
-
-
-
-
-
`-
9
12
12
21
19
9
15
14
+
=
111
1+1+1
=
3
-
3
-
3
-
-
9
3
3
3
1
9
6
5
+
=
39
3+9
=
12
1+2
3
-
3
-
8
I
L
L
U
S
I
O
N
T
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
1
-
-
-
-
-
1
occurs
x
1
=
1
=
1
2
-
-
-
-
-
-
-
-
-
-
-
2
TWO
2
-
-
-
-
-
-
-
-
3
3
3
--
-
-
-
-
-
3
occurs
x
3
=
9
=
9
4
-
-
-
-
-
-
-
-
-
-
-
4
FOUR
4
-
-
-
-
-
-
--
-
-
-
-
-
-
-
5
-
-
5
occurs
x
1
=
5
=
5
-
--
-
-
-
-
-
-
6
-
-
-
6
occurs
x
1
=
6
=
6
7
-
7
-
-
-
-
-
-
-
-
-
7
SEVEN
7
-
-
-
-
-
8
--
-
-
-
-
-
-
-
-
-
-
8
EIGHT
8
-
-
-
-
-
-
-
9
-
-
-
-
9
-
-
-
-
9
occurs
x
2
=
18
1+8
9
21
8
I
L
L
U
S
I
O
N
-
-
24
-
-
8
-
39
-
30
2+1
-
-
3
3
3
--
-
-
-
-
-
2+4
-
-
-
-
3+9
-
3+0
3
8
I
L
L
U
S
I
O
N
-
-
6
-
-
8
-
12
-
3
-
-
9
3
3
3
1
9
6
5
-
-
-
-
-
-
-
1+2
-
-
3
8
I
L
L
U
S
I
O
N
-
-
6
-
-
8
-
3
-
3

 

 

-
8
I
L
L
U
S
I
O
N
-
-
-
-
-
--
-
-
-
-
-
-
9
-
-
-
1
9
6
5
+
=
30
3+0
=
3
-
3
-
3
-
`-
9
-
-
-
19
9
15
14
+
=
66
6+6
=
12
1+2
3
-
3
-
8
I
L
L
U
S
I
O
N
-
-
-
-
-
--
-
-
-
-
--
-
-
3
3
3
-
-
-
-
+
=
9
-
=
9
-
9
-
9
--
`-
-
12
12
21
-
-
-
-
+
=
36
3+6
=
9
-
9
-
9
-
8
I
L
L
U
S
I
O
N
-
-
-
-
-
--
-
-
-
-
-
`-
9
12
12
21
19
9
15
14
+
=
111
1+1+1
=
3
-
3
-
3
-
-
9
3
3
3
1
9
6
5
+
=
39
3+9
=
12
1+2
3
-
3
-
8
I
L
L
U
S
I
O
N
T
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
1
-
-
-
-
-
1
occurs
x
1
=
1
=
1
-
-
-
3
3
3
--
-
-
-
-
-
3
occurs
x
3
=
9
=
9
-
--
-
-
-
-
-
-
-
5
-
-
5
occurs
x
1
=
5
=
5
-
--
-
-
-
-
-
-
6
-
-
-
6
occurs
x
1
=
6
=
6
-
-
9
-
-
-
-
9
-
-
-
-
9
occurs
x
2
=
18
1+8
9
21
8
I
L
L
U
S
I
O
N
-
-
24
-
-
8
-
39
-
30
2+1
-
-
3
3
3
--
-
-
-
-
-
2+4
-
-
-
-
3+9
-
3+0
3
8
I
L
L
U
S
I
O
N
-
-
6
-
-
8
-
12
-
3
-
-
9
3
3
3
1
9
6
5
-
-
-
-
-
-
-
1+2
-
-
3
8
I
L
L
U
S
I
O
N
-
-
6
-
-
8
-
3
-
3

 

 

I

MAGIC

GODS

MAGNIFICENT MAGNETIC MAGNIFICENT

MAGIC IMAGERS MAGIC

MAGI THE MAGIC I C CREATORS C I MAGIC THE MAGI

MAGI MAGIC IMAGES MAGIC MAGI

 

 

-
5
M
A
G
I
C
-
-
-
-
-
--
-
-
-
`-
-
-
-
9
-
+
=
9
-
=
9
=
9
-
`-
-
-
-
9
-
+
=
9
-
=
9
=
9
-
5
M
A
G
I
C
-
-
-
-
-
--
-
-
--
-
4
1
7
-
3
+
=
15
1+5
=
6
=
6
--
`-
13
1
7
-
12
+
=
24
2+4
=
6
=
6
-
5
M
A
G
I
C
-
-
-
-
-
--
-
-
-
`-
13
1
7
9
3
+
=
33
3+3
=
6
-
6
-
-
4
1
7
9
3
+
=
24
2+4
=
6
=
6
-
5
M
A
G
I
C
T
-
-
-
-
-
-
-
-
-
-
1
-
-
-
-
-
1
occurs
x
1
=
1
2
-
-
-
-
-
-
-
-
2
TWO
2
-
-
-
-
-
-
-
-
-
3
-
-
3
occurs
x
1
=
3
-
-
4
-
-
-
-
-
-
4
occurs
x
1
=
4
5
-
-
-
-
-
-
-
-
5
FIVE
2
-
-
-
6
-
-
-
-
-
-
-
-
6
SIX
2
-
-
-
-
-
-
-
7
-
-
-
-
7
occurs
x
1
=
7
8
--
-
-
-
-
-
-
-
8
EIGHT
2
-
-
-
-
-
-
-
-
9
-
-
-
9
occurs
x
1
=
9
21
5
M
A
G
I
C
-
-
24
-
-
5
-
24
2+1
-
-
-
-
9
-
-
-
2+4
-
-
-
-
2+4
3
5
M
A
G
I
C
-
-
6
-
-
5
-
6
-
-
4
1
7
9
3
T
-
-
-
-
-
-
-
3
5
M
A
G
I
C
-
-
6
-
-
5
-
6

 

 

M
A
G
I
C
-
-
-
-
-
--
-
-
`-
-
-
-
9
-
+
=
9
-
=
9
=
9
`-
-
-
-
9
-
+
=
9
-
=
9
=
9
5
M
A
G
I
C
-
-
-
-
-
--
-
-
-
4
1
7
-
3
+
=
15
1+5
=
6
=
6
`-
13
1
7
-
12
+
=
24
2+4
=
6
=
6
5
M
A
G
I
C
-
-
-
-
-
--
-
-
`-
13
1
7
9
3
+
=
33
3+3
=
6
-
6
-
4
1
7
9
3
+
=
24
2+4
=
6
=
6
5
M
A
G
I
C
T
-
-
-
-
-
-
-
-
-
1
-
-
-
-
-
1
occurs
x
1
=
1
-
-
-
-
-
3
-
-
3
occurs
x
1
=
3
-
4
-
-
-
-
-
-
4
occurs
x
1
=
4
-
-
-
7
-
-
-
-
7
occurs
x
1
=
7
-
-
-
-
9
-
-
-
9
occurs
x
1
=
9
5
M
A
G
I
C
-
-
24
-
-
5
-
24
-
-
-
-
9
-
-
-
2+4
-
-
-
-
2+4
5
M
A
G
I
C
-
-
6
-
-
5
-
6
-
4
1
7
9
3
T
-
-
-
-
-
-
-
5
M
A
G
I
C
-
-
6
-
-
5
-
6

 

 

-
MAGIC ILLUSION
-
-
-
5
MAGIC
33
24
6
8
ILLUSION
111
39
3
13
ILLUSION MAGIC
144
63
9
1+3
-
1+4+4
6+3
-
4
MAGIC ILLUSION
9
9
9

 

 

-
13
M
A
G
I
C
-
I
L
L
U
S
I
O
N
-
-
-
-
-
--
-
-
-
-
-
-
-
-
-
9
-
-
9
-
-
-
1
9
6
5
+
=
39
3+9
=
12
1+2
3
-
3
-
`-
-
-
-
9
-
-
9
-
-
-
19
9
15
14
+
=
75
7+5
=
12
1+2
3
-
3
-
13
M
A
G
I
C
-
I
L
L
U
S
I
O
N
-
-
-
-
-
--
-
-
-
-
--
-
4
1
7
-
3
-
-
3
3
3
-
-
-
-
+
=
24
2+4
=
6
=
6
-
6
--
`-
13
1
7
-
12
-
-
12
12
21
-
-
-
-
+
=
69
6+9
=
15
1+5
6
-
6
-
13
M
A
G
I
C
-
I
L
L
U
S
I
O
N
-
-
-
-
-
--
-
-
-
-
-
`-
13
1
7
9
3
-
9
12
12
21
19
9
15
14
+
=
144
1+4+4
=
9
-
9
-
9
-
-
4
1
7
9
3
-
9
3
3
3
1
9
6
5
+
=
63
6+3
=
9
=
9
-
9
-
13
M
A
G
I
C
-
I
L
L
U
S
I
O
N
T
-
-
-
-
-
-
-
-
-
-
-
-
1
-
-
-
-
-
-
-
-
1
-
-
-
-
-
1
occurs
x
2
=
2
=
2
2
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
2
TWO
2
-
-
-
-
-
-
-
-
-
-
-
3
-
-
3
3
3
-
-
-
-
-
-
3
occurs
x
4
=
12
1+2
3
-
-
4
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
4
occurs
x
1
=
4
=
4
-
--
-
-
-
-
-
-
-
-
-
-
-
-
-
5
-
-
5
occurs
x
1
=
5
=
5
-
-
-
-
-
-
-
-
-
-
-
-
-
-
6
-
-
-
6
occurs
x
1
=
6
=
6
-
-
-
-
7
-
-
-
-
-
-
-
-
-
-
-
-
-
7
occurs
x
1
=
7
=
7
8
--
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
8
EIGHT
2
-
-
-
-
-
-
-
-
-
-
9
-
-
9
-
-
-
-
9
-
-
-
-
9
occurs
x
3
=
27
2+7
9
10
13
M
A
G
I
C
-
I
L
L
U
S
I
O
N
-
-
35
-
-
13
-
63
-
36
1+0
-
-
-
-
-
3
-
-
3
3
3
-
-
-
-
-
-
3+5
-
-
1+3
-
6+3
-
3+6
1
13
M
A
G
I
C
-
I
L
L
U
S
I
O
N
-
-
8
-
-
4
-
9
-
9
-
-
4
1
7
9
3
-
9
3
3
3
1
9
6
5
T
-
-
-
-
-
-
-
-
-
1
13
M
A
G
I
C
-
I
L
L
U
S
I
O
N
-
-
8
-
-
4
-
9
-
9

 

 

13
M
A
G
I
C
-
I
L
L
U
S
I
O
N
-
-
-
-
-
--
-
-
-
-
-
-
-
-
9
-
-
9
-
-
-
1
9
6
5
+
=
39
3+9
=
12
1+2
3
-
3
`-
-
-
-
9
-
-
9
-
-
-
19
9
15
14
+
=
75
7+5
=
12
1+2
3
-
3
13
M
A
G
I
C
-
I
L
L
U
S
I
O
N
-
-
-
-
-
--
-
-
-
-
-
4
1
7
-
3
-
-
3
3
3
-
-
-
-
+
=
24
2+4
=
6
=
6
-
6
`-
13
1
7
-
12
-
-
12
12
21
-
-
-
-
+
=
69
6+9
=
15
1+5
6
-
6
13
M
A
G
I
C
-
I
L
L
U
S
I
O
N
-
-
-
-
-
--
-
-
-
-
`-
13
1
7
9
3
-
9
12
12
21
19
9
15
14
+
=
144
1+4+4
=
9
-
9
-
9
-
4
1
7
9
3
-
9
3
3
3
1
9
6
5
+
=
63
6+3
=
9
=
9
-
9
13
M
A
G
I
C
-
I
L
L
U
S
I
O
N
T
-
-
-
-
-
-
-
-
-
-
-
1
-
-
-
-
-
-
-
-
1
-
-
-
-
-
1
occurs
x
2
=
2
=
2
-
-
-
-
-
3
-
-
3
3
3
-
-
-
-
-
-
3
occurs
x
4
=
12
1+2
3
-
4
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
4
occurs
x
1
=
4
=
4
-
-
-
-
-
-
-
-
-
-
-
-
-
-
5
-
-
5
occurs
x
1
=
5
=
5
-
-
-
-
-
-
-
-
-
-
-
-
-
6
-
-
-
6
occurs
x
1
=
6
=
6
-
-
-
7
-
-
-
-
-
-
-
-
-
-
-
-
-
7
occurs
x
1
=
7
=
7
-
-
-
-
9
-
-
9
-
-
-
-
9
-
-
-
-
9
occurs
x
3
=
27
2+7
9
13
M
A
G
I
C
-
I
L
L
U
S
I
O
N
-
-
35
-
-
13
-
63
-
36
-
-
-
-
-
3
-
-
3
3
3
-
-
-
-
-
-
3+5
-
-
1+3
-
6+3
-
3+6
13
M
A
G
I
C
-
I
L
L
U
S
I
O
N
-
-
8
-
-
4
-
9
-
9
-
4
1
7
9
3
-
9
3
3
3
1
9
6
5
T
-
-
-
-
-
-
-
-
-
13
M
A
G
I
C
-
I
L
L
U
S
I
O
N
-
-
8
-
-
4
-
9
-
9

 

 

-
ESOTERIC
-
-
-
5
ESOTE
64
28
1
1
R
18
9
9
1
I
9
9
9
1
C
3
3
3
8
ESOTERIC
94
49
40
-
-
9+4
4+9
4+0
8
ESOTERIC
13
13
4
-
-
1+3
1+3
-
8
ESOTERIC
4
4
4

 

 

-
ESOTERIC
-
-
-
1
I
9
9
9
6
SECRET
70
34
7
1
O
15
6
6
8
ESOTERIC
94
49
22
-
-
9+4
4+9
2+2
8
ESOTERIC
13
13
4
-
-
1+3
1+3
-
8
ESOTERIC
4
4
4

 

 

-
ESOTERIC
-
-
-
1
O
15
6
6
6
SECRET
70
34
7
1
I
9
9
9
8
ESOTERIC
94
49
22
-
-
9+4
4+9
2+2
8
ESOTERIC
13
13
4
-
-
1+3
1+3
-
8
ESOTERIC
4
4
4

 

 

Entanglement:  The weirdest link

New Scientist vol 181 issue 2440 - 27 March 2004, page 32

That spooky connection between tiny particles is appearing everywhere, and its consequences are even affecting the world that we experience. It seems to unravel the past, and may be what keeps us alive. Quantum entanglement just got a whole lot weirder, says Michael Brooks

ENTANGLEMENT. Erwin Schrödinger called this phenomenon the defining trait of quantum theory. Einstein famously dubbed it spukhafte Fernwirkungen: "spooky action at a distance". It is not hard to understand why. Set things up correctly, and you can instantaneously affect the physical properties of a particle on the other side of the universe simply by prodding its entangled twin.

This is no longer just a curiosity of the quantum world, visible only in excruciatingly delicate experiments. Physicists now believe that entanglement between particles exists everywhere, all the time, and have recently found shocking evidence that it affects the wider, "macroscopic" world that we inhabit.

It is a discovery that might have far-reaching consequences. Not only will it give us a better grip on technological applications, such as quantum computing and cryptography, and the teleportation of quantum states, it could also open up a whole new realm of reality, enabling us to retain and control quantum weirdness in our everyday world. And it's not just a strange kind of "remote control" over matter that is at stake. Entanglement could even be the key to understanding what gives rise to the phenomenon of life.

"spooky action at a distance"

 

S
=
1
-
6
SPOOKY
101
38
2
A
=
1
5
6
ACTION
62
26
8
A
=
1
-
2
AT
21
3
3
A
=
1
5
1
A
1
1
1
D
=
4
-
8
DISTANCE
75
39
3
-
-
8
24
23
First Total
260
107
17
-
-
-
-
2+3
Add to Reduce
2+4+8
1+0+7
1+7
Q
-
8
-
5
Second Total
8
8
8
-
-
-
-
-
Reduce to Deduce
-
-
-
-
-
8
5
6
Essence of Number
8
8
8

 

spukhafte Fernwirkungen

 

S
=
1
-
9
SPUKHAFTE
107
35
8
F
=
6
5
13
FERNWIRKUNGEN
146
65
2
-
-
7
24
22
First Total
253
100
10
-
-
-
-
2+2
Add to Reduce
2+5+3
1+0+0
1+0
Q
-
7
-
4
Second Total
10
1
1
-
-
-
-
-
Reduce to Deduce
1+0
-
-
-
-
7
5
4
Essence of Number
1
1
1

 

 

23
SPOOKY ACTION AT A DISTANCE
260
107
8
8
22
SPUKHAFTE FERNWIRKUNGEN
253
100
10
1
45
-
513
207
18
8
9+5
5+1+3
1+0+7
1+7
-
9
-
9
9
9
9
-
-
-
-
-
-
9
-
9
9
9
9

 

FIRST YOU SEE IT THEN YOU DONT

 

ONETWOTHREEFOUR FIVE SIXSEVENEIGHTNINE

CIRCLE = 50 5+0 = 5 = 5+0 50 CIRCLE

1234 5 6789

ONE TWO THREE FOUR = 208 = 2+0+8 = 10 1+0 = 1
NINE EIGHT SEVEN SIX = 208 = 2+0+8 = 10 1+0 = 1

FIVE THE FULCRUM OF THE BALANCES

5FIVE5

THE SPIRIT LEVEL OF THE LEVEL SPIRIT

1234 5 6789

 

1
-
O
=
6
-
3
ONE
34
16
7
2
-
T
=
2
-
3
TWO
58
13
4
3
-
T
=
2
-
5
THREE
56
29
2
4
-
F
=
6
-
4
FOUR
60
24
6
5
-
F
=
6
-
4
FIVE
42
24
6
6
-
S
=
1
-
3
SIX
52
16
7
7
-
S
=
1
-
5
SEVEN
65
20
2
8
-
E
=
5
-
5
EIGHT
49
31
4
9
-
N
=
5
-
4
NINE
42
24
6
45
-
-
-
34
-
36
-
458
197
44
4+5
-
-
-
3+4
-
3+6
-
4+5+8
1+9+7
4+4
9
-
-
-
7
-
9
-
17
17
8
-
-
-
-
-
-
-
-
1+7
1+7
-
9
-
-
-
7
-
9
-
8
8
8

 

 

-
-
-
-
-
-
-
-
-
-
-
0
-
Z
=
8
-
4
ZERO
64
28
1
1
-
O
=
6
-
3
ONE
34
16
7
2
-
T
=
2
-
3
TWO
58
13
4
3
-
T
=
2
-
5
THREE
56
29
2
4
-
F
=
6
-
4
FOUR
60
24
6
5
-
F
=
6
-
4
FIVE
42
24
6
6
-
S
=
1
-
3
SIX
52
16
7
7
-
S
=
1
-
5
SEVEN
65
20
2
8
-
E
=
5
-
5
EIGHT
49
31
4
9
-
N
=
5
-
4
NINE
42
24
6
45
-
-
-
42
-
40
-
522
225
45
4+5
-
-
-
4+2
-
4+0
-
5+2+2
2+2+5
4+5
9
-
-
-
6
-
4
-
9
9
9

 

 

-
-
-
-
-
-
-
-
-
Z
=
8
-
4
ZERO
64
28
1
O
=
6
-
3
ONE
34
16
7
T
=
2
-
3
TWO
58
13
4
T
=
2
-
5
THREE
56
29
2
F
=
6
-
4
FOUR
60
24
6
F
=
6
-
4
FIVE
42
24
6
S
=
1
-
3
SIX
52
16
7
S
=
1
-
5
SEVEN
65
20
2
E
=
5
-
5
EIGHT
49
31
4
N
=
5
-
4
NINE
42
24
6
-
-
42
-
40
-
522
225
45
-
-
4+2
-
4+0
-
5+2+2
2+2+5
4+5
-
-
6
-
4
-
9
9
9

 

 

O
=
6
3
ONE
34
16
7
T
=
2
3
TWO
58
13
4
T
=
2
5
THREE
56
29
2
F
=
6
4
FOUR
60
24
6
F
+
6
4
FIVE
42
24
6
S
=
1
3
SIX
52
16
7
S
=
1
5
SEVEN
65
20
2
E
=
5
5
EIGHT
49
31
4
N
=
5
4
NINE
42
24
6
-
-
39
36
-
458
197
44
-
-
3+9
3+6
-
4+5+8
1+9+7
4+4
-
-
12
9
-
17
17
8
-
-
1+2
-
-
-
-
-
-
-
3
9
-
8
8
8

 

 

NUMBER

9

THE SEARCH FOR THE SIGMA CODE

Cecil Balmond 1998

Page 32

5


To Sorcerers and Magicians number FIVE is the most powerful - five is the mark of the pentacle, a five pointed star drawn by extending the sides of a Pentagon. Five surely is in the possession of the occult. And the Pentagon is the geometric figure in which the golden ratio of classical art and architecture is found most.

 

 

THE

BALANCING

ONE TWO THREE FOUR

FIVE

NINE EIGHT SEVEN SIX

 

 

O
=
15
-
3
ONE
34
16
7
-
1
T
=
20
-
3
TWO
58
13
4
-
2
T
=
20
-
5
THREE
56
29
2
-
3
F
=
6
-
4
FOUR
60
24
6
-
4
-
-
61
-
15
Add
208
82
19
-
10
-
-
6+1
-
1+5
Reduce
2+0+8
8+2
1+9
-
1+0
-
-
7
-
6
Deduce
10
10
10
-
1
-
-
-
-
-
Produce
1+0
1+0
1+0
-
-
-
-
7
-
6
Essence
1
1
1
-
1

 

 

N
=
14
-
4
NINE
42
24
6
-
9
E
=
5
-
5
EIGHT
49
31
4
-
8
S
=
19
-
5
SEVEN
65
20
2
-
7
S
=
19
-
3
SIX
52
16
7
-
6
-
-
57
-
17
Add
208
91
19
-
30
-
-
5+7
-
1+7
Reduce
2+0+8
9+1
1+9
-
3+0
-
-
12
-
8
Deduce
10
10
10
-
3
-
-
1+2
-
-
Produce
1+0
1+0
1+0
-
-
-
-
3
-
8
Essence
1
1
1
-
3

 

 

4
FIVE
42
24
6

 

1 2 3 4 5 6 7 8 9 9 8 7 6 5 4 3 2 1

 

15
ONE TWO THREE FOUR
208
82
1
4
FIVE
42
24
6
17
NINE EIGHT SEVEN SIX
208
91
1

 

 

3
ONE
34
16
7
-
3
SIX
52
16
7
3
TWO
58
13
4
-
5
SEVEN
65
20
2
5
THREE
56
29
2
-
5
EIGHT
49
31
4
4
FOUR
60
24
6
-
4
NINE
42
24
6
15
Add
208
82
19
-
17
Add
208
91
19
1+5
Reduce
2+0+8
8+2
1+9
-
1+7
Reduce
2+0+8
9+1
1+9
6
Deduce
10
10
10
-
8
Deduce
10
10
10
-
Produce
1+0
1+0
1+0
-
-
Produce
1+0
1+0
1+0
6
Essence
1
1
1
-
8
Essence
1
1
1

 

 

PROBLEMS - PROBLEMS

 

8
PROBLEMS
100
46
1
-
1
2
3
4
5
6
7
8
9
P
=
7
1
1
P
16
7
7
-
-
-
-
-
-
-
7
-
-
R
=
9
2
1
R
18
9
9
-
-
-
-
-
-
-
-
-
9
O
=
6
3
1
O
15
6
6
-
-
-
-
-
-
6
-
-
-
B
=
2
4
1
B
2
2
2
-
-
2
-
-
-
-
-
-
-
L
=
3
5
1
L
12
3
3
-
-
-
3
-
-
-
-
-
-
E
=
5
6
1
E
5
5
5
-
-
-
-
-
5
-
-
-
-
M
=
4
7
1
M
13
4
4
-
-
-
-
4
-
-
-
-
-
S
=
1
8
1
S
19
10
1
-
1
-
-
-
-
-
-
-
-
-
-
37
-
8
PROBLEMS
100
46
37
-
1
2
3
4
5
6
7
8
9
-
-
3+7
-
-
-
1+0+0
4+6
3+7
-
-
-
-
-
-
-
-
-
-
-
-
10
-
8
PROBLEMS
1
10
10
-
1
2
3
4
5
6
7
8
9
-
-
1+0
-
-
-
-
1+0
1+0
-
-
-
-
-
-
-
-
-
-
-
-
1
-
8
PROBLEMS
1
1
1
-
1
2
3
4
5
6
7
8
9

 

 

8
PROBLEMS
100
46
1
-
1
2
3
4
5
6
7
8
9
P
=
7
1
1
P
16
7
7
-
-
-
-
-
-
-
7
8
-
R
=
9
2
1
R
18
9
9
-
-
-
-
-
-
-
-
8
9
O
=
6
3
1
O
15
6
6
-
-
-
-
-
-
6
-
8
-
B
=
2
4
1
B
2
2
2
-
-
2
-
-
-
-
-
8
-
L
=
3
5
1
L
12
3
3
-
-
-
3
-
-
-
-
8
-
E
=
5
6
1
E
5
5
5
-
-
-
-
-
5
-
-
8
-
M
=
4
7
1
M
13
4
4
-
-
-
-
4
-
-
-
8
-
S
=
1
8
1
S
19
10
1
-
1
-
-
-
-
-
-
8
-
-
-
37
-
8
PROBLEMS
100
46
37
-
1
2
3
4
5
6
7
8
9
-
-
3+7
-
-
-
1+0+0
4+6
3+7
-
-
-
-
-
-
-
-
-
-
-
-
10
-
8
PROBLEMS
1
10
10
-
1
2
3
4
5
6
7
8
9
-
-
1+0
-
-
-
-
1+0
1+0
-
-
-
-
-
-
-
-
-
-
-
-
1
-
8
PROBLEMS
1
1
1
-
1
2
3
4
5
6
7
8
9

 

 

8
PROBLEMS
100
46
1
-
1
2
3
4
5
6
7
8
9
S
=
1
8
1
S
19
10
1
-
1
-
-
-
-
-
-
8
-
B
=
2
4
1
B
2
2
2
-
-
2
-
-
-
-
-
8
-
L
=
3
5
1
L
12
3
3
-
-
-
3
-
-
-
-
8
-
M
=
4
7
1
M
13
4
4
-
-
-
-
4
-
-
-
8
-
E
=
5
6
1
E
5
5
5
-
-
-
-
-
5
-
-
8
-
O
=
6
3
1
O
15
6
6
-
-
-
-
-
-
6
-
8
-
P
=
7
1
1
P
16
7
7
-
-
-
-
-
-
-
7
8
-
R
=
9
2
1
R
18
9
9
-
-
-
-
-
-
-
-
8
9
-
-
37
-
8
PROBLEMS
100
46
37
-
1
2
3
4
5
6
7
8
9
-
-
3+7
-
-
-
1+0+0
4+6
3+7
-
-
-
-
-
-
-
-
-
-
-
-
10
-
8
PROBLEMS
1
10
10
-
1
2
3
4
5
6
7
8
9
-
-
1+0
-
-
-
-
1+0
1+0
-
-
-
-
-
-
-
-
-
-
-
-
1
-
8
PROBLEMS
1
1
1
-
1
2
3
4
5
6
7
8
9

 

LETTERS RE ARRANGED NUMERICALLY

 

8
PROBLEMS
100
46
1
-
1
2
3
4
5
6
7
9
S
=
1
8
1
S
19
10
1
-
1
-
-
-
-
-
-
-
B
=
2
4
1
B
2
2
2
-
-
2
-
-
-
-
-
-
L
=
3
5
1
L
12
3
3
-
-
-
3
-
-
-
-
-
M
=
4
7
1
M
13
4
4
-
-
-
-
4
-
-
-
-
E
=
5
6
1
E
5
5
5
-
-
-
-
-
5
-
-
-
O
=
6
3
1
O
15
6
6
-
-
-
-
-
-
6
-
-
P
=
7
1
1
P
16
7
7
-
-
-
-
-
-
-
7
-
R
=
9
2
1
R
18
9
9
-
-
-
-
-
-
-
-
9
-
-
37
-
8
PROBLEMS
100
46
37
-
1
2
3
4
5
6
7
9
-
-
3+7
-
-
-
1+0+0
4+6
3+7
-
-
-
-
-
-
-
-
-
-
-
10
-
8
PROBLEMS
1
10
10
-
1
2
3
4
5
6
7
9
-
-
1+0
-
-
-
-
1+0
1+0
-
-
-
-
-
-
-
-
-
-
-
1
-
8
PROBLEMS
1
1
1
-
1
2
3
4
5
6
7
9

 

LETTERS RE ARRANGED NUMERICALLY

 

SOLVE PROBLEMS SOLVE

 

7
SOLVING
98
44
8
-
1
2
3
4
5
6
7
8
9
8
PROBLEMS
100
46
37
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
1
2
3
4
5
6
7
8
9
S
=
1
1
1
S
19
10
1
-
1
-
-
-
-
-
-
-
-
O
=
6
2
1
O
15
6
6
-
-
-
-
-
-
6
-
-
-
L
=
3
3
1
L
12
3
3
-
-
-
3
-
-
-
-
-
-
V
=
4
4
1
V
22
4
4
-
-
-
-
4
-
-
-
-
-
I
=
9
5
1
I
9
9
9
-
-
-
-
-
-
-
-
-
9
N
=
5
6
1
N
14
5
5
-
-
-
-
-
5
-
-
-
-
G
=
7
7
1
G
7
7
7
-
-
-
-
-
-
-
7
-
-
-
-
35
-
-
-
98
44
35
-
-
-
-
-
-
-
-
-
-
P
=
7
8
1
P
16
7
7
-
-
-
-
-
-
-
7
-
-
R
=
9
9
1
R
18
9
9
-
-
-
-
-
-
-
-
-
9
O
=
6
10
1
O
15
6
6
-
-
-
-
-
-
6
-
-
-
B
=
2
11
1
B
2
2
2
-
-
2
-
-
-
-
-
-
-
L
=
3
12
1
L
12
3
3
-
-
-
3
-
-
-
-
-
-
E
=
5
13
1
E
5
5
5
-
-
-
-
-
5
-
-
-
-
M
=
4
14
1
M
13
4
4
-
-
-
-
4
-
-
-
-
-
S
=
1
15
1
S
19
10
1
-
1
-
-
-
-
-
-
-
-
-
-
37
-
-
-
100
46
37
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
7
SOLVING
98
44
35
-
2
2
6
8
10
12
14
8
18
-
-
-
-
8
PROBLEMS
100
46
37
-
-
-
-
-
1+0
1+2
1+4
-
1+8
-
-
72
-
15
First Total
198
90
72
-
2
2
6
8
1
3
5
8
9
-
-
7+2
-
1+5
Add to Reduce
1+9+8
9+0
7+2
-
-
-
-
-
-
-
-
-
-
-
-
9
-
6
Second Total
18
9
9
-
2
2
6
8
1
3
5
8
9
-
-
-
-
-
Reduce to Deduce
1+8
-
-
-
-
-
-
-
-
-
-
-
-
-
-
9
-
6
Essence of Number
9
9
9
-
2
2
6
8
1
3
5
8
9

 

 

7
SOLVING
98
44
8
-
1
2
3
4
5
6
7
8
9
8
PROBLEMS
100
46
37
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
1
2
3
4
5
6
7
8
9
S
=
1
1
1
S
19
10
1
-
1
-
-
-
-
-
-
8
-
O
=
6
2
1
O
15
6
6
-
-
-
-
-
-
6
-
8
-
L
=
3
3
1
L
12
3
3
-
-
-
3
-
-
-
-
8
-
V
=
4
4
1
V
22
4
4
-
-
-
-
4
-
-
-
8
-
I
=
9
5
1
I
9
9
9
-
-
-
-
-
-
-
-
8
9
N
=
5
6
1
N
14
5
5
-
-
-
-
-
5
-
-
8
-
G
=
7
7
1
G
7
7
7
-
-
-
-
-
-
-
7
8
-
P
=
7
8
1
P
16
7
7
-
-
-
-
-
-
-
7
8
-
R
=
9
9
1
R
18
9
9
-
-
-
-
-
-
-
-
8
9
O
=
6
10
1
O
15
6
6
-
-
-
-
-
-
6
-
8
-
B
=
2
11
1
B
2
2
2
-
-
2
-
-
-
-
-
8
-
L
=
3
12
1
L
12
3
3
-
-
-
3
-
-
-
-
8
-
E
=
5
13
1
E
5
5
5
-
-
-
-
-
5
-
-
8
-
M
=
4
14
1
M
13
4
4
-
-
-
-
4
-
-
-
8
-
S
=
1
15
1
S
19
10
1
-
1
-
-
-
-
-
-
8
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
7
SOLVING
98
44
35
-
2
2
6
8
10
12
14
8
18
-
-
-
-
8
PROBLEMS
100
46
37
-
-
-
-
-
1+0
1+2
1+4
-
1+8
-
-
72
-
15
First Total
198
90
72
-
2
2
6
8
1
3
5
8
9
-
-
7+2
-
1+5
Add to Reduce
1+9+8
9+0
7+2
-
-
-
-
-
-
-
-
-
-
-
-
9
-
6
Second Total
18
9
9
-
2
2
6
8
1
3
5
8
9
-
-
-
-
-
Reduce to Deduce
1+8
-
-
-
-
-
-
-
-
-
-
-
-
-
-
9
-
6
Essence of Number
9
9
9
-
2
2
6
8
1
3
5
8
9

 

 

7
SOLVING
98
44
8
-
1
2
3
4
5
6
7
8
9
8
PROBLEMS
100
46
37
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
1
2
3
4
5
6
7
8
9
S
=
1
1
1
S
19
10
1
-
1
-
-
-
-
-
-
8
-
S
=
1
15
1
S
19
10
1
-
1
-
-
-
-
-
-
8
-
B
=
2
11
1
B
2
2
2
-
-
2
-
-
-
-
-
8
-
L
=
3
3
1
L
12
3
3
-
-
-
3
-
-
-
-
8
-
L
=
3
12
1
L
12
3
3
-
-
-
3
-
-
-
-
8
-
V
=
4
4
1
V
22
4
4
-
-
-
-
4
-
-
-
8
-
M
=
4
14
1
M
13
4
4
-
-
-
-
4
-
-
-
8
-
N
=
5
6
1
N
14
5
5
-
-
-
-
-
5
-
-
8
-
E
=
5
13
1
E
5
5
5
-
-
-
-
-
5
-
-
8
-
O
=
6
2
1
O
15
6
6
-
-
-
-
-
-
6
-
8
-
O
=
6
10
1
O
15
6
6
-
-
-
-
-
-
6
-
8
-
G
=
7
7
1
G
7
7
7
-
-
-
-
-
-
-
7
8
-
P
=
7
8
1
P
16
7
7
-
-
-
-
-
-
-
7
8
-
I
=
9
5
1
I
9
9
9
-
-
-
-
-
-
-
-
8
9
R
=
9
9
1
R
18
9
9
-
-
-
-
-
-
-
-
8
9
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
7
SOLVING
98
44
35
-
2
2
6
8
10
12
14
8
18
-
-
-
-
8
PROBLEMS
100
46
37
-
-
-
-
-
1+0
1+2
1+4
-
1+8
-
-
72
-
15
First Total
198
90
72
-
2
2
6
8
1
3
5
8
9
-
-
7+2
-
1+5
Add to Reduce
1+9+8
9+0
7+2
-
-
-
-
-
-
-
-
-
-
-
-
9
-
6
Second Total
18
9
9
-
2
2
6
8
1
3
5
8
9
-
-
-
-
-
Reduce to Deduce
1+8
-
-
-
-
-
-
-
-
-
-
-
-
-
-
9
-
6
Essence of Number
9
9
9
-
2
2
6
8
1
3
5
8
9

 

LETTERS RE ARRANGED NUMERICALLY

 

7
SOLVING
98
44
8
-
1
2
3
4
5
6
7
9
8
PROBLEMS
100
46
37
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
1
2
3
4
5
6
7
9
S
=
1
1
1
S
19
10
1
-
1
-
-
-
-
-
-
-
S
=
1
15
1
S
19
10
1
-
1
-
-
-
-
-
-
-
B
=
2
11
1
B
2
2
2
-
-
2
-
-
-
-
-
-
L
=
3
3
1
L
12
3
3
-
-
-
3
-
-
-
-
-
L
=
3
12
1
L
12
3
3
-
-
-
3
-
-
-
-
-
V
=
4
4
1
V
22
4
4
-
-
-
-
4
-
-
-
-
M
=
4
14
1
M
13
4
4
-
-
-
-
4
-
-
-
-
N
=
5
6
1
N
14
5
5
-
-
-
-
-
5
-
-
-
E
=
5
13
1
E
5
5
5
-
-
-
-
-
5
-
-
-
O
=
6
2
1
O
15
6
6
-
-
-
-
-
-
6
-
-
O
=
6
10
1
O
15
6
6
-
-
-
-
-
-
6
-
-
G
=
7
7
1
G
7
7
7
-
-
-
-
-
-
-
7
-
P
=
7
8
1
P
16
7
7
-
-
-
-
-
-
-
7
-
I
=
9
5
1
I
9
9
9
-
-
-
-
-
-
-
-
9
R
=
9
9
1
R
18
9
9
-
-
-
-
-
-
-
-
9
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
7
SOLVING
98
44
35
-
2
2
6
8
10
12
14
18
-
-
-
-
8
PROBLEMS
100
46
37
-
-
-
-
-
1+0
1+2
1+4
1+8
-
-
72
-
15
First Total
198
90
72
-
2
2
6
8
1
3
5
9
-
-
7+2
-
1+5
Add to Reduce
1+9+8
9+0
7+2
-
-
-
-
-
-
-
-
-
-
-
9
-
6
Second Total
18
9
9
-
2
2
6
8
1
3
5
9
-
-
-
-
-
Reduce to Deduce
1+8
-
-
-
-
-
-
-
-
-
-
-
-
-
9
-
6
Essence of Number
9
9
9
-
2
2
6
8
1
3
5
9

 

 

EVOLVE LOVE EVOLVE

LOVE EVOLVE LOVE

EVOLVE REVOLVE EVOLVE

REVOLVE EVOLVE REVOLVE

SOLVE LOVES SOLVE

 

 

H
=
8
-
4
HOLY
60
24
6
C
=
3
-
10
CONSCIENCE
90
45
9
T
=
2
-
3
THE
33
15
6
I
=
9
-
5
INNER
60
33
6
V
=
4
-
5
VOICE
54
27
9
-
-
26
-
27
First Total
297
144
27
-
-
2+6
-
2+7
Add to Reduce
2+9+7
1+4+4
2+7
Q
-
8
-
9
Second Total
18
9
9
-
-
-
-
-
Reduce to Deduce
1+8
-
-
-
-
8
5
9
Essence of Number
9
9
9

 

 

Entanglement:  The weirdest link

New Scientist vol 181 issue 2440 - 27 March 2004, page 32

That spooky connection between tiny particles is appearing everywhere, and its consequences are even affecting the world that we experience. It seems to unravel the past, and may be what keeps us alive. Quantum entanglement just got a whole lot weirder, says Michael Brooks

ENTANGLEMENT. Erwin Schrödinger called this phenomenon the defining trait of quantum theory. Einstein famously dubbed it spukhafte Fernwirkungen: "spooky action at a distance". It is not hard to understand why. Set things up correctly, and you can instantaneously affect the physical properties of a particle on the other side of the universe simply by prodding its entangled twin.

This is no longer just a curiosity of the quantum world, visible only in excruciatingly delicate experiments. Physicists now believe that entanglement between particles exists everywhere, all the time, and have recently found shocking evidence that it affects the wider, "macroscopic" world that we inhabit.

It is a discovery that might have far-reaching consequences. Not only will it give us a better grip on technological applications, such as quantum computing and cryptography, and the teleportation of quantum states, it could also open up a whole new realm of reality, enabling us to retain and control quantum weirdness in our everyday world. And it's not just a strange kind of "remote control" over matter that is at stake. Entanglement could even be the key to understanding what gives rise to the phenomenon of life.

 

spukhafte Fernwirkungen

 

S
=
1
-
9
SPUKHAFTE
107
44
8
F
=
6
5
13
FERNWIRKUNGEN
165
75
3
-
-
7
24
22
First Total
272
119
11
-
-
-
-
2+2
Add to Reduce
2+7+2
1+1+9
1+1
Q
-
7
-
4
Second Total
11
11
2
-
-
-
-
-
Reduce to Deduce
1+1
1+1
-
-
-
7
5
4
Essence of Number
2
2
2

 

 

23
SPOOKY ACTION AT A DISTANCE
260
107
17
22
SPUKHAFTE FERNWIRKUNGEN
272
119
11
45
-
532
226
28
4+5
5+3+2
2+2+6
2+8
9
-
10
10
10
-
-
1+0
1+0
1+0
9
-
1
1
1

 

"spooky action at a distance"

 

S
=
1
-
6
SPOOKY
101
38
2
A
=
1
5
6
ACTION
62
26
8
A
=
1
-
2
AT
21
3
3
A
=
1
5
1
A
1
1
1
D
=
4
-
8
DISTANCE
75
39
3
-
-
8
24
23
First Total
260
107
17
-
-
-
-
2+3
Add to Reduce
2+4+8
1+0+7
1+7
Q
-
8
-
5
Second Total
8
8
8
-
-
-
-
-
Reduce to Deduce
-
-
-
-
-
8
5
6
Essence of Number
8
8
8

 

 

-
-
-
-
-
SPOOKY ACTION AT A DISTANCE
-
-
-
-
1
2
3
4
5
6
7
8
9
S
=
1
-
6
SPOOKY
101
38
2
-
-
-
-
-
-
-
-
-
-
A
=
1
5
6
ACTION
62
26
8
-
-
-
-
-
-
-
-
-
-
A
=
1
-
2
AT
21
3
3
-
-
-
-
-
-
-
-
-
-
A
=
1
5
1
A
1
1
1
-
-
-
-
-
-
-
-
-
-
D
=
4
-
8
DISTANCE
75
39
3
-
-
-
-
-
-
-
-
-
-
-
-
8
-
23
SPOOKY ACTION AT A DISTANCE
260
107
17
-
1
2
3
4
5
6
7
8
9
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
SPOOKY
-
-
-
-
1
2
3
4
5
6
7
8
9
S
=
1
1
1
S
19
10
1
-
1
-
-
-
-
-
-
-
-
P
=
7
2
1
P
7
7
7
-
-
-
-
-
-
-
7
-
-
O
=
6
3
1
O
15
6
6
-
-
-
-
-
-
6
-
-
-
O
=
6
4
1
O
15
6
6
-
-
-
-
-
-
6
-
-
-
K
=
2
5
1
K
11
2
2
-
-
2
-
-
-
-
-
-
-
Y
=
7
6
1
Y
25
7
7
-
-
-
-
-
-
-
7
-
-
29
-
12
SPOOKY
101
38
29
-
-
-
-
-
-
-
-
-
-
-
-
-
ACTION
-
-
-
-
-
-
-
-
-
-
-
-
-
A
=
1
7
1
A
1
1
1
-
1
-
-
-
-
-
-
-
-
C
=
3
8
1
C
3
3
3
-
-
-
3
-
-
-
-
-
-
T
=
2
9
1
T
20
2
2
-
-
2
-
-
-
-
-
-
-
I
=
9
10
1
I
9
9
9
-
-
-
-
-
-
-
-
-
9
O
=
6
11
1
O
15
6
6
-
-
-
-
-
-
6
-
-
-
N
=
5
12
1
N
14
5
5
-
-
-
-
-
5
-
-
-
-
26
-
12
ACTION
62
26
26
-
-
-
-
-
-
-
-
-
-
-
-
-
AT
-
-
-
-
-
-
-
-
-
-
-
-
-
A
=
1
13
1
A
1
1
1
-
1
-
-
-
-
-
-
-
-
T
=
2
14
1
T
20
2
2
-
-
2
-
-
-
-
-
-
-
3
-
12
AT
21
3
3
-
-
-
-
-
-
-
-
-
-
-
-
-
A
-
-
-
-
-
-
-
-
-
-
-
-
-
A
=
1
15
1
A
1
1
1
-
1
-
-
-
-
-
-
-
-
1
-
1
A
1
1
1
-
-
-
-
-
-
-
-
-
-
-
-
-
DISTANCE
-
-
-
-
-
-
-
-
-
-
-
-
-
D
=
4
16
1
D
4
4
4
-
-
-
-
4
-
-
-
-
-
I
=
9
17
1
I
9
9
9
-
-
-
-
-
-
-
-
-
9
S
=
1
18
1
S
19
10
1
-
1
-
-
-
-
-
-
-
-
T
=
T
19
1
T
20
2
2
-
-
2
-
-
-
-
-
-
-
A
=
1
20
1
A
1
1
1
-
1
-
-
-
-
-
-
-
-
N
=
5
21
1
N
14
5
5
-
-
-
-
-
5
-
-
-
-
C
=
3
22
1
C
3
3
3
-
-
-
3
-
-
-
-
-
-
E
=
5
23
1
E
5
5
5
-
-
-
-
-
5
-
-
-
-
39
-
12
DISTANCE
75
39
39
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
SPOOKY ACTION AT A DISTANCE
-
-
-
-
6
8
6
4
15
18
14
8
18
S
=
1
-
6
SPOOKY
101
38
2
-
-
-
-
-
1+5
1+8
1+4
-
1+8
A
=
1
5
6
ACTION
62
26
8
-
6
8
6
4
6
9
5
8
9
A
=
1
-
2
AT
21
3
3
-
-
-
-
-
-
-
-
-
-
A
=
1
5
1
A
1
1
1
-
6
8
6
4
6
9
5
8
9
D
=
4
-
8
DISTANCE
75
39
3
-
-
-
-
-
-
-
-
-
-
-
-
8
-
23
SPOOKY ACTION AT A DISTANCE
260
107
17
-
6
8
6
4
6
9
5
8
9
-
-
-
-
2+3
-
2+6+0
1+0+7
1+7
-
-
-
-
-
-
-
-
-
-
-
-
5
-
5
SPOOKY ACTION AT A DISTANCE
8
8
8
-
6
8
6
4
6
9
5
8
9
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
5
-
5
SPOOKY ACTION AT A DISTANCE
8
8
8
-
6
8
6
4
6
9
5
8
9

 

 

-
-
-
-
-
SPOOKY ACTION AT A DISTANCE
-
-
-
-
1
2
3
4
5
6
7
8
9
S
=
1
-
6
SPOOKY
101
38
2
-
-
-
-
-
-
-
-
-
-
A
=
1
5
6
ACTION
62
26
8
-
-
-
-
-
-
-
-
-
-
A
=
1
-
2
AT
21
3
3
-
-
-
-
-
-
-
-
-
-
A
=
1
5
1
A
1
1
1
-
-
-
-
-
-
-
-
-
-
D
=
4
-
8
DISTANCE
75
39
3
-
-
-
-
-
-
-
-
-
-
-
-
8
-
23
SPOOKY ACTION AT A DISTANCE
260
107
17
-
1
2
3
4
5
6
7
8
9
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
S
=
1
1
1
S
19
10
1
-
1
-
-
-
-
-
-
8
-
P
=
7
2
1
P
7
7
7
-
-
-
-
-
-
-
7
8
-
O
=
6
3
1
O
15
6
6
-
-
-
-
-
-
6
-
8
-
O
=
6
4
1
O
15
6
6
-
-
-
-
-
-
6
-
8
-
K
=
2
5
1
K
11
2
2
-
-
2
-
-
-
-
-
8
-
Y
=
7
6
1
Y
25
7
7
-
-
-
-
-
-
-
7
8
-
A
=
1
7
1
A
1
1
1
-
1
-
-
-
-
-
-
8
-
C
=
3
8
1
C
3
3
3
-
-
-
3
-
-
-
-
8
-
T
=
2
9
1
T
20
2
2
-
-
2
-
-
-
-
-
8
-
I
=
9
10
1
I
9
9
9
-
-
-
-
-
-
-
-
8
9
O
=
6
11
1
O
15
6
6
-
-
-
-
-
-
6
-
8
-
N
=
5
12
1
N
14
5
5
-
-
-
-
-
5
-
-
8
-
A
=
1
13
1
A
1
1
1
-
1
-
-
-
-
-
-
8
-
T
=
2
14
1
T
20
2
2
-
-
2
-
-
-
-
-
8
-
A
=
1
15
1
A
1
1
1
-
1
-
-
-
-
-
-
8
-
D
=
4
16
1
D
4
4
4
-
-
-
-
4
-
-
-
8
-
I
=
9
17
1
I
9
9
9
-
-
-
-
-
-
-
-
8
9
S
=
1
18
1
S
19
10
1
-
1
-
-
-
-
-
-
8
-
T
=
T
19
1
T
20
2
2
-
-
2
-
-
-
-
-
8
-
A
=
1
20
1
A
1
1
1
-
1
-
-
-
-
-
-
8
-
N
=
5
21
1
N
14
5
5
-
-
-
-
-
5
-
-
8
-
C
=
3
22
1
C
3
3
3
-
-
-
3
-
-
-
-
8
-
E
=
5
23
1
E
5
5
5
-
-
-
-
-
5
-
-
8
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
8
-
-
-
-
-
-
SPOOKY ACTION AT A DISTANCE
-
-
-
-
6
8
6
4
15
18
14
8
18
S
=
1
-
6
SPOOKY
101
38
2
-
-
-
-
-
1+5
1+8
1+4
-
1+8
A
=
1
5
6
ACTION
62
26
8
-
6
8
6
4
6
9
5
8
9
A
=
1
-
2
AT
21
3
3
-
-
-
-
-
-
-
-
-
-
A
=
1
5
1
A
1
1
1
-
6
8
6
4
6
9
5
8
9
D
=
4
-
8
DISTANCE
75
39
3
-
-
-
-
-
-
-
-
-
-
-
-
8
-
23
SPOOKY ACTION AT A DISTANCE
260
107
17
-
6
8
6
4
6
9
5
8
9
-
-
-
-
2+3
-
2+4+8
1+0+7
1+7
-
-
-
-
-
-
-
-
-
-
-
-
5
-
5
SPOOKY ACTION AT A DISTANCE
8
8
8
-
6
8
6
4
6
9
5
8
9
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
5
-
5
SPOOKY ACTION AT A DISTANCE
8
8
8
-
6
8
6
4
6
9
5
8
9

 

LETTERS TRANSPOSED INTO NUMBER RE ARRANGED NUMERICALLY

 

-
-
-
-
-
SPOOKY ACTION AT A DISTANCE
-
-
-
-
1
2
3
4
5
6
7
8
9
S
=
1
-
6
SPOOKY
101
38
2
-
-
-
-
-
-
-
-
-
-
A
=
1
5
6
ACTION
62
26
8
-
-
-
-
-
-
-
-
-
-
A
=
1
-
2
AT
21
3
3
-
-
-
-
-
-
-
-
-
-
A
=
1
5
1
A
1
1
1
-
-
-
-
-
-
-
-
-
-
D
=
4
-
8
DISTANCE
75
39
3
-
-
-
-
-
-
-
-
-
-
-
-
8
-
23
SPOOKY ACTION AT A DISTANCE
260
107
17
-
1
2
3
4
5
6
7
8
9
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
S
=
1
1
1
S
19
10
1
-
1
-
-
-
-
-
-
8
-
A
=
1
7
1
A
1
1
1
-
1
-
-
-
-
-
-
8
-
A
=
1
13
1
A
1
1
1
-
1
-
-
-
-
-
-
8
-
A
=
1
15
1
A
1
1
1
-
1
-
-
-
-
-
-
8
-
S
=
1
18
1
S
19
10
1
-
1
-
-
-
-
-
-
8
-
A
=
1
20
1
A
1
1
1
-
1
-
-
-
-
-
-
8
-
K
=
2
5
1
K
11
2
2
-
-
2
-
-
-
-
-
8
-
T
=
2
9
1
T
20
2
2
-
-
2
-
-
-
-
-
8
-
T
=
2
14
1
T
20
2
2
-
-
2
-
-
-
-
-
8
-
T
=
T
19
1
T
20
2
2
-
-
2
-
-
-
-
-
8
-
C
=
3
8
1
C
3
3
3
-
-
-
3
-
-
-
-
8
-
C
=
3
22
1
C
3
3
3
-
-
-
3
-
-
-
-
8
-
D
=
4
16
1
D
4
4
4
-
-
-
-
4
-
-
-
8
-
N
=
5
12
1
N
14
5
5
-
-
-
-
-
5
-
-
8
-
N
=
5
21
1
N
14
5
5
-
-
-
-
-
5
-
-
8
-
E
=
5
23
1
E
5
5
5
-
-
-
-
-
5
-
-
8
-
O
=
6
3
1
O
15
6
6
-
-
-
-
-
-
6
-
8
-
O
=
6
4
1
O
15
6
6
-
-
-
-
-
-
6
-
8
-
O
=
6
11
1
O
15
6
6
-
-
-
-
-
-
6
-
8
-
P
=
7
2
1
P
7
7
7
-
-
-
-
-
-
-
7
8
-
Y
=
7
6
1
Y
25
7
7
-
-
-
-
-
-
-
7
8
-
I
=
9
10
1
I
9
9
9
-
-
-
-
-
-
-
-
8
9
I
=
9
17
1
I
9
9
9
-
-
-
-
-
-
-
-
8
9
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
SPOOKY ACTION AT A DISTANCE
-
-
-
-
6
8
6
4
15
18
14
8
18
S
=
1
-
6
SPOOKY
101
38
2
-
-
-
-
-
1+5
1+8
1+4
-
1+8
A
=
1
5
6
ACTION
62
26
8
-
6
8
6
4
6
9
5
8
9
A
=
1
-
2
AT
21
3
3
-
-
-
-
-
-
-
-
-
-
A
=
1
5
1
A
1
1
1
-
6
8
6
4
6
9
5
8
9
D
=
4
-
8
DISTANCE
75
39
3
-
-
-
-
-
-
-
-
-
-
-
-
8
-
23
SPOOKY ACTION AT A DISTANCE
260
107
17
-
6
8
6
4
6
9
5
8
9
-
-
-
-
2+3
-
2+4+8
1+0+7
1+7
-
-
-
-
-
-
-
-
-
-
-
-
5
-
5
SPOOKY ACTION AT A DISTANCE
8
8
8
-
6
8
6
4
6
9
5
8
9
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
5
-
5
SPOOKY ACTION AT A DISTANCE
8
8
8
-
6
8
6
4
6
9
5
8
9

 

 

 spukhafte Fernwirkungen: "spooky action at a distance".

 

S
=
1
-
9
SPUKHAFTE
107
44
8
F
=
6
5
13
FERNWIRKUNGEN
165
75
3
-
-
7
24
22
First Total
272
119
11
-
-
-
-
2+2
Add to Reduce
2+7+2
1+1+9
1+1
Q
-
7
-
4
Second Total
11
11
2
-
-
-
-
-
Reduce to Deduce
1+1
1+1
-
-
-
7
5
4
Essence of Number
2
2
2

 

 

-
-
-
-
-
SPUKHAFTE FERNWIRKUNGEN
-
-
-
-
1
2
3
4
5
6
7
8
9
S
=
1
-
9
SPUKHAFTE
107
35
8
-
-
-
-
-
-
-
-
-
-
F
=
6
5
13
FERNWIRKUNGEN
165
75
3
-
-
-
-
-
-
-
-
-
-
-
-
7
-
22
SPUKHAFTE AFERNWIRKUNGEN
272
110
11
-
1
2
3
4
5
6
7
8
9
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
SPUKHAFTE
-
-
-
-
1
2
3
4
5
6
7
8
9
S
=
1
1
1
S
19
10
1
-
1
-
-
-
-
-
-
-
-
P
=
7
2
1
P
16
7
7
-
-
-
-
-
-
-
7
-
-
U
=
3
3
1
U
21
3
3
-
-
-
3
-
-
-
-
-
-
K
=
2
4
1
K
11
2
2
-
-
2
-
-
-
-
-
-
-
H
=
7
5
1
H
8
8
8
-
-
-
-
-
-
-
-
8
-
A
=
1
6
1
A
1
1
1
-
1
-
-
-
-
-
-
-
-
F
=
6
7
1
F
6
6
6
-
-
-
-
-
-
6
-
-
-
T
=
2
8
1
T
20
2
2
-
-
2
-
-
-
-
-
-
-
E
=
5
9
1
E
5
5
5
-
-
-
-
-
5
-
-
-
-
35
-
9
SPUKHAFTE
107
44
35
-
-
-
-
-
-
-
-
-
-
-
-
-
FERNWIRKUNGEN
-
-
-
-
-
-
-
-
-
-
-
-
-
F
=
6
10
1
F
6
6
6
-
-
-
-
-
-
6
-
-
-
E
=
5
11
1
E
5
5
5
-
-
-
-
-
5
-
-
-
-
R
=
9
12
1
R
18
9
9
-
-
-
-
-
-
-
-
-
9
N
=
5
13
1
N
14
5
5
-
-
-
-
-
5
-
-
-
-
W
=
5
14
1
W
23
5
5
-
-
-
-
-
5
-
-
-
-
I
=
9
15
1
I
9
9
9
-
-
-
-
-
-
-
-
-
9
R
=
9
16
1
R
18
9
9
-
-
-
-
-
-
-
-
-
9
K
=
2
17
1
K
11
2
2
-
-
2
-
-
-
-
-
-
-
U
=
3
18
1
U
21
3
3
-
-
-
3
-
-
-
-
-
-
N
=
5
19
1
N
14
5
5
-
-
-
-
-
5
-
-
-
-
G
=
7
20
1
G
7
7
7
-
-
-
-
-
-
-
7
-
-
E
=
5
21
1
E
5
5
5
-
-
-
-
-
5
-
-
-
-
N
=
5
22
1
N
14
5
5
-
-
-
-
-
5
-
-
-
-
65
-
13
FERNWIRKUNGEN
165
75
75
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
2
6
6
4
35
12
14
8
27
-
-
-
-
-
SPUKHAFTE FERNWIRKUNGEN
-
-
-
-
-
-
-
-
3+5
1+2
1+4
-
2+7
S
=
1
-
9
SPUKHAFTE
107
44
8
-
2
6
6
4
8
3
5
8
9
F
=
6
5
13
FERNWIRKUNGEN
165
75
3
-
-
-
-
-
-
-
-
-
-
-
-
7
-
22
SPUKHAFTE FERNWIRKUNGEN
272
119
11
-
2
6
6
4
8
3
5
8
9
-
-
-
-
2+2
-
2+7+2
1+1+9
1+1
-
-
-
-
-
-
-
-
-
-
-
-
5
-
4
SPUKHAFTE FERNWIRKUNGEN
11
11
2
-
2
6
6
4
8
3
5
8
9
-
-
-
-
-
-
1+1
1+1
-
-
-
-
-
-
-
-
-
-
-
-
-
5
-
4
SPUKHAFTE FERNWIRKUNGEN
2
2
2
-
2
6
6
4
8
3
5
8
9

 

 

-
-
-
-
-
SPUKHAFTE FERNWIRKUNGEN
-
-
-
-
1
2
3
4
5
6
7
8
9
S
=
1
-
9
SPUKHAFTE
107
44
8
-
-
-
-
-
-
-
-
-
-
F
=
6
5
13
FERNWIRKUNGEN
165
75
3
-
-
-
-
-
-
-
-
-
-
-
-
7
-
22
SPUKHAFTE FERNWIRKUNGEN
272
119
11
-
1
2
3
4
5
6
7
8
9
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
SPUKHAFTE
-
-
-
-
1
2
3
4
5
6
7
8
9
S
=
1
1
1
S
19
10
1
-
1
-
-
4
-
-
-
-
-
P
=
7
2
1
P
16
7
7
-
-
-
-
4
-
-
7
-
-
U
=
3
3
1
U
21
3
3
-
-
-
3
4
-
-
-
-
-
K
=
2
4
1
K
11
2
2
-
-
2
-
4
-
-
-
-
-
H
=
7
5
1
H
8
8
8
-
-
-
-
4
-
-
-
8
-
A
=
1
6
1
A
1
1
1
-
1
-
-
4
-
-
-
-
-
F
=
6
7
1
F
6
6
6
-
-
-
-
4
-
6
-
-
-
T
=
2
8
1
T
20
2
2
-
-
2
-
4
-
-
-
-
-
E
=
5
9
1
E
5
5
5
-
-
-
-
4
5
-
-
-
-
F
=
6
10
1
F
6
6
6
-
-
-
-
4
-
6
-
-
-
E
=
5
11
1
E
5
5
5
-
-
-
-
4
5
-
-
-
-
R
=
9
12
1
R
18
9
9
-
-
-
-
4
-
-
-
-
9
N
=
5
13
1
N
14
5
5
-
-
-
-
4
5
-
-
-
-
W
=
5
14
1
W
23
5
5
-
-
-
-
4
5
-
-
-
-
I
=
9
15
1
I
9
9
9
-
-
-
-
4
-
-
-
-
9
R
=
9
16
1
R
18
9
9
-
-
-
-
4
-
-
-
-
9
K
=
2
17
1
K
11
2
2
-
-
2
-
4
-
-
-
-
-
U
=
3
18
1
U
21
3
3
-
-
-
3
4
-
-
-
-
-
N
=
5
19
1
N
14
5
5
-
-
-
-
4
5
-
-
-
-
G
=
7
20
1
G
7
7
7
-
-
-
-
4
-
-
7
-
-
E
=
5
21
1
E
5
5
5
-
-
-
-
4
5
-
-
-
-
N
=
5
22
1
N
14
5
5
-
-
-
-
4
5
-
-
-
-
-
-
-
-
-
-
-
-
-
-
2
6
6
4
35
12
14
8
27
-
-
-
-
-
SPUKHAFTE FERNWIRKUNGEN
-
-
-
-
-
-
-
-
3+5
1+2
1+4
-
2+7
S
=
1
-
9
SPUKHAFTE
107
44
8
-
2
6
6
4
8
3
5
8
9
F
=
6
5
13
FERNWIRKUNGEN
165
75
3
-
-
-
-
-
-
-
-
-
-
-
-
7
-
22
SPUKHAFTE FERNWIRKUNGEN
272
119
11
-
2
6
6
4
8
3
5
8
9
-
-
-
-
2+2
-
2+7+2
1+1+9
1+1
-
-
-
-
-
-
-
-
-
-
-
-
5
-
4
SPUKHAFTE FERNWIRKUNGEN
11
11
2
-
2
6
6
4
8
3
5
8
9
-
-
-
-
-
-
1+1
1+1
-
-
-
-
-
-
-
-
-
-
-
-
-
5
-
4
SPUKHAFTE FERNWIRKUNGEN
2
2
2
-
2
6
6
4
8
3
5
8
9

 

 

-
-
-
-
-
SPUKHAFTE FERNWIRKUNGEN
-
-
-
-
1
2
3
4
5
6
7
8
9
S
=
1
-
9
SPUKHAFTE
107
44
8
-
-
-
-
-
-
-
-
-
-
F
=
6
5
13
FERNWIRKUNGEN
165
75
3
-
-
-
-
-
-
-
-
-
-
-
-
7
-
22
SPUKHAFTE FERNWIRKUNGEN
272
119
11
-
1
2
3
4
5
6
7
8
9
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
SPUKHAFTE
-
-
-
-
1
2
3
4
5
6
7
8
9
S
=
1
1
1
S
19
10
1
-
1
-
-
4
-
-
-
-
-
A
=
1
6
1
A
1
1
1
-
1
-
-
4
-
-
-
-
-
K
=
2
4
1
K
11
2
2
-
-
2
-
4
-
-
-
-
-
T
=
2
8
1
T
20
2
2
-
-
2
-
4
-
-
-
-
-
K
=
2
17
1
K
11
2
2
-
-
2
-
4
-
-
-
-
-
U
=
3
3
1
U
21
3
3
-
-
-
3
4
-
-
-
-
-
U
=
3
18
1
U
21
3
3
-
-
-
3
4
-
-
-
-
-
E
=
5
9
1
E
5
5
5
-
-
-
-
4
5
-
-
-
-
E
=
5
11
1
E
5
5
5
-
-
-
-
4
5
-
-
-
-
N
=
5
13
1
N
14
5
5
-
-
-
-
4
5
-
-
-
-
W
=
5
14
1
W
23
5
5
-
-
-
-
4
5
-
-
-
-
N
=
5
19
1
N
14
5
5
-
-
-
-
4
5
-
-
-
-
E
=
5
21
1
E
5
5
5
-
-
-
-
4
5
-
-
-
-
N
=
5
22
1
N
14
5
5
-
-
-
-
4
5
-
-
-
-
F
=
6
7
1
F
6
6
6
-
-
-
-
4
-
6
-
-
-
F
=
6
10
1
F
6
6
6
-
-
-
-
4
-
6
-
-
-
P
=
7
2
1
P
16
7
7
-
-
-
-
4
-
-
7
-
-
G
=
7
20
1
G
7
7
7
-
-
-
-
4
-
-
7
-
-
H
=
7
5
1
H
8
8
8
-
-
-
-
4
-
-
-
8
-
R
=
9
12
1
R
18
9
9
-
-
-
-
4
-
-
-
-
9
I
=
9
15
1
I
9
9
9
-
-
-
-
4
-
-
-
-
9
R
=
9
16
1
R
18
9
9
-
-
-
-
4
-
-
-
-
9
-
-
-
-
-
-
-
-
-
-
2
6
6
4
35
12
14
8
27
-
-
-
-
-
SPUKHAFTE FERNWIRKUNGEN
-
-
-
-
-
-
-
-
3+5
1+2
1+4
-
2+7
S
=
1
-
9
SPUKHAFTE
107
44
8
-
2
6
6
4
8
3
5
8
9
F
=
6
5
13
FERNWIRKUNGEN
165
75
3
-
-
-
-
-
-
-
-
-
-
-
-
7
-
22
SPUKHAFTE FERNWIRKUNGEN
272
119
11
-
2
6
6
4
8
3
5
8
9
-
-
-
-
2+2
-
2+7+2
1+1+9
1+1
-
-
-
-
-
-
-
-
-
-
-
-
5
-
4
SPUKHAFTE FERNWIRKUNGEN
11
11
2
-
2
6
6
4
8
3
5
8
9
-
-
-
-
-
-
1+1
1+1
-
-
-
-
-
-
-
-
-
-
-
-
-
5
-
4
SPUKHAFTE FERNWIRKUNGEN
2
2
2
-
2
6
6
4
8
3
5
8
9

 

 

SPOOKY ACTION AT A DISTANCE = 8

 

 

SPOOKY ACTIONS AT A DISTANCE = 9

 

S
=
1
-
6
SPOOKY
101
38
2
A
=
1
5
6
ACTIONS
81
36
9
A
=
1
-
2
AT
21
3
3
A
=
1
5
1
A
1
1
1
D
=
4
-
8
DISTANCE
75
39
3
-
-
8
24
23
First Total
279
117
18
-
-
-
-
2+3
Add to Reduce
2+7+9
1+1+7
1+8
Q
-
8
-
5
Second Total
18
9
9
-
-
-
-
-
Reduce to Deduce
1+8
-
-
-
-
8
5
6
Essence of Number
9
8
8

 

 

8
EXOTERIC
99
45
9
3
AND
19
10
1
8
ESOTERIC
94
40
4
19
First Total
212
95
14
1+9
Add to Reduce
2+1+2
9+5
1+4
10
Second Total
5
14
5
1+0
Reduce to Deduce
-
1+4
-
1
Essence of Number
5
5
5

 

 

U
=
3
-
12
UNIDENTIFIED
120
66
3
F
=
6
5
6
FLYING
73
37
1
O
=
6
-
6
OBJECT
55
19
1
-
-
15
24
24
First Total
248
122
5
-
-
1+5
-
2+4
Add to Reduce
2+4+8
1+2+2
-
Q
-
6
-
6
Second Total
14
5
5
-
-
-
-
-
Reduce to Deduce
1+4
-
-
-
-
6
5
6
Essence of Number
5
5
5

 

 

TO

ALL

THAT THAT THAT

ISISIS

THE

LIVING REALITY.

THIS

WORK OF REVELATION IS A RESTATEMENT OF THE ANCIENT WISDOM AND IS THE INTELLECTUAL

BIRTHRIGHT

OF

ALL

 

THE

RAINBOW OF THE COVENANT

 

O

NAMUH

SOW THE SEEDS OF THIS WORK WITHOUT FEAR OR FAVOUR CREED OR RACE

ARISESTHATSUNSETSTHATSUNSETSTHATSUNARISESTHATSUN

OSIRISTHATSONSETSTHATSONSETSTHATSONOSIRISTHATSON

ADDED TO ALL MINUS NONE SHARED BY EVERYTHING MULTIPLIED IN ABUNDANCE

 

 

 

 

THE

GREAT WORK

BORN

OUT THE IN OF THE

GREAT MOTHER WOMB

THAT THAT THAT

ISISIS

PRESENTED

UPON THE NETERS NET FROM

WHERE IT IS TRANSMITTING IN CONSTANT LIGHT LOVING PULSE

THAT BORN AGAIN ENERGY OF THAT

ONE

GREAT

TRUTH

THE

REVELATION MAGNIFICAT

OF

LIVING

MIND

MINS MIND MINS

DREAMING

MIND

IMPERFECT THIS WORK IS AS PERFECT AS IT SHOULD BE WITHIN THIS PARTICULAR JUXTOPOSITION

OF

INSTANTS THAT CONSTITUTE THEREIN THE STILLNESS OF REALITIES LIVING FOREVER

 

 

 

FIRST CONTACT 1989

 

 

CITIZENS OF THE CITY OF NINE GATES

GREETINGS

CITIZENS OF PLANET EARTH

GREETINGS

CITIZENS OF THE UNIVERSE

GREETINGS

SISTERS AND BROTHERS

OF

THINE AND MINE

SENTIENT

BEINGS

ALL

PEACE LOVE LIGHT LIGHT LOVE PEACE

O

NAMUH

SCATTER THE IMMORTAL SEEDS OF THIS WONDERFULLY CREATIVE TIME WITHOUT FEAR

OR

FAVOUR UPON THE INNER MINDS EYE OF THE ALL AND SUNDRY THAT IS THE

ENERGISED EVERYTHING

OF

LIVING REALITY

 

 

DAILY MIRROR

Tuesday, November 4, 2003

Veena Minocha

Page

33

"DOORWAY TO HEAVEN"

THIS

IS

"make no mistake, the greatest shift of consciousness ever.The period between November 8 and 23 is a very special time, when humanity will be assisted by all the Heavenly Beings of Light to catapult their consciousness into the fifth-dimensional level. After the lunar eclipse on November 8, a rare galactic alignment will build powerful cosmic energies which will gather momentum until the solar eclipse on November 23rd

 

THE STAR OF DAVID

formation in the heavens will be the harbinger of unprecedented showers of frequencies of divine consciousness. This will have the effect of opening up a multi-dimensional portal of divine consciousness into the heart and mind of the

THE

MOTHER FATHER

GOD

PRINCIPLE

THE

COSMIC

I

AM ALL THAT IS

Every man, woman and child will be treated to a rare glimpse into the remembrance of their own divinity, and the one-ess of all life. The light of divine consciousness will be shining forcefully through the mental strata of the Earth, and a portal into the divine mind of

GOD

will open within the mental bodies of all humanity. The new solar frequencies of the fifth dimension will thus become available to all those who choose it!

SOUL TO SOUL

These frequencies are aligned with the ascended master frequencies, and will hum in tune with the patterns of perfection in the Causal Body of

GOD

This is, make no mistake, the greatest shift of consciousness ever attempted by the Heavenly Beings of Light, for all humans to take advantage of. This gigantic shift of consciousness was essential to the divine plan of anchoring

THE

LIGHT OF GOD

to the planet, to transform the Earth, as well as humans, for if this was not done, it would be like trying to change the image of humanity in a mirror, without changing the human himself who causes the reflection. Outer-worldly situations only change if there is corresponding change in the minds and hearts of men.

When every soul on the planet remembers the oneness of all life, and that if we harm one another, we are in actuality harming ourselves, then this profound truth will open up the mind-blowing concepts of the interconnectedness, and the ultimate inter-dependent-ness, of soul and soul. Can you imagine how people will interact once the profoundness of this truth pervades their consciousness?

The above article by Veena Minocha Astrologer of The Hindustan Times

 

 

THE

MESSAGE

unless integral to quoted work.

all arithmetical machinations, emphasis,

comment, insertions subterfuge and insinuations

are those of the Zed Aliz Zed as recorded by the far yonder scribe.

 

 

STORM ON THE SUN

HOW THE SUN AFFECTS LIFE ON EARTH

Joseph Goodavage

1979

Page 5

THE STAR

Chapter 1

"Eliminate the impossible. Whatever remains, however improbable must be true"

Sherlock Holmes

 

 

DAILY MAIL

WEEKEND

Saturday 15th July 2006

Your week ahead

Jonathan Cainer

Page 85 (Number omitted)

TAURUS Apr 21 - May 21: 'When you have eliminated all which is impossible, then whatever remains, however improbable, must be the truth.' Sir Arthur Conan Doyle gave
these words to Sherlock Holmes. You don't, though, have to be a great detective in order to see their relevance in your life this week. Something seemingly far-fetched is taking place. The more you try to understand it, the more confused you become. Surely, something can't really be happening or someone has got hold of the wrong end of the stick. Really, though;you had best believe the evidence of your own eyes. What's happening may be very strange but it is very positive.

 

 

CATCHING THE LIGHT

Arthur Zajonc

1993

Page 44

ANGELIC LIGHT - HUMAN LIGHT

"HOW YOU HAVE FALLEN FROM HEAVEN, BRIGHT SON OF THE MORNING FELLED TO THE EARTH!"

Isaiah 14:12-15

 

 

THE STAIRWAY TO HEAVEN

BOOK

II

THE EARTH CHRONICLES

Zecharia Sitchin 1980

Page166

The Stairway to Heaven
O, how fallen from heaven art thou,
a Morning Star, son of Dawn!
Felled to the ground
is he who the nations enfeebled.
Thou didst say in thine heart
"I will ascend unto the heavens,
above the planets of El I shall raise my throne;
On the Mount of Assembly I shall sit,
on the Crest of Zaphon.
Upon the Raised Platform I shall go up,
a Lofty One I shall be!"
But nay, to the Nether World you shalt go,
down to the depths of a pit

 

 

THE FOUNTAIN OF LIFE

Prose And Verse From The Bible

A. G. Prys-Jones 1979

Page 123

HOW ART THOU FALLEN FROM HEAVEN, O LUCIFER, SON OF THE MORNING!

 

"How art thou fallen from heaven, O Lucifer, son of the morning!

how art thou cut down to the ground, which didst weaken the nations!"

 

 

HOLY BIBLE

Scofield Reference

ISAIAH

C 14 V 12

"How art thou fallen from heaven, O Lucifer, son of the morning!

how art thou cut down to the ground, which didst weaken the nations!"

 

 

HOLY BIBLE

Scofield Reference

Isaiah

Chapter 14

Page 726

12 How art thou fallen from heaven, O Lucifer, son of the morning! how art thou cut down to the ground, which didst weaken the nations!

13 For thou hast said in thine heart, I will ascend into heaven, I will exalt my throne above the stars of God: I will sit also upon the mount of the congregation, in the sides of the north:

14 I will ascend above the heights of the clouds; I will be like the most High.

15 Yet thou shalt be brought down to hell, to the sides of the pit.

 

 

HOW ART THOU FALLEN FROM HEAVEN O LUCIFER SON OF THE MORNING

HOW ART THOU CUT DOWN TO THE GROUND WHICH DIDST WEAKEN THE NATIONS

 

 

-
-
-
-
-
HOLY BIBLE
-
-
-
-
-
-
-
-
Scofield References
-
-
-
C
14
Verse
12
ISAIAH
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
H
=
8
-
3
HOW
46
19
1
A
=
1
-
3
ART
39
12
3
T
=
2
-
4
THOU
64
19
1
F
=
6
-
6
FALLEN
50
23
5
F
=
6
-
4
FROM
52
25
7
H
=
8
-
6
HEAVEN
55
28
1
O
=
6
-
1
O
15
6
6
L
=
3
-
7
LUCIFER
74
38
2
S
=
1
-
3
SON
48
12
3
O
=
6
-
2
OF
21
12
3
T
=
2
-
3
THE
33
15
6
M
=
4
-
7
MORNING
90
45
9
H
=
8
-
3
HOW
46
19
1
A
=
1
-
3
ART
39
12
3
T
=
2
-
4
THOU
64
19
1
C
=
3
-
3
CUT
44
8
8
D
=
4
-
4
DOWN
56
20
2
T
=
2
-
2
TO
35
8
8
T
=
2
-
3
THE
33
15
6
G
=
7
-
6
GROUND
79
34
7
W
=
5
-
5
WHICH
51
33
6
D
=
4
-
5
DIDST
56
20
2
W
=
5
-
6
WEAKEN
59
23
5
T
=
2
-
3
THE
33
15
6
N
=
5
-
7
NATIONS
92
29
2
-
-
103
-
103
First Total
1274
509
104
-
-
1+0+3
-
1+0+3
Add to Reduce
1+2+7+4
5+0+9
1+0+4
Q
-
4
Q
4
Second Total
14
14
5
-
-
-
-
Q
Reduce to Deduce
1+4
1+4
-
-
-
4
-
4
Essence of Number
5
5
5

 

HOW THOU HAST FALLEN FROM HEAVEN BRIGHT SON OF THE MORNING

FELLED TO THE GROUND WHICH DIDST WEAKEN THE NATIONS

 

H
=
8
-
3
HOW
46
19
1
T
=
2
-
4
THOU
64
19
1
H
=
8
-
4
HAST
48
12
3
F
=
6
-
6
FALLEN
50
23
5
F
=
6
-
4
FROM
52
25
7
H
=
8
-
6
HEAVEN
55
28
1
-
-
38
4
27
Add to Reduce
315
126
18
-
-
11
-
2+7
Reduce to Deduce
3+1+5
1+2+6
1+8
-
-
2
-
9
Essence of Number
9
9
9

 

 

B
=
2
-
6
BRIGHT
64
37
1
S
=
1
-
3
SON
48
12
3
O
=
6
-
2
OF
21
12
3
T
=
2
-
3
THE
33
15
6
M
=
4
-
7
MORNING
90
45
9
-
-
15
-
21
First Total
166
121
22
-
-
1+5
-
2+1
Add to Reduce
1+6+6
1+2+1
2+2
Q
-
6
-
3
Second Total
13
4
4
-
-
-
-
-
Reduce to Deduce
1+3
-
-
-
-
6
5
3
Essence of Number
4
4
4

 

 

F
=
6
-
6
FELLED
44
26
8
T
=
2
-
2
TO
35
8
8
T
=
2
-
3
THE
33
15
6
G
=
7
-
6
GROUND
79
34
7
-
-
17
-
17
First Total
191
83
29
-
-
1+7
-
1+7
Add to Reduce
1+9+1
8+3
2+9
Q
-
8
-
8
Second Total
11
11
11
-
-
-
-
-
Reduce to Deduce
1+1
1+1
1+1
-
-
8
5
8
Essence of Number
2
2
2

 

 

W
=
5
-
5
WHICH
51
33
6
D
=
4
-
5
DIDST
56
20
2
W
=
5
-
6
WEAKEN
59
23
5
T
=
2
-
3
THE
33
15
6
N
=
5
-
7
NATIONS
92
29
2
-
-
21
-
26
First Total
291
120
21
-
-
2+1
-
2+6
Add to Reduce
2+9+1
1+2+0
2+1
Q
-
3
-
8
Second Total
12
3
3
-
-
-
-
-
Reduce to Deduce
1+2
-
-
-
-
3
5
8
Essence of Number
3
3
3

 

 

HOW THOU HAST FALLEN FROM HEAVEN BRIGHT SON OF THE MORNING

FELLED TO THE GROUND WHICH DIDST WEAKEN THE NATIONS

 

H
=
8
-
3
HOW
46
19
1
T
=
2
-
4
THOU
64
19
1
H
=
8
-
4
HAST
48
12
3
F
=
6
-
6
FALLEN
50
23
5
F
=
6
-
4
FROM
52
25
7
H
=
8
-
6
HEAVEN
55
28
1
B
=
2
-
6
BRIGHT
64
37
1
S
=
1
-
3
SON
48
12
3
O
=
6
-
2
OF
21
12
3
T
=
2
-
3
THE
33
15
6
M
=
4
-
7
MORNING
90
45
9
F
=
6
-
6
FELLED
44
26
8
T
=
2
-
2
TO
35
8
8
T
=
2
-
3
THE
33
15
6
G
=
7
-
6
GROUND
79
34
7
W
=
5
-
5
WHICH
51
33
6
D
=
4
-
5
DIDST
56
20
2
W
=
5
-
6
WEAKEN
59
23
5
T
=
2
-
3
THE
33
15
6
N
=
5
-
7
NATIONS
92
29
2
-
-
91
-
91
First Total
963
450
90
-
-
9+1
-
9+1
Add to Reduce
9+6+3
4+5+0
9+0
Q
-
10
-
10
Second Total
18
9
9
-
-
1+0
-
1+0
Reduce to Deduce
1+8
-
-
-
-
1
5
1
Essence of Number
9
9
9

 

HOW THOU HAST FALLEN FROM HEAVEN BRIGHT SON OF THE MORNING

FELLED TO THE GROUND WHICH DIDST WEAKEN THE NATIONS

 

 

THIRTEEN = 99 99 = THIRTEEN

 

 

-
LUCIFER
-
-
-
2
L+U
33
6
6
5
C+I+F+E+R
41
32
5
7
LUCIFER
74
38
11
-
-
7+4
3+8
1+1
7
LUCIFER
11
11
2
-
-
1+1
1+1
-
7
LUCIFER
2
2
2

 

 

7
LUCIFER
74
38
2
-
-
-
-
-
3
THE
33
15
6
5
LIGHT
56
29
2
7
BRINGER
73
46
1
15
Add to Reduce
162
90
9
1+5
Reduce to Deduce
1+6+7
9+0
-
6
Essence of Number
9
9
9

 

LUCIFER LUC FIRE

LET YOU SEE FIRE

LUCIFER

 

-
LUCIFER
-
-
-
2
L+U+C
36
9
9
5
F+I+R+E
38
29
2
7
LUCIFER
74
38
11
-
-
7+4
3+8
1+1
7
LUCIFER
11
11
2
-
-
1+1
1+1
-
7
LUCIFER
2
2
2

 

 

-
7
L
U
C
I
F
E
R
-
-
-
-
-
--
-
-
-
-
-
`-
-
-
-
9
-
-
-
+
=
9
-
=
9
=
9
=
9
-
`-
-
-
-
9
-
-
-
+
=
9
-
=
9
=
9
=
9
-
7
L
U
C
I
F
E
R
-
-
-
-
-
--
-
-
-
-
-
-
3
3
3
-
6
5
9
+
=
29
2+9
=
11
1+1
2
=
2
-
`-
12
21
3
-
6
5
18
+
=
65
6+5
=
11
1+1
2
=
2
-
7
L
U
C
I
F
E
R
-
-
-
-
-
--
-
-
-
-
-
`-
12
21
3
9
6
5
18
+
=
74
7+4
=
11
1+1
2
=
2
-
-
3
3
3
9
6
5
9
+
=
38
3+8
=
11
1+1
2
=
2
-
7
L
U
C
I
F
E
R
T
-
-
-
-
-
-
-
-
-
1
-
-
-
-
-
-
-
-
-
-
1
ONE
1
-
-
-
-
-
2
-
-
-
-
-
-
-
-
-
-
2
TWO
2
-
-
-
-
-
-
-
3
3
3
-
-
-
-
-
-
3
occurs
x
3
=
9
=
9
4
-
-
-
-
-
-
-
-
-
-
4
FOUR
4
-
-
-
-
-
-
--
-
-
-
-
-
5
-
-
-
5
occurs
x
1
=
5
=
5
-
--
-
-
-
-
6
-
-
-
-
6
occurs
x
1
=
6
=
6
7
-
-
-
-
-
-
-
-
-
-
7
SEVEN
7
-
-
-
-
-
8
--
-
-
-
-
-
-
-
-
-
8
EIGHT
8
-
-
-
-
-
-
-
-
-
-
9
-
-
9
-
-
9
occurs
x
2
=
18
1+8
9
22
7
L
U
C
I
F
E
R
-
-
23
-
-
7
-
38
-
29
2+2
-
3
3
3
-
-
-
-
-
-
2+3
-
-
-
-
3+8
-
2+9
4
7
L
U
C
I
F
E
R
-
-
5
-
-
7
-
11
-
11
-
-
3
3
3
9
6
5
9
-
-
-
-
-
-
-
1+1
-
1+1
4
7
L
U
C
I
F
E
R
-
-
5
-
-
7
-
2
-
2

 

 

7
L
U
C
I
F
E
R
-
-
-
-
-
--
-
-
-
-
`-
-
-
-
9
-
-
-
+
=
9
-
=
9
=
9
=
9
`-
-
-
-
9
-
-
-
+
=
9
-
=
9
=
9
=
9
7
L
U
C
I
F
E
R
-
-
-
-
-
--
-
-
-
-
-
3
3
3
-
6
5
9
+
=
29
2+9
=
11
1+1
2
=
2
`-
12
21
3
-
6
5
18
+
=
65
6+5
=
11
1+1
2
=
2
7
L
U
C
I
F
E
R
-
-
-
-
-
--
-
-
-
-
`-
12
21
3
9
6
5
18
+
=
74
7+4
=
11
1+1
2
=
2
-
3
3
3
9
6
5
9
+
=
38
3+8
=
11
1+1
2
=
2
7
L
U
C
I
F
E
R
T
-
-
-
-
-
-
-
-
-
-
3
3
3
-
-
-
-
-
-
3
occurs
x
3
=
9
=
9
--
-
-
-
-
-
5
-
-
-
5
occurs
x
1
=
5
=
5
--
-
-
-
-
6
-
-
-
-
6
occurs
x
1
=
6
=
6
-
-
-
-
9
-
-
9
-
-
9
occurs
x
2
=
18
1+8
9
7
L
U
C
I
F
E
R
-
-
23
-
-
7
-
38
-
29
-
3
3
3
-
-
-
-
-
-
2+3
-
-
-
-
3+8
-
2+9
7
L
U
C
I
F
E
R
-
-
5
-
-
7
-
11
-
11
-
3
3
3
9
6
5
9
-
-
-
-
-
-
-
1+1
-
1+1
7
L
U
C
I
F
E
R
-
-
5
-
-
7
-
2
-
2

 

 

7
LUCIFER
74
38
2
5
LIGHT
56
29
2
4
ISIS
56
20
2
5
JESUS
74
11
2

 

 

-
-
-
-
-
-
-
-
-
-
1
2
3
4
5
6
7
8
9
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
W
=
5
-
5
WHILE
57
30
3
-
-
-
3
-
-
-
-
-
-
Y
=
7
-
5
YOU'VE
88
25
7
-
-
-
-
-
-
-
7
-
-
A
=
1
-
1
A
1
1
1
-
1
-
-
-
-
-
-
-
-
L
=
3
-
7
LUCIFER
74
38
2
-
-
2
-
-
-
-
-
-
-
T
=
2
-
2
TO
35
8
8
-
-
-
-
-
-
-
-
8
-
L
=
3
-
5
LIGHT
56
29
2
-
-
2
-
-
-
-
-
-
-
Y
=
7
-
4
YOUR
79
25
7
-
-
-
-
-
-
-
7
-
-
F
=
6
-
4
FIRE
38
29
2
-
-
2
-
-
-
-
-
-
-
-
-
34
-
33
First Total
428
185
32
-
1
6
3
4
5
6
14
8
9
-
-
3+4
-
3+3
Add to Reduce
4+2+8
1+8+5
3+2
-
-
-
-
-
-
-
2+8
-
-
-
-
7
-
6
Second Total
14
14
5
-
1
6
3
4
5
6
10
8
9
-
-
-
-
-
Reduce to Deduce
1+4
1+4
-
-
-
-
-
-
-
-
1+0
-
-
-
-
7
-
6
Essence of Number
5
5
5
-
1
6
3
4
5
6
1
8
9

 

 

 

 

7
LUCIFER
74
38
2
3
THE
33
15
6
5
LIGHT
56
29
2
7
BRINGER
73
46
1
22
First Total
236
128
11
2+2
Add to Reduce
2+3+6
1+2+8
1+1
4
Second Total
11
11
2
-
Reduce to Deduce
1+1
1+1
-
4
Essence of Number
2
2
2

 

 

-
22
L
U
C
I
F
E
R
-
T
H
E
-
L
I
G
H
T
-
B
R
I
N
G
E
R
-
-
-
-
-
--
-
-
-
-
-
-
-
-
-
9
-
-
-
-
-
8
-
-
-
9
-
8
-
-
-
-
9
5
-
-
-
+
=
48
4+8
=
12
1+2
3
=
3
-
-
-
-
-
9
-
-
-
-
-
8
-
-
-
9
-
8
-
-
-
-
9
14
-
-
-
+
=
57
5+7
=
12
1+2
3
=
3
-
22
L
U
C
I
F
E
R
-
T
H
E
-
L
I
G
H
T
-
B
R
I
N
G
E
R
-
-
-
-
-
--
-
-
-
-
-
-
3
3
3
-
6
5
9
-
2
-
5
-
3
-
7
-
2
-
2
9
-
-
7
5
9
+
=
80
8+0
=
8
=
8
=
8
-
-
12
21
3
-
6
5
18
-
20
-
5
-
12
-
7
-
20
-
2
18
-
-
7
5
18
+
=
179
1+7+9
=
17
1+7
2
=
8
-
22
L
U
C
I
F
E
R
-
T
H
E
-
L
I
G
H
T
-
B
R
I
N
G
E
R
-
-
-
-
-
--
-
-
-
-
-
-
12
21
3
9
6
5
18
-
20
8
5
-
12
9
7
8
20
-
2
18
9
14
7
5
18
+
+
236
2+3+6
=
11
1+1
2
=
2
-
-
3
3
3
9
6
5
9
-
2
8
5
-
3
9
7
8
2
-
2
9
9
5
7
5
9
+
+
128
1+2+8
=
11
1+1
2
=
2
-
22
L
U
C
I
F
E
R
-
T
H
E
-
L
I
G
H
T
-
B
R
I
N
G
E
R
-
-
-
-
-
-
-
-
-
-
1
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
1
ONE
1
-
-
-
-
-
-
``-
-
-
-
-
-
-
-
-
2
-
-
-
-
-
-
-
2
-
2
-
-
-
-
-
-
-
-
2
occurs
x
3
=
6
=
6
-
-
3
3
3
-
-
-
-
-
-
-
-
-
3
-
-
-
-
-
-
-
-
-
-
-
-
-
-
3
occurs
x
4
=
12
1+2
3
4
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
4
FOUR
4
-
-
-
-
-
-
-
-
-
-
-
-
5
-
-
-
-
5
-
-
-
-
-
-
-
-
-
-
5
-
5
-
-
-
5
occurs
x
4
=
20
2+0
2
-
-
-
-
-
-
6
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
6
occurs
x
1
=
6
=
6
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
7
-
-
-
-
-
-
-
7
-
-
-
-
7
occurs
x
2
=
14
1+4
5
-
-
-
-
-
-
-
-
-
-
-
8
-
-
-
-
-
8
-
-
-
-
-
-
-
-
-
-
-
8
occurs
x
2
=
16
1+6
7
-
-
-
-
-
9
-
-
9
-
-
-
-
-
-
9
-
-
-
-
-
9
9
-
-
-
9
-
-
9
occurs
x
6
=
54
5+4
9
5
22
L
U
C
I
F
E
R
-
T
H
E
-
L
I
G
H
T
-
B
R
I
N
G
E
R
-
-
40
-
-
22
-
128
-
38
-
2+2
-
-
-
9
-
-
9
-
-
-
-
-
-
9
-
-
-
-
-
9
9
-
-
-
9
-
-
4+0
-
-
2+2
-
1+2+8
-
3+8
5
4
L
U
C
I
F
E
R
-
T
H
E
-
L
I
G
H
T
-
B
R
I
N
G
E
R
-
-
4
-
-
4
-
11
-
11
-
-
3
3
3
9
6
5
9
-
2
8
5
-
3
9
7
8
2
-
2
9
9
5
7
5
9
-
-
-
-
-
-
-
1+1
-
1+1
5
4
L
U
C
I
F
E
R
-
T
H
E
-
L
I
G
H
T
-
B
R
I
N
G
E
R
-
-
4
-
-
4
-
2
-
2

 

 

22
L
U
C
I
F
E
R
-
T
H
E
-
L
I
G
H
T
-
B
R
I
N
G
E
R
-
-
-
-
-
--
-
-
-
-
-
-
-
-
9
-
-
-
-
-
8
-
-
-
9
-
8
-
-
-
-
9
5
-
-
-
+
=
48
4+8
=
12
1+2
3
=
3
-
-
-
-
9
-
-
-
-
-
8
-
-
-
9
-
8
-
-
-
-
9
14
-
-
-
+
=
57
5+7
=
12
1+2
3
=
3
22
L
U
C
I
F
E
R
-
T
H
E
-
L
I
G
H
T
-
B
R
I
N
G
E
R
-
-
-
-
-
--
-
-
-
-
-
3
3
3
-
6
5
9
-
2
-
5
-
3
-
7
-
2
-
2
9
-
-
7
5
9
+
=
80
8+0
=
8
=
8
=
8
-
12
21
3
-
6
5
18
-
20
-
5
-
12
-
7
-
20
-
2
18
-
-
7
5
18
+
=
179
1+7+9
=
17
1+7
2
=
8
22
L
U
C
I
F
E
R
-
T
H
E
-
L
I
G
H
T
-
B
R
I
N
G
E
R
-
-
-
-
-
--
-
-
-
-
-
12
21
3
9
6
5
18
-
20
8
5
-
12
9
7
8
20
-
2
18
9
14
7
5
18
+
+
236
2+3+6
=
11
1+1
2
=
2
-
3
3
3
9
6
5
9
-
2
8
5
-
3
9
7
8
2
-
2
9
9
5
7
5
9
+
+
128
1+2+8
=
11
1+1
2
=
2
22
L
U
C
I
F
E
R
-
T
H
E
-
L
I
G
H
T
-
B
R
I
N
G
E
R
-
-
-
-
-
-
-
-
-
-
``-
-
-
-
-
-
-
-
-
2
-
-
-
-
-
-
-
2
-
2
-
-
-
-
-
-
-
-
2
occurs
x
3
=
6
=
6
-
3
3
3
-
-
-
-
-
-
-
-
-
3
-
-
-
-
-
-
-
-
-
-
-
-
-
-
3
occurs
x
4
=
12
1+2
3
-
-
-
-
-
-
5
-
-
-
-
5
-
-
-
-
-
-
-
-
-
-
5
-
5
-
-
-
5
occurs
x
4
=
20
2+0
2
-
-
-
-
-
6
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
6
occurs
x
1
=
6
=
6
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
7
-
-
-
-
-
-
-
7
-
-
-
-
7
occurs
x
2
=
14
1+4
5
-
-
-
-
-
-
-
-
-
-
8
-
-
-
-
-
8
-
-
-
-
-
-
-
-
-
-
-
8
occurs
x
2
=
16
1+6
7
-
-
-
-
9
-
-
9
-
-
-
-
-
-
9
-
-
-
-
-
9
9
-
-
-
9
-
-
9
occurs
x
6
=
54
5+4
9
22
L
U
C
I
F
E
R
-
T
H
E
-
L
I
G
H
T
-
B
R
I
N
G
E
R
-
-
40
-
-
22
-
128
-
38
2+2
-
-
-
9
-
-
9
-
-
-
-
-
-
9
-
-
-
-
-
9
9
-
-
-
9
-
-
4+0
-
-
2+2
-
1+2+8
-
3+8
4
L
U
C
I
F
E
R
-
T
H
E
-
L
I
G
H
T
-
B
R
I
N
G
E
R
-
-
4
-
-
4
-
11
-
11
-
3
3
3
9
6
5
9
-
2
8
5
-
3
9
7
8
2
-
2
9
9
5
7
5
9
-
-
-
-
-
-
-
1+1
-
1+1
4
L
U
C
I
F
E
R
-
T
H
E
-
L
I
G
H
T
-
B
R
I
N
G
E
R
-
-
4
-
-
4
-
2
-
2

 

 

6
BRIGHT
64
37
1
4
STAR
58
13
4
2
OF
21
12
3
3
THE
33
15
6
7
MORNING
90
45
9
22
First Total
266
122
23
2+2
Add to Reduce
2+6+6
1+2+2
2+3
4
Second Total
14
5
5
-
Reduce to Deduce
1+4
-
-
4
Essence of Number
5
5
5

 

 

-
22
B
R
I
G
H
T
-
S
T
A
R
-
O
F
-
T
H
E
-
M
O
R
N
I
N
G
-
-
-
-
-
--
-
-
-
-
-
-
-
-
9
-
8
-
-
1
-
-
-
-
6
-
-
-
8
-
-
-
6
-
5
9
5
-
+
=
57
5+7
=
12
1+2
3
=
3
-
-
-
-
9
-
8
-
-
19
-
-
-
-
15
-
-
-
8
-
-
-
15
-
14
9
14
-
+
=
111
1+1+1
=
3
=
3
=
3
-
22
B
R
I
G
H
T
-
S
T
A
R
-
O
F
-
T
H
E
-
M
O
R
N
I
N
G
-
-
-
-
-
--
-
-
-
-
-
-
2
9
-
7
-
2
-
-
2
1
9
-
-
6
-
2
-
5
-
4
-
9
-
-
-
7
+
=
65
6+5
=
11
1+1
2
=
2
-
-
2
18
-
7
-
20
-
-
20
1
18
-
-
6
-
20
-
5
-
13
-
18
-
-
-
7
+
=
155
1+5+5
=
11
1+1
2
=
2
-
22
B
R
I
G
H
T
-
S
T
A
R
-
O
F
-
T
H
E
-
M
O
R
N
I
N
G
-
-
-
-
-
--
-
-
-
-
-
-
2
18
9
7
8
20
-
19
20
1
18
-
15
6
-
20
8
5
-
13
15
18
14
9
14
7
+
=
266
2+6+6
=
14
1+4
5
=
5
-
-
2
9
9
7
8
2
-
1
2
1
9
-
6
6
-
2
8
5
-
4
6
9
5
9
5
7
+
=
122
1+2+2
=
5
=
5
=
5
-
22
B
R
I
G
H
T
-
S
T
A
R
-
O
F
-
T
H
E
-
M
O
R
N
I
N
G
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
1
-
1
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
1
occurs
x
2
=
2
=
2
-
-
2
-
-
-
-
2
-
-
2
-
-
-
-
-
-
2
-
-
-
-
-
-
-
-
-
-
-
-
2
occurs
x
4
=
8
=
8
3
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
3
THREE
3
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
4
-
-
-
-
-
-
-
-
4
occurs
x
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In Greek mythology, Prometheus 1] is a Titan, culture hero, and trickster figure who is credited with the creation of man from clay, and who defies the gods and ...
‎Prometheus (2012 film) - ‎Prometheus - ‎Theft of fire - ‎Culture hero

Prometheus

From Wikipedia, the free encyclopedia

In Greek mythology, Prometheus (/prəˈmiːθiːəs/; Greek: Προμηθεύς, pronounced [promɛːtʰeús], meaning "forethought")[1] is a Titan, culture hero, and trickster figure who is credited with the creation of man from clay, and who defies the gods and gives fire to humanity, an act that enabled progress and civilization. Prometheus is known for his intelligence and as a champion of mankind.[2]

The punishment of Prometheus as a consequence of the theft is a major theme of his mythology, and is a popular subject of both ancient and modern art. Zeus, king of the Olympian gods, sentenced the Titan to eternal torment for his transgression. The immortal Prometheus was bound to a rock, where each day an eagle, the emblem of Zeus, was sent to feed on his liver, which would then grow back to be eaten again the next day. (In ancient Greece, the liver was thought to be the seat of human emotions.)[3] In some stories, Prometheus is freed at last by the hero Heracles (Hercules).

In another of his myths, Prometheus establishes the form of animal sacrifice practiced in ancient Greek religion. Evidence of a cult to Prometheus himself is not widespread. He was a focus of religious activity mainly at Athens, where he was linked to Athena and Hephaestus, other Greek deities of creative skills and technology.[4]

In the Western classical tradition, Prometheus became a figure who represented human striving, particularly the quest for scientific knowledge, and the risk of overreaching or unintended consequences. In particular, he was regarded in the Romantic era as embodying the lone genius whose efforts to improve human existence could also result in tragedy: Mary Shelley, for instance, gave The Modern Prometheus as the subtitle to her novel Frankenstein (1818).

1 Myths and legends 1.1 The oldest legends of Prometheus among the Ancients
1.1.1 Hesiod and the Theogony
1.1.2 Homer, the Iliad, and the Homeric Hymns
1.1.3 Pindar and the Nemean Odes
1.1.4 Pythagoras and the Pythagorean Doctrine

1.2 The Athenian Tradition of Prometheus: Aeschylus and Plato 1.2.1 Aeschylus and the Ancient Literary Aesthetics of Prometheus
1.2.2 Plato and the Philosophical Interpretation of Prometheus
1.2.3 The Athenian tradition of religious dedication and observance
1.2.4 The Aesthetic tradition of Prometheus in Athenian art

1.3 Other authors

2 Religious symbolism in late Roman antiquity
3 The allegorical tradition of the Middle Ages
4 Prometheus in the Renaissance
5 The Post-Renaissance tradition 5.1 The literary Post-Renaissance tradition 5.1.1 Goethe and the Prometheus-Ganymede poems
5.1.2 Percy Bysshe Shelley and Prometheus Unbound
5.1.3 Mary Shelley and Frankenstein: The Modern Prometheus
5.1.4 Prometheus in the Twentieth Century

5.2 The aesthetic Post-Renaissance tradition 5.2.1 Classical music, opera, and ballet
5.2.2 In film

The oldest legends of Prometheus among the Ancients[edit]

The four most ancient sources for understanding the origin of the Prometheus myths and legends all rely on the images represented in the Titanomachia, or the cosmological climactic struggle between the Greek gods and their parents, the Titans.[5] Prometheus himself was a titan who managed to avoid being in the direct confrontational cosmic battle between Zeus and his followers against Cronus, Uranus and their followers.[6] Prometheus therefore survived the struggle in which the offending titans were eternally banished by Zeus to the chthonic depths of Tartarus, only to survive to confront Zeus on his own terms in subsequent climactic struggles. The greater Titanomachia depicts an overarching metaphor of the struggle between generations, between parents and their children, symbolic of the generation of parents needing to eventually give ground to the growing needs, vitality, and responsibilities of the new generation for the perpetuation of society and survival interests of the human race as a whole. Prometheus and his struggle would be of vast merit to human society as well in this mythology as he was to be credited with the creation of humans and therefore all of humanity as well. The four most ancient historical sources for the Prometheus myth are Hesiod, Homer, Pindar, and Pythagoras.

Hesiod and the Theogony[edit]

The Prometheus myth first appeared in the late 8th-century BC Greek epic poet Hesiod's Theogony (lines 507–616). He was a son of the Titan Iapetus by Clymene, one of the Oceanids. He was brother to Menoetius, Atlas, and Epimetheus. In the Theogony, Hesiod introduces Prometheus as a lowly challenger to Zeus's omniscience and omnipotence.[7] In the trick at Mekone, a sacrificial meal marking the "settling of accounts" between mortals and immortals, Prometheus played a trick against Zeus (545–557). He placed two sacrificial offerings before the Olympian: a selection of beef hidden inside an ox's stomach (nourishment hidden inside a displeasing exterior), and the bull's bones wrapped completely in "glistening fat" (something inedible hidden inside a pleasing exterior). Zeus chose the latter, setting a precedent for future sacrifices.[7]

Henceforth, humans would keep that meat for themselves and burn the bones wrapped in fat as an offering to the gods. This angered Zeus, who hid fire from humans in retribution. In this version of the myth, the use of fire was already known to humans, but withdrawn by Zeus.[8] Prometheus, however, stole back fire in a giant fennel-stalk and restored it to humanity. This further enraged Zeus, who sent Pandora, the first woman, to live with humanity.[7] Pandora was fashioned by Hephaestus out of clay and brought to life by the four winds, with all the goddesses of Olympus assembled to adorn her. "From her is the race of women and female kind," Hesiod writes; "of her is the deadly race and tribe of women who live amongst mortal men to their great trouble, no helpmeets in hateful poverty, but only in wealth."[7]

Prometheus Brings Fire by Heinrich Friedrich Füger. Prometheus brings fire to mankind as told by Hesiod, with its having been hidden as revenge for the trick at Mecone.
Prometheus, in eternal punishment, is chained to a rock in the Caucasus, Kazbek Mountain, where his liver is eaten daily by an eagle,[9] only to be regenerated by night, due to his immortality. The eagle is a symbol of Zeus Himself. Years later, the Greek hero Heracles (Hercules) slays the eagle and frees Prometheus from his chains.[10]

Hesiod revisits the story of Prometheus in the Works and Days (lines 42–105). Here, the poet expands upon Zeus's reaction to the theft of fire. Not only does Zeus withhold fire from humanity, but "the means of life," as well (42). Had Prometheus not provoked Zeus's wrath (44–47), "you would easily do work enough in a day to supply you for a full year even without working; soon would you put away your rudder over the smoke, and the fields worked by ox and sturdy mule would run to waste." Hesiod also expands upon the Theogony's story of the first woman, now explicitly called Pandora ("all gifts"). After Prometheus' theft of fire, Zeus sent Pandora in retaliation. Despite Prometheus' warning, Epimetheus accepted this "gift" from the gods. Pandora carried a jar with her, from which were released (91–92) "evils, harsh pain and troublesome diseases which give men death".[11] Pandora shut the lid of the jar too late to contain all the evil plights that escaped, but foresight remained in the jar, giving humanity hope.

Angelo Casanova,[12] Professor of Greek Literature at the University of Florence, finds in Prometheus a reflection of an ancient, pre-Hesiodic trickster-figure, who served to account for the mixture of good and bad in human life, and whose fashioning of humanity from clay was an Eastern motif familiar in Enuma Elish; as an opponent of Zeus he was an analogue of the Titans, and like them was punished. As an advocate for humanity he gains semi-divine status at Athens, where the episode in Theogony in which he is liberated[13] is interpreted by Casanova as a post-Hesiodic interpolation.[14]

Homer, the Iliad, and the Homeric Hymns[edit]

The banishment of the warring titans by the Olympians to the chthonic depths of Tartoros was documented as early as Homer's Iliad and the Odyssey where they are also identified as the hypotartarioi, or, the "subterranean." The passages appear in the Iliad (XIV 279)[15] and also in the Homeric hymn to Apollo (335).[16] The particular forms of violence associated especially with the Titans are those of hybristes and atasthalie as further found in the Iliad (XIII 633-34). They are used by Homer to designate an unlimited, violent insolence among the warring Titans which only Zeus was able to ultimately overcome. This text finds direct parallel in Hesiod's reading in the Theogony (209) and in Homer's own Odyssey (XIX 406). In the words of Kerenyi, "Autolykos, the grandfather, is introduced in order that he may give his grandson the name of Odysseus."[17] In a similar fashion, the origin of the naming of the "titans" as a group has been disputed with some voicing a preference for reading it as a combination of titainein (to exert), and, titis (retribution) usually rendered as "retribution meted out to the exertion of the Titans."[18] It should be noted in studying material concerning Prometheus that Prometheus was not directly among the warring Titans with Zeus though Prometheus's association with them by lineage is a recurrent theme in each of his subsequent confrontations with Zeus and with the Olympian gods.

Pindar and the Nemean Odes[edit]

The duality of the gods and of humans standing as polar opposites is also clearly identified in the earliest traditions of Greek mythology and its legends by Pindar. In the sixth Nemean Ode, Pindar states: "There is one/race of men, one race of gods; both have breath/of life from a single mother. But sundered aurora collett us divided, so that one side is nothing, while on the other the brazen sky is established/a sure citadel forever."[19] Although this duality in strikingly apparent in Pindar, it also has paradoxical elements where Pindar actually comes quite close to Hesiod who before him had said in his Works and Days (108) "how the gods and mortal men sprang from one source."[20] The understanding of Prometheus and his role in the creation of humans and the theft of fire for their benefit is therefore distinctly adapted within this distinguishable source for understanding the role of Prometheus within the mythology of the interaction of the Gods with humans.

Pythagoras and the Pythagorean Doctrine[edit]

In order to understand the Prometheus myth in its most general context, the Late Roman author Censorinus states in his book titled De die natali that, "Pythagoras of Samos, Okellos of Lukania, Archytas of Tarentum, and in general all Pythagoreans were the authors and proponents of the opinion that the human race was eternal."[21] By this they held that Prometheus's creation of humans was the creation of humanity for eternity. This Pythagorean view is further confirmed in the book On the Cosmos written by the Pythagorean Okellos of Lukania. Okellos, in his cosmology, further delineates the three realms of the cosmos as all contained within an overarching order called the diakosmesis which is also the world order kosmos, and which also must be eternal. The three realms were delineated by Okellos as having "two poles, man on earth, the gods in heaven. Merely for the sake of symmetry, as it were, the daemons --not evil spirits but beings intermediate between God and man -- occupy a middle position in the air, the realm between heaven and earth. They were not a product of Greek mythology, but of the belief in daemons that had sprung up in various parts of the Mediterranean world and the Near East."[22]

The Athenian Tradition of Prometheus: Aeschylus and Plato[edit]

The two major authors to have a distinctive influence on the development of the myths and legends surrounding the titan Prometheus during the Socratic era of greater Athens were Aeschylus and Plato. The two men wrote in highly distinctive forms of expression which for Aeschylus centered on his mastery of the literary form of Greek tragedy, while for Plato this centered on the philosophical expression of his thought in the form of the various dialogues he had written and recorded during his lifetime.

Aeschylus and the Ancient Literary Aesthetics of Prometheus[edit]

Prometheus Bound, perhaps the most famous treatment of the myth to be found among the Greek tragedies, is traditionally attributed to the 5th-century BC Greek tragedian Aeschylus.[23] At the center of the drama are the results of Prometheus' theft of fire and his current punishment by Zeus; the playwright's dependence on the Hesiodic source material is clear, though Prometheus Bound also includes a number of changes to the received tradition.[24]

Before his theft of fire, Prometheus played a decisive role in the Titanomachy, securing victory for Zeus and the other Olympians. Zeus's torture of Prometheus thus becomes a particularly harsh betrayal. The scope and character of Prometheus' transgressions against Zeus are also widened. In addition to giving humankind fire, Prometheus claims to have taught them the arts of civilization, such as writing, mathematics, agriculture, medicine, and science. The Titan's greatest benefaction for humankind seems to have been saving them from complete destruction. In an apparent twist on the myth of the so-called Five Ages of Man found in Hesiod's Works and Days (wherein Cronus and, later, Zeus created and destroyed five successive races of humanity), Prometheus asserts that Zeus had wanted to obliterate the human race, but that he somehow stopped him.

Heracles freeing Prometheus from his torment by the eagle (Attic black-figure cup, c. 500 BC)
Moreover, Aeschylus anachronistically and artificially injects Io, another victim of Zeus's violence and ancestor of Heracles, into Prometheus' story. Finally, just as Aeschylus gave Prometheus a key role in bringing Zeus to power, he also attributed to him secret knowledge that could lead to Zeus's downfall: Prometheus had been told by his mother Gaia of a potential marriage that would produce a son who would overthrow Zeus. Fragmentary evidence indicates that Heracles, as in Hesiod, frees the Titan in the trilogy's second play, Prometheus Unbound. It is apparently not until Prometheus reveals this secret of Zeus's potential downfall that the two reconcile in the final play, Prometheus the Fire-Bringer or Prometheus Pyrphoros, a lost tragedy by Aeschylus.

Prometheus Bound also includes two mythic innovations of omission. The first is the absence of Pandora's story in connection with Prometheus' own. Instead, Aeschylus includes this one oblique allusion to Pandora and her jar that contained Hope (252): "[Prometheus] caused blind hopes to live in the hearts of men." Second, Aeschylus makes no mention of the sacrifice-trick played against Zeus in the Theogony.[23] The four tragedies of Prometheus attributed to Aeschylus, most of which are sadly lost to the passages of time into antiquity, are Prometheus Bound (Desmotes), Prometheus Delivered (Lyomens), Prometheus the Fire Bringer (Pyrphoros), and Prometheus the Fire Kindler (Pyrkaeus).

The larger scope of Aeschylus as a dramatist revisiting the myth of Prometheus in the age of Athenian prominence has been discussed by William Lynch.[25] Lynch's general thesis concerns the rise of humanist and secular tendencies in Athenian culture and society which required the growth and expansion of the mythological and religious tradition as acquired from the most ancient sources of the myth stemming from Hesiod. For Lynch, modern scholarship is hampered by not having the full trilogy of Prometheus by Aeschylus, the last two parts of which have been lost to antiquity. Significantly, Lynch further comments that although the Prometheus trilogy is not available, that the Orestia trilogy by Aeschylus remains available and may be assumed to provide significant insight into the overall structural intentions which may be ascribed to the Prometheus trilogy by Aeschylus as an author of significant consistency and exemplary dramatic erudition.[26]

Harold Bloom, in his research guide for Aeschylus, has summarized some of the critical attention that has been applied to Aeschylus concerning his general philosophical import in Athens.[27] As Bloom states, "Much critical attention has been paid to the question of theodicy in Aeschylus. For generations, scholars warred incessantly over 'the justice of Zeus,' unintentionally blurring it with a monotheism imported from Judeo-Christian thought. The playwright undoubtedly had religious concerns; for instance, Jacqueline de Romilly[28] suggests that his treatment of time flows directly out of his belief in divine justice. But it would be an error to think of Aeschylus as sermonizing. His Zeus does not arrive at decisions which he then enacts in the mortal world; rather, human events are themselves an enactment of divine will."[29]

According to Thomas Rosenmeyer regarding the religious import of Aeschylus, "In Aeschylus, as in Homer, the two levels of causation, the supernatural and the human, are co-existent and simultaneous, two way of describing the same event." Rosenmeyer insists that ascribing portrayed characters in Aeschylus should not conclude them to be either victims or agents of theological or religious activity too quickly. As Rosenmeyer states: "[T]he text defines their being. For a critic to construct an Aeschylean theology would be as quixotic as designing a typology of Aeschylean man. The needs of the drama prevail."[30]

In a rare comparison of Prometheus in Aeschylus with Oedipus in Sophocles, Harold Bloom with more than simple irony has quoted Freud as stating that, "Freud called Oedipus an 'immoral play,' since the gods ordained incest and paracide. Oedipus therefore participates in our universal unconscious sense of guilt, but on this reading so do the gods. I (states Bloom) sometimes wish that Freud had turned to Aeschylus instead, and given us the Prometheus complex rather than the Oedipus complex."[31]

Plato and the Philosophical Interpretation of Prometheus[edit]

Olga Raggio in her study "The Myth of Prometheus" for the Courtauld Institute attributes Plato in the Protagoras as an important contributor to the early development of the Prometheus myth.[32] Raggio indicates that many of the more challenging and dramatic assertions which Aeschylean tragedy explores are absent from Plato's writings about Prometheus.[33] As summarized by Raggio, "After the gods have moulded men and other living creatures with a mixture of clay and fire, the two brothers Epimetheus and Prometheus are called to complete the task and distribute among the newly born creatures all sorts of natural qualities. Epimetheus sets to work, but, being unwise, distributes all the gifts of nature among the animals, leaving men naked and unprotected, unable to defend themselves and to survive in a hostile world. Prometheus then steals the fire of creative power from the workshop of Athena and Hephaistos and gives it to mankind." Raggio then goes on to point out Plato's distinction of creative power (techne) which is presented as superior to merely natural instincts (physis). For Plato, only the virtues of "reverence and justice can provide for the maintenance of a civilized society -- and these virtues are the highest gift finally bestowed on men in equal measure."[34] The ancients by way of Plato believed that the name Prometheus derived from the Greek pro (before) + manthano (intelligence) and the agent suffix -eus, thus meaning "Forethinker". In his dialogue titled Protagoras, Plato contrasts Prometheus with his dull-witted brother Epimetheus, "Afterthinker".[35] In Plato's dialogue Protagoras, Protagoras asserts that the gods created humans and all the other animals, but it was left to Prometheus and his brother Epimetheus to give defining attributes to each. As no physical traits were left when the pair came to humans, Prometheus decided to give them fire and other civilizing arts.[36]

The Athenian tradition of religious dedication and observance[edit]

It is understandable that since Prometheus was considered a Titan and not one of the Olympian gods that there would be an absence of evidence, with the exception of Athens, for the direct religious devotion to his worship. Despite his importance to the myths and imaginative literature of ancient Greece, the religious cult of Prometheus during the Archaic and Classical periods seems to have been limited.[37] Writing in the 2nd century AD, the satirist Lucian points out that while temples to the major Olympians were everywhere, none to Prometheus is to be seen.[38]

Heracles freeing Prometheus, relief from the Temple of Aphrodite at Aphrodisias
Athens was the exception. The altar of Prometheus in the grove of the Academy was the point of origin for several significant processions and other events regularly observed on the Athenian calendar. For the Panathenaic festival, arguably the most important civic festival at Athens, a torch race began at the altar, which was located outside the sacred boundary of the city, and passed through the Kerameikos, the district inhabited by potters and other artisans who regarded Prometheus and Hephaestus as patrons.[39] The race then traveled to the heart of the city, where it kindled the sacrificial fire on the altar of Athena on the Acropolis to conclude the festival.[40] These footraces took the form of relays in which teams of runners passed off a flaming torch. According to Pausanias (2nd century AD), the torch relay, called lampadedromia or lampadephoria, was first instituted at Athens in honor of Prometheus.[41] By the Classical period, the races were run by ephebes also in honor of Hephaestus and Athena.[42] Prometheus' association with fire is the key to his religious significance[37] and to the alignment with Athena and Hephaestus that was specific to Athens and its "unique degree of cultic emphasis" on honoring technology.[43] The festival of Prometheus was the Prometheia. The wreaths worn symbolized the chains of Prometheus.[44]

Pausanias recorded a few other religious sites in Greece devoted to Prometheus. Both Argos and Opous claimed to be Prometheus' final resting place, each erecting a tomb in his honor. The Greek city of Panopeus had a cult statue that was supposed to honor Prometheus for having created the human race there.[36]

The Aesthetic tradition of Prometheus in Athenian art[edit]

Prometheus' torment by the eagle and his rescue by Heracles were popular subjects in vase paintings of the 6th to 4th centuries BC. He also sometimes appears in depictions of Athena's birth from Zeus' forehead. There was a relief sculpture of Prometheus with Pandora on the base of Athena's cult statue in the Athenian Parthenon of the 5th century BC. A similar rendering is also found at the great altar of Zeus at Pergamon from the second century BC.

The event of the release of Prometheus from captivity was frequently revisited on Attic and Etruscan vases between the sixth and fifth centuries BC. In the depiction on display at the Museum of Karlsruhe and in Berlin, the depiction is that of Prometheus confronted by a menacing large bird (assumed to be the eagle) with Hercules approaching from behind shooting his arrows at it.[45] In the fourth century this imagery was modified to depicting Prometheus bound in a cruciform manner, possibly reflecting an Aeschylus inspired manner of influence, again with an eagle and with Hercules approaching from the side.[46]

Other authors

Creation of humanity by Prometheus as Athena looks on (Roman-era relief, 3rd century AD)

Prometheus watches Athena endow his creation with reason (painting by Christian Griepenkerl, 1877)

Some two dozen other Greek and Roman authors retold and further embellished the Prometheus myth from as early as the 5th century BC (Diodorus, Herodorus) into the 4th century AD. The most significant detail added to the myth found in, e.g., Sappho, Aesop and Ovid[47] — was the central role of Prometheus in the creation of the human race. According to these sources, Prometheus fashioned humans out of clay.

Although perhaps made explicit in the Prometheia, later authors such as Hyginus, the Bibliotheca, and Quintus of Smyrna would confirm that Prometheus warned Zeus not to marry the sea nymph Thetis. She is consequently married off to the mortal Peleus, and bears him a son greater than the father — Achilles, Greek hero of the Trojan War. Pseudo-Apollodorus moreover clarifies a cryptic statement (1026–29) made by Hermes in Prometheus Bound, identifying the centaur Chiron as the one who would take on Prometheus' suffering and die in his place.[36] Reflecting a myth attested in Greek vase paintings from the Classical period, Pseudo-Apollodorus places the Titan (armed with an axe) at the birth of Athena, thus explaining how the goddess sprang forth from the forehead of Zeus.[36]

Other minor details attached to the myth include: the duration of Prometheus' torment;[48][49] the origin of the eagle that ate the Titan's liver (found in Pseudo-Apollodorus and Hyginus); Pandora's marriage to Epimetheus (found in Pseudo-Apollodorus); myths surrounding the life of Prometheus' son, Deucalion (found in Ovid and Apollonius of Rhodes); and Prometheus' marginal role in the myth of Jason and the Argonauts (found in Apollonius of Rhodes and Valerius Flaccus).[36]

Modern scientific linguistics suggests that the name derived from the Proto-Indo-European root that also produces the Vedic pra math, "to steal," hence pramathyu-s, "thief", cognate with "Prometheus", the thief of fire. The Vedic myth of fire's theft by Mātariśvan is an analog to the Greek account. Pramantha was the tool used to create fire.[50]

Religious symbolism in late Roman antiquity[edit]

The three most prominent aspects of the Prometheus myth have parallels within the beliefs of many cultures throughout the world; see creation of man from clay, theft of fire, and references for eternal punishment. It is the first of these three which has drawn attention to parallels with the biblical creation account related in the religious symbolism expressed in the book of Genesis.

As stated by Olga Raggio,[51] "The Prometheus myth of creation as a visual symbol of the Neoplatonic concept of human nature, illustrated in (many) sarcophagi, was evidently a contradiction of the Christian teaching of the unique and simultaneous act of creation by the Trinity." This Neoplatonism of late Roman antiquity was especially stressed by Tertullian[52] who recognized both difference and similarity of the biblical deity with the mythological figure of Prometheus.

The imagery of Prometheus and the creation of man used for the purposes of the representation of the creation of Adam in biblical symbolism is also a recurrent theme in the artistic expression of late Roman antiquity. Of the relatively rare expressions found of the creation of Adam in those centuries of late Roman antiquity, one can single out the so-called "Dogma sarcophagus" of the Lateran Museum where three figures are seen (in representation of the theological trinity) in making a benediction to the new man. Another example is found where the prototype of Prometheus is also recognizable in the early Christian era of late Roman antiquity. This can be found upon a sarcophagus of the Church at Mas d'Aire[53] as well, and in an even more direct comparison to what Raggio refers to as "a coursely carved relief from Campli (Teramo)[54] (where) the Lord sits on a throne and models the body of Adam, exactly like Prometheus." Still another such similarity is found in the example found on a Hellenistic relief presently in the Louvre in which the Lord gives life to Eve through the imposition of his two fingers on her eyes recalling the same gesture found in earlier representations of Prometheus.[55]

In Georgian mythology, Amirani is a culture hero who challenged the chief god, and like Prometheus was chained on the Caucasian mountains where birds would eat his organs. This aspect of the myth had a significant influence on the Greek imagination. It is recognizable from a Greek gem roughly dated to the time of the Hesiod poems, which show Prometheus with hands bound behind his body and crouching before a bird with long wings.[56] This same image would also be used later in the Rome of the Augustan age as documented by Furtwangler.[57]

In the often cited and highly publicized interview between Joseph Campbell and Bill Moyers on Public Television, the author of The Hero with a Thousand Faces presented his view on the comparison of Prometheus and Jesus.[58] Moyers asked Campbell the question in the following words, "In this sense, unlike heroes such as Prometheus or Jesus, we're not going on our journey to save the world but to save ourselves." To which Campbell's well-known response was that, "But in doing that, you save the world. The influence of a vital person vitalizes, there's no doubt about it. The world without spirit is a wasteland. People have the notion of saving the world by shifting things around, changing the rules [...] No, no! Any world is a valid world if it's alive. The thing to do is to bring life to it, and the only way to do that is to find in your own case where the life is and become alive yourself." For Campbell, Jesus mortally suffered on the Cross while Prometheus eternally suffered while chained to a rock, and each of them received punishment for the gift which they bestowed to humankind, for Jesus this was the gift of propitiation from Heaven, and, for Prometheus this was the gift of fire from Olympus.[58]

Significantly, Campbell is also clear to indicate the limits of applying the metaphors of his methodology in his book The Hero with a Thousand Faces too closely in assessing the comparison of Prometheus and Jesus. Of the four symbols of suffering associated with Jesus after his trial in Jerusalem (i) the crown of thorns, (ii) the scourge of whips, (iii) the nailing to the Cross, and (iv) the spearing of his side, it is only this last one which bears some resemblance to the eternal suffering of Prometheus' daily torment of an eagle devouring a replenishing organ, his liver, from his side.[59] For Campbell, the striking contrast between the New Testament narratives and the Greek mythological narratives remains at the limiting level of the cataclysmic eternal struggle of the eschatological New Testament narratives occurring only at the very end of the biblical narratives in the Apocalypse of John (12:7) where, "Michael and his angels fought against the dragon. The dragon and his angels fought back, but they were defeated, and there was no longer any place for them in heaven." This eschatological and apocalyptic setting of a Last Judgement is in precise contrast to the Titanomachia of Hesiod which serves its distinct service to Greek mythology as its Prolegomenon, bracketing all subsequent mythology, including the creation of humanity, as coming after the cosmological struggle between the Titans and the Olympian gods.[58]

It remains a continuing debate among scholars of comparative religion and the literary reception[60] of mythological and religious subject matter as to whether the typology of suffering and torment represented in the Prometheus myth finds its more representative comparisons with the narratives of the Hebrew scriptures or with the New Testament narratives. In the Book of Job, significant comparisons can be drawn between the sustained suffering of Job in comparison to that of eternal suffering and torment represented in the Prometheus myth. With Job, the suffering is at the acquiescence of heaven and at the will of the demonic, while in Prometheus the suffering is directly linked to Zeus as the ruler of Olympus. The comparison of the suffering of Jesus after his sentencing in Jerusalem is limited to the three days, from Thursday to Saturday, and leading to the culminating narratives corresponding to Easter Sunday. The symbolic import for comparative religion would maintain that suffering related to justified conduct is redeemed in both the Hebrew scriptures and the New Testament narratives, while in Prometheus there remains the image of a non-forgiving deity, Zeus, who nonetheless requires reverence.[58]

Writing in late antiquity of the fourth and fifth century, the Latin commentator Marcus Servius Honoratus explained that Prometheus was so named because he was a man of great foresight (vir prudentissimus), possessing the abstract quality of providentia, the Latin equivalent of Greek promētheia (ἀπὸ τής πρόμηθείας).[61] Anecdotally, the Roman fabulist Phaedrus (c.15BC - c.50AD) attributes to Aesop a simple etiology for homosexuality, in Prometheus' getting drunk while creating the first humans and misapplying the genitalia.[62]

The allegorical tradition of the Middle Ages[edit]

Perhaps the most influential book of the Middle Ages upon the reception of the Prometheus myth was the mythological handbook of Fulgentius Placiades. As stated by Raggio,[63] "The text of Fulgentius, as well as that of (Marcus) Servius [...] are the main sources of the mythological handbooks written in the ninth century by the anonymous Mythographus Primus and Mythographus Secundus. Both were used for the more lengthy and elaborate compendium by the English scholar Alexander Neckman (1157-1217), the Scintillarium Poetarum, or Poetarius."[63] The purpose of his books was to distinguish allegorical interpretation from the historical interpretation of the Prometheus myth. Continuing in this same tradition of the allegorical interpretation of the Prometheus myth, along with the historical interpretation of the Middle Ages, is the Genealogiae of Giovanni Boccaccio. Boccaccio follows these two levels of interpretation and distinguishes between two separate versions of the Prometheus myth. For Boccaccio, Prometheus is placed "In the heavens where all is clarity and truth, [Prometheus] steals, so to speak, a ray of the divine wisdom from God himself, source of all Science, supreme Light of every man."[64] With this, Boccaccio shows himself moving from the mediaeval sources with a shift of accent towards the attitude of the Renaissance humanists.

Using a similar interpretation to that of Boccaccio, Marsilio Ficino in the fifteenth century updated the philosophical and more somber reception of the Prometheus myth not seen since the time of Plotinus. In his book written in 1476-77 titled Quaestiones Quinque de Mente, Ficino indicates his preference for reading the Prometheus myth as an image of the human soul seeking to obtain supreme truth. As Olga Raggio summarizes Ficino's text, "The torture of Prometheus is the torment brought by reason itself to man, who is made by it many times more unhappy than the brutes. It is after having stolen one beam of the celestial light [...] that the soul feels as if fastened by chains and [...] only death can release her bonds and carry her to the source of all knowledge."[64] This somberness of attitude in Ficino's text would be further developed later by Charles de Bouelles' Liber de Sapiente of 1509 which presented a mix of both scholastic and Neoplatonic ideas.

Prometheus in the Renaissance[edit]

After the writings of both Boccaccio and Ficino in the late Middle Ages about Prometheus, interest in the titan shifted considerably in the direction of becoming subject matter for painters and sculptors alike. Among the most famous examples is that of Piero di Cosimo from about 1510 presently on display at the museums of Munich and Strasburg (see Inset). Raggio summarizes the Munich version[65] as follows; "The Munich panel represents the dispute between Epimetheus and Prometheus, the handsome triumphant statue of the new man, modeled by Prometheus, his ascension to the sky under the guidance of Minerva; the Strasburg panel shows in the distance Prometheus lighting his torch at the wheels of the Sun, and in the foreground on one side, Prometheus applying his torch to the heart of the statue and , on the other, Mercury fastening him to a tree." All the details are evidently borrowed from Boccaccio's Genealogiae.

The same reference to the Genealogiae can be cited as the source for the drawing by Parmigianino presently located in the Pierpont Morgan Library in New York City.[66] In this drawing, a very noble rendering of Prometheus is presented which evokes the memory of Michelangelo's works portraying Jehovah. This drawing in the Morgan Library is perhaps one of the most intense examples of the visualization of the myth of Prometheus from the Renaissance period.

Writing in the late British Renaissance, William Shakespeare uses the Promethean allusion in the famous death scene of Desdemona in his tragedy of Othello. Othello in contemplating the death of Desdemona asserts plainly that he cannot restore the "Promethean heat" to her body once it has been extinguished. For Shakespeare, the allusion is clearly to the interpretation of the fire from the heat as the bestowing of life to the creation of man from clay by Prometheus after it was stolen from Olympus. The analogy bears direct resemblance to the biblical narrative of the creation of life in Adam through the bestowed breathing of the creator in Genesis. Shakespeare's symbolic reference to the "heat" associated with Prometheus's fire is to the association of the gift of fire to the mythological gift or theological gift of life to humans.

The Post-Renaissance tradition[edit]

Mythological narrative of Prometheus by Piero di Cosimo (1515)
See also: Prometheus in popular culture

The myth of Prometheus has been a favorite theme of Western art and literature in the post-renaissance and post-Enlightenment tradition, and occasionally in works produced outside the West.

The literary Post-Renaissance tradition[edit]

For the Romantic era, Prometheus was the rebel who resisted all forms of institutional tyranny epitomized by Zeus — church, monarch, and patriarch. The Romantics drew comparisons between Prometheus and the spirit of the French Revolution, Christ, the Satan of John Milton's Paradise Lost, and the divinely inspired poet or artist. Prometheus is the lyrical "I" who speaks in Goethe's Sturm und Drang poem "Prometheus" (written c. 1772–74, published 1789), addressing God (as Zeus) in misotheist accusation and defiance. In Prometheus Unbound (1820), a four-act lyrical drama, Percy Bysshe Shelley rewrites the lost play of Aeschylus so that Prometheus does not submit to Zeus (under the Latin name Jupiter), but instead supplants him in a triumph of the human heart and intellect over tyrannical religion. Lord Byron's poem "Prometheus" also portrays the Titan as unrepentant. As documented by Olga Raggio, other leading figures among the great Romantics included Byron, Longfellow and Nietzsche as well.[67] Mary Shelley's 1818 novel Frankenstein is subtitled "The Modern Prometheus", in reference to the novel's themes of the over-reaching of modern humanity into dangerous areas of knowledge.

Goethe and the Prometheus-Ganymede poems[edit]

"Prometheus" is a poem by Johann Wolfgang von Goethe, in which a character based on the mythic Prometheus addresses God (as Zeus) in a romantic and misotheist tone of accusation and defiance. The poem was written between 1772 and 1774. It was first published fifteen years later in 1789. It is an important work as it represents one of the first encounters of the Prometheus myth with the literary Romantic movement identified with Goethe and with the Sturm und Drang movement.

The poem has appeared in Volume II of Goethe's poems (in his Collected Works) in a section of Vermischte Gedichte (assorted poems), shortly following the Harzreise im Winter. It is immediately followed by "Ganymed", and the two poems are written as informing each other according to Goethe's plan in their actual writing. Prometheus (1774) was originally planned as a drama but never completed by Goethe, though the poem is inspired by it. Prometheus is the creative and rebellious spirit rejected by God, and who angrily defies him and asserts himself; Ganymede, by direct contrast, is the boyish self who is both adored and seduced by God. As a high Romantic poet and a humanist poet, Goethe presents both identities as contrasting aspects of the Romantic human condition.

"Prometheus"

The poem offers direct biblical connotations for the Prometheus myth which was unseen in any of the ancient Greek poets dealing with the Prometheus myth in either drama, tragedy, or philosophy. The intentional use of the German phrase "Da ich ein Kind war..." ("When I was a child"): the use of Da is distinctive, and with it Goethe directly applies the Lutheran translation of Saint Paul's First Epistle to the Corinthians, 13:11: "Da ich ein Kind war, da redete ich wie ein Kind..." ("When I was a child, I spake as a child, I understood as a child, I thought as a child: but when I became a man, I put away childish things"). Goethe's Prometheus is significant for the contrast it evokes with the biblical text of the Corinthians rather than for its similarities.

In his book titled Prometheus: Archetypal Image of Human Existence, C. Kerenyi states the key contrast between Goethe's version of Prometheus with the ancient Greek version.[68] As Kerenyi states, "Goethe's Prometheus had Zeus for father and a goddess for mother. With this change from the traditional lineage the poet distinguished his hero from the race of the Titans." For Goethe, the metaphorical comparison of Prometheus to the image of the Son from the New Testament narratives was of central importance, with the figure of Zeus in Goethe's reading being metaphorically matched directly to the image of the Father from the New Testament narratives.

Percy Bysshe Shelley and Prometheus Unbound[edit]

Percy Shelley published his four-act lyrical drama titled Prometheus Unbound in 1820. His version was written in response to the version of myth as presented by Aeschylus (described in the Section above) and is oriented to the high British Idealism and high British Romanticism prevailing in Shelley's own time. Shelley, as the author himself discusses, admits the debt of his version of the myth to Aeschylus and the Greek poetic tradition which he assumes is familiar to readers of his own lyrical drama. For example, it is necessary to understand and have knowledge of the reason for Prometheus's punishment if the reader is to form an understanding of whether the exoneration portrayed by Shelley in his version of the Prometheus myth is justified or unjustified. The quote of Shelley's own words describing the extent of his indebtedness to Aeschylus has been published in numerous sources publicly available.

The literary critic Harold Bloom in his book Shelley's Mythmaking expresses his high expectation of Shelley in the tradition of mythopoeic poetry. For Bloom, Percy Shelley's relationship to the tradition of mythology in poetry "culminates in 'Prometheus'; the poem provides a complete statement of Shelley's vision."[69] Bloom devotes two full chapters in this book to Shelley's lyrical drama Prometheus Unbound which was among the first books Bloom had ever written, originally published in 1959.[70] Following his 1959 book, Bloom edited an anthology of critical opinions on Shelley for Chelsea House Publishers where he concisely stated his opinion as, "Shelley is the unacknowledged ancestor of Wallace Stevens' conception of poetry as the Supreme Fiction, and Prometheus Unbound is the most capable imagining, outside of Blake and Wordsworth, that the Romantic quest for a Supreme Fiction has achieved."[71]

Within the pages of his Introduction to the Chelsea House edition on Percy Shelley, Harold Bloom also identifies the six major schools of criticism opposing Shelley's idealized mythologizing version of the Prometheus myth. In sequence, the opposing schools to Shelley are given as: (i) The school of "common sense", (ii) The Christian orthodox, (iii) The school of "wit", (iv) Moralists, of most varieties, (v) The school of "classic" form, and (vi) The Precisionists, or concretists.[72] Although Bloom is least interested in the first two schools, the second one on the Christian orthodox has special bearing on the reception of the Prometheus myth during late Roman antiquity and the synthesis of the New Testament canon. The Greek origins of the Prometheus myth have already discussed the Titanomachia as placing the cosmic struggle of Olympus at some point in time preceding the creation of humanity, while in the New Testament synthesis there was a strong assimilation of the prophetic tradition of the Hebrew prophets and their strongly eschatological orientation. This contrast placed a strong emphasis within the ancient Greek consciousness as to the moral and ontological acceptance of the mythology of the Titanomachia as an accomplished mythological history, whereas for the synthesis of the New Testament narratives this placed religious consciousness within the community at the level of an anticipated eschaton not yet accomplished. Neither of these would guide Percy Shelley in his poetic retelling and reintegration of the Prometheus myth.[73]

To the Socratic Greeks, one important aspect of the discussion of religion would correspond to the philosophical discussion of 'becoming' with respect to the New Testament syncretism rather than the ontological discussion of 'being' which was more prominent in the ancient Greek experience of mythologically oriented cult and religion.[74] For Percy Shelley, both of these reading were to be substantially discounted in preference to his own concerns for promoting his own version of an idealized consciousness of a society guided by the precepts of High British Romanticism and High British Idealism.[75]

Mary Shelley and Frankenstein: The Modern Prometheus[edit]

The author of Frankenstein: The Modern Prometheus, Mary Shelley, wrote the famous version of her short novel in the 19th century. It has endured as one of the most frequently revisited literary themes in twentieth century film and popular reception with few rivals for its sheer popularity among even established literary works of art. The primary theme is a parallel to the aspect of the Prometheus myth which concentrates on the creation of man by the titans, transferred and made contemporary by Shelley for British audiences of her time. The subject is that of the creation of life by a scientist, thus bestowing life through the application and technology of medical science rather than by the natural acts of reproduction. The short novel has been adapted into many films and productions ranging from the early versions with Boris Karloff to much later versions featuring Kenneth Branagh among others.

Prometheus in the Twentieth Century[edit]

Prometheus (1909) by Otto Greiner
Franz Kafka (d. 1924) wrote a short piece on Prometheus, outlining what he saw as his perspective on four aspects of his myth:

According to the first, he was clamped to a rock in the Caucasus for betraying the secrets of the gods to men, and the gods sent eagles to feed on his liver, which was perpetually renewed.
According to the second, Prometheus, goaded by the pain of the tearing beaks, pressed himself deeper and deeper into the rock until he became one with it.
According to the third, his treachery was forgotten in the course of thousands of years, forgotten by the gods, the eagles, forgotten by himself.
According to the fourth, everyone grew weary of the meaningless affair. The gods grew weary, the eagles grew weary, the wound closed wearily.
There remains the inexplicable mass of rock. The legend tried to explain the inexplicable. As it came out of a substratum of truth it had in turn to end in the inexplicable.[76]

This short piece by Kafka concerning his interest in Prometheus was supplemented by two other mythological pieces written by him. As stated by Reiner Stach, "Kafka's world was mythical in nature, with Old Testament and Jewish legends providing the templates, and it was only logical (even if Kafka did not state it openly) that he would try his hand at the canon of antiquity, reinterpreting it and incorporating it into his own imagination in the form of allusions, as in 'The Silence of the Sirens,' 'Prometheus,' and 'Poseidon.'"[77] Among contemporary poets, the British poet Ted Hughes wrote the a 1973 collection of poems titled Prometheus On His Crag. The Nepali poet Laxmi Prasad Devkota (d. 1949) also wrote an epic titled Prometheus (प्रमीथस).

In his 1952 book, Lucifer and Prometheus, Zvi Werblowsky presented the speculatively derived Jungian construction of the character of Satan in Milton's celebrated poem Paradise Lost. Werblowsky applied his own Jungian style of interpretation to appropriate parts of the Prometheus myth for the purpose of interpreting Milton. A reprint of his book in the 1990s by Routledge Press included an introduction to the book by Carl Jung. Some Gnostics have been associated with identifying the theft of fire from heaven as embodied by the fall of Lucifer "the Light Bearer".[78]

The artificial element Promethium was named with the myth in mind.

The aesthetic Post-Renaissance tradition[edit]

Classical music, opera, and ballet[edit]

Works of classical music, opera, and ballet directly or indirectly inspired by the myth of Prometheus have included renderings by some of the major composers of both the nineteenth and twentieth centuries. In this tradition, the orchestral representation of the myth has received the most sustained attention of composers. These have included the symphonic poem by Franz Liszt titled Prometheus from 1850, among his other Symphonic Poems (No. 5, S.99).[79] Alexander Scriabin composed Prometheus: Poem of Fire, Opus 60 (1910),[80] also for orchestra.[81] In the same year Gabriel Fauré composed his three-act opera Prométhée (1910).[82] Charles-Valentin Alkan composed his Grande sonate 'Les quatre âges' (1847), with the 4th movement entitled "Prométhée enchaîné" (Prometheus Bound).[83] Beethoven composed the score to a ballet version of the myth titled The Creatures of Prometheus (1801).[84]

An adaptation of Goethe's poetic version of the myth was composed by Hugo Wolf, Prometheus (Bedecke deinen Himmel, Zeus, 1889), as part of his Goethe-lieder for voice and piano,[85] later transcribed for orchestra and voice.[86] An opera of the myth was composed by Carl Orff titled Prometheus (1968),[87][88] using Aeschylus' Greek language Prometheia.[89]

In film[edit]

The recent 2012 science fiction fantasy film titled Prometheus by Ridley Scott has a resemblance to the myth largely through a coincidence of name.[90] Of the three principal mythological themes associated with the myth of the titan Prometheus, that is, the eternal punishment, the theft of fire, and the creation of man, it is with this latter theme that the film seems to be at least partially concerned. In the science fiction film, one of the wealthy lead characters in the future spends vast sums of money in order to locate the extraterrestrials who he believes were responsible for the creation of man. His hope is that if he finds his 'creators,' they will be able somehow to extend his life. In this belief he is straightforwardly disappointed.

Benji Taylor writing in an extensive three-part essay on the science fiction film titled Prometheus, published between 22 June 2012 and 17 July 2012, identified the eight key themes in understanding the film as including: "Aliens Seeded Life On Earth," "Insignificance and Futility," "Interwoven Notions of Creation and Destruction," "Parental Issues," "The Nature of the Soul," "Existential Loss," and "Science and Religion."[91][92][93] Of these themes covered in the film, Taylor identifies that only the theme of "Parental Issues" appears to have a general reference point to the myth of Prometheus stating that in the "mythology between the titan Prometheus and the chief Olympian Zeus but on a more global level it's an echo of the tribulation embodied in the Titanomachy -- the archetypal war between parent and child which was the great 'War of the Titans and Olympians' that shook the Greek mythological world to its core."[94]

 


The Prometheus myth first appeared in the late 8th-century BC Greek epic poet Hesiod's Theogony (lines 507–616).
He was a son of the Titan Iapetus by Clymene, one of the Oceanids. He was brother to Menoetius, Atlas, and Epimetheus.

 

PROMETHEUS MET ORPHEUS MET PROMETHEUS

 

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6
6
-
-
-
-
-
-
6
-
-
-
P
=
7
-
1
P
16
7
7
-
-
-
-
-
-
-
7
-
-
H
=
8
-
1
H
8
8
8
-
-
-
-
-
-
-
-
8
-
R
=
9
-
1
R
18
9
9
-
-
-
-
-
-
-
-
-
9
-
-
50

-

10
PROMETHEUS
140
59
50
-
1
2
3
4
10
6
7
8
9
-
-
5+0
-
1+0
-
1+4+0
5+9
5+0
-
-
-
-
-
1+0
-
-
-
-
-
-
5
-
1
PROMETHEUS
5
14
5
-
1
2
3
4
1
6
7
8
9
-
-
-
-
-
-
-
1+4
-
-
-
-
-
-
-
-
-
-
-
-
-
5
-
1
PROMETHEUS
5
5
5
-
1
2
3
4
1
6
7
8
9

 

 

-
PROMETHEUS
-
-
-
1
P
16
7
7
1
R
18
9
9
1
O
15
6
6
1
M
13
4
4
1
E
5
5
5
1
T
20
2
2
1
H
8
8
8
1
E
5
5
5
1
U
21
3
3
1
S
19
10
1
10
PROMETHEUS
140
59
50
1+0
-
1+4+0
5+9
5+0
1
PROMETHEUS
5
14
5
-
-
-
1+4
-
1
PROMETHEUS
5
5
5

 

PROMETHEUS MET ORPHEUS MET PROMETHEUS

 

-
PROMETHEUS
-
-
-
3
MET
38
11
2
7
ORPHEUS
102
48
3
10
PROMETHEUS
140
59
5
1+0
-
1+4+0
5+9
-
1
PROMETHEUS
5
14
5
-
-
-
1+4
-
1
PROMETHEUS
5
5
5

 

ORPHEUS MET PROMETHEUS MET ORPHEUS MET PROMETHEUS

 

 

-
-
-
-
-
-
-
-
-
-
1
2
3
4
5
6
7
8
9
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
T
=
2
1
2
TO
35
8
8
-
-
-
-
4
5
6
-
8
-
E
=
5
2
10
EVERYTHING
133
61
7
-
-
-
-
4
5
6
7
-
-
T
=
2
3
5
THERE
56
29
2
-
-
2
-
4
5
6
-
-
-
I
=
9
4
2
IS
28
10
1
-
1
-
-
4
5
6
-
-
-
A
=
1
5
1
A
1
1
1
-
1
-
-
4
5
6
-
-
-
S
=
1
6
6
SEASON
73
19
1
-
1
-
-
4
5
6
-
-
-
A
=
1
7
3
AND
19
10
1
-
1
-
-
4
5
6
-
-
-
A
=
1
8
1
A
1
1
1
-
1
-
-
4
5
6
-
-
-
T
=
2
9
4
TIME
47
20
2
-
-
2
-
4
5
6
-
-
-
T
=
2
10
2
TO
35
8
8
-
-
-
-
4
5
6
-
8
-
E
=
5
11
5
EVERY
75
30
3
-
-
-
3
4
5
6
-
-
-`
P
=
7
12
7
PURPOSE
110
38
2
-
-
2
-
4
5
6
-
-
-``
U
=
3
13
5
UNDER
62
26
8
-
-
-
-
4
5
6
-
8
-
H
=
8
14
6
HEAVEN
55
28
1
-
1
-
-
4
5
6
-
-
-
-
-
50
-
59
First Total
730
289
46
-
6
6
3
4
5
6
7
24
9
-
-
5+0
-
5+9
Add to Reduce
7+3+0
2+8+9
4+6
-
-
-
-
-
-
-
-
2+4
-
-
-
5
-
14
Second Total
10
19
10
-
6
6
3
4
5
6
7
6
9
-
-
-
-
1+4
Reduce to Deduce
1+0
1+9
1+0
-
-
-
-
-
-
-
-
-
-
-
-
5
-
5
Third Total
1
10
1
-
6
6
3
4
5
6
7
6
9
-
-
-
-
-
Add to Reduce
-
1+0
-
-
-
-
-
-
-
-
-
-
-
-
-
5
-
5
Essence of Number
1
1
1
-
6
6
3
4
5
6
7
6
9

 

 

-
-
-
-
-
-
-
-
-
-
1
2
3
4
5
6
7
8
9
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
I
=
9
4
2
IS
28
10
1
-
1
-
-
4
5
6
-
-
-
A
=
1
5
1
A
1
1
1
-
1
-
-
4
5
6
-
-
-
S
=
1
6
6
SEASON
73
19
1
-
1
-
-
4
5
6
-
-
-
A
=
1
7
3
AND
19
10
1
-
1
-
-
4
5
6
-
-
-
A
=
1
8
1
A
1
1
1
-
1
-
-
4
5
6
-
-
-
H
=
8
14
6
HEAVEN
55
28
1
-
1
-
-
4
5
6
-
-
-
T
=
2
3
5
THERE
56
29
2
-
-
2
-
4
5
6
-
-
-
T
=
2
9
4
TIME
47
20
2
-
-
2
-
4
5
6
-
-
-
P
=
7
12
7
PURPOSE
110
38
2
-
-
2
-
4
5
6
-
-
-``
E
=
5
11
5
EVERY
75
30
3
-
-
-
3
4
5
6
-
-
-`
E
=
5
2
10
EVERYTHING
133
61
7
-
-
-
-
4
5
6
7
-
-
T
=
2
1
2
TO
35
8
8
-
-
-
-
4
5
6
-
8
-
T
=
2
10
2
TO
35
8
8
-
-
-
-
4
5
6
-
8
-
U
=
3
13
5
UNDER
62
26
8
-
-
-
-
4
5
6
-
8
-
-
-
50
15
59
First Total
730
289
46
-
6
6
3
4
5
6
7
24
9
-
-
5+0
16
5+9
Add to Reduce
7+3+0
2+8+9
4+6
-
-
-
-
-
-
-
-
2+4
-
-
-
5
-
14
Second Total
10
19
10
-
6
6
3
4
5
6
7
6
9
-
-
-
-
1+4
Reduce to Deduce
1+0
1+9
1+0
-
-
-
-
-
-
-
-
-
-
-
-
5
-
5
Third Total
1
10
1
-
6
6
3
4
5
6
7
6
9
-
-
-
-
-
Add to Reduce
-
1+0
-
-
-
-
-
-
-
-
-
-
-
-
-
5
-
5
Essence of Number
1
1
1
-
6
6
3
4
5
6
7
6
9

 

 

-
-
-
-
-
-
-
-
-
-
1
2
3
7
8
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
I
=
9
4
2
IS
28
10
1
-
1
-
-
-
-
A
=
1
5
1
A
1
1
1
-
1
-
-
-
-
S
=
1
6
6
SEASON
73
19
1
-
1
-
-
-
-
A
=
1
7
3
AND
19
10
1
-
1
-
-
-
-
A
=
1
8
1
A
1
1
1
-
1
-
-
-
-
H
=
8
14
6
HEAVEN
55
28
1
-
1
-
-
-
-
T
=
2
3
5
THERE
56
29
2
-
-
2
-
-
-
T
=
2
9
4
TIME
47
20
2
-
-
2
-
-
-
P
=
7
12
7
PURPOSE
110
38
2
-
-
2
-
-
-
E
=
5
11
5
EVERY
75
30
3
-
-
-
3
-
-
E
=
5
2
10
EVERYTHING
133
61
7
-
-
-
-
7
-
T
=
2
1
2
TO
35
8
8
-
-
-
-
-
8
T
=
2
10
2
TO
35
8
8
-
-
-
-
-
8
U
=
3
13
5
UNDER
62
26
8
-
-
-
-
-
8
-
-
50
15
59
First Total
730
289
46
-
6
6
3
7
24
-
-
5+0
16
5+9
Add to Reduce
7+3+0
2+8+9
4+6
-
-
-
-
-
2+4
-
-
5
-
14
Second Total
10
19
10
-
6
6
3
7
6
-
-
-
-
1+4
Reduce to Deduce
1+0
1+9
1+0
-
-
-
-
-
-
-
-
5
-
5
Third Total
1
10
1
-
6
6
3
7
6
-
-
-
-
-
Add to Reduce
-
1+0
-
-
-
-
-
-
-
-
-
5
-
5
Essence of Number
1
1
1
-
6
6
3
7
6

 

 

HOLY BIBLE

Scofield References

Jeremiah B.C. 590

Page 809 8 x 9 + 72 7 + 2 = 9 Chapter 33 Verse 3 x 33 = 99

"Call unto me, and I will answer thee, and shew thee great and mighty things which thou knowest not."

 

-
-
-
-
-
-
-
-
-
-
1
2
3
4
5
6
7
8
9
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
C
=
3
1
4
CALL
28
10
1
-
1
-
3
-
-
-
-
-
-
U
=
3
2
4
UNTO
70
16
7
-
-
-
3
-
-
-
7
-
-
M
=
4
3
2
ME
18
9
9
-
-
-
3
-
-
-
-
-
9
A
=
1
4
3
AND
19
10
1
-
1
-
3
-
-
-
-
-
-
I
=
9
5
1
I
9
9
9
-
-
-
3
-
-
-
-
-
9
W
=
5
6
4
WILL
56
20
2
-
-
2
3
-
-
-
-
-
-
S
=
1
7
4
SHOW
65
20
2
-
-
2
3
-
-
-
-
-
-
T
=
2
8
4
THEE
38
20
2
-
-
2
3
-
-
-
-
-
-
G
=
7
9
5
GREAT
51
24
6
-
-
-
3
-
-
6
-
-
-
A
=
1
10
3
AND
19
10
1
-
1
-
3
-
-
-
-
-
-
M
=
4
11
6
MIGHTY
82
37
1
-
1
-
3
-
-
-
-
-
-
T
=
2
12
6
THINGS
77
32
5
-
-
-
3
-
5
-
-
-
-
T
=
2
13
4
THAT
49
13
4
-
-
-
3
4
-
-
-
-
-
T
=
2
14
4
THOU
64
19
1
-
1
-
3
-
-
-
-
-
-``
K
=
2
15
7
KNOWEST
107
26
8
-
-
-
3
-
-
-
-
8
-
N
=
5
16
3
NOT
49
13
4
-
-
-
3
4
-
-
-
-
-
-
-
53
-
51
First Total
810
288
45
-
5
6
3
8
5
6
7
8
18
-
-
5+3
-
5+1
Add to Reduce
8+1+0
2+8+8
4+5
-
-
-
-
-
-
-
-
-
1+8
-
-
8
-
6
Second Total
9
18
9
-
5
6
3
8
5
6
7
8
9
-
-
-
-
-
Reduce to Deduce
-
1+8
-
-
-
-
-
-
-
-
-
-
-
-
-
8
-
6
Essence of Number
9
9
9
-
5
6
3
8
5
6
7
8
9

 

 

-
-
-
-
-
-
-
-
-
-
1
2
3
4
5
6
7
8
9
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
I
=
9
1
1
I
9
9
9
-
-
-
3
-
-
-
-
-
9
W
=
5
2
4
WILL
56
20
2
-
-
2
3
-
-
-
-
-
-
S
=
1
3
4
SHOW
65
20
2
-
-
2
3
-
-
-
-
-
-
T
=
2
4
4
THEE
38
20
2
-
-
2
3
-
-
-
-
-
-
G
=
7
5
5
GREAT
51
24
6
-
-
-
3
-
-
6
-
-
-
A
=
1
6
3
AND
19
10
1
-
1
-
3
-
-
-
-
-
-
M
=
4
7
6
MIGHTY
82
37
1
-
1
-
3
-
-
-
-
-
-
T
=
2
8
6
THINGS
77
32
5
-
-
-
3
-
5
-
-
-
-
T
=
2
9
4
THAT
49
13
4
-
-
-
3
4
-
`--
-
-
-`
T
=
2
10
4
THOU
64
19
1
-
1
-
3
-
-
-
-
-
-``
K
=
2
11
7
KNOWEST
107
26
8
-
-
-
3
-
-
-
-
8
-
N
=
5
12
3
NOT
49
13
4
-
-
-
3
4
-
-
-
-
-
-
-
53
-
42
First Total
666
243
45
-
5
6
3
8
5
6
7
8
9
-
-
5+3
-
4+2
Add to Reduce
6+6+6
2+4+3
4+5
-
-
-
-
-
-
-
-
-
-
-
-
8
-
6
Second Total
18
9
9
-
5
6
3
8
5
6
7
8
9
-
-
-
-
-
Reduce to Deduce
1+8
-
-
-
-
-
-
-
-
-
-
-
-
-
-
8
-
6
Essence of Number
9
9
9
-
5
6
3
8
5
6
7
8
9

 

 

-
-
-
-
-
-
-
-
-
-
1
2
3
4
5
6
7
8
9
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
C
=
3
1
4
CALL
28
10
1
-
1
-
3
-
-
-
-
-
-
A
=
1
4
3
AND
19
10
1
-
1
-
3
-
-
-
-
-
-
A
=
1
10
3
AND
19
10
1
-
1
-
3
-
-
-
-
-
-
M
=
4
11
6
MIGHTY
82
37
1
-
1
-
3
-
-
-
-
-
-
T
=
2
14
4
THOU
64
19
1
-
1
-
3
-
-
-
-
-
-``
W
=
5
6
4
WILL
56
20
2
-
-
2
3
-
-
-
-
-
-
S
=
1
7
4
SHOW
65
20
2
-
-
2
3
-
-
-
-
-
-
T
=
2
8
4
THEE
38
20
2
-
-
2
3
-
-
-
-
-
-
T
=
2
13
4
THAT
49
13
4
-
-
-
3
4
-
-
-
-
-
N
=
5
16
3
NOT
49
13
4
-
-
-
3
4
-
-
-
-
-
T
=
2
12
6
THINGS
77
32
5
-
-
-
3
-
5
-
-
-
-
G
=
7
9
5
GREAT
51
24
6
-
-
-
3
-
-
6
-
-
-
U
=
3
2
4
UNTO
70
16
7
-
-
-
3
-
-
-
7
-
-
K
=
2
15
7
KNOWEST
107
26
8
-
-
-
3
-
-
-
-
8
-
M
=
4
3
2
ME
18
9
9
-
-
-
3
-
-
-
-
-
9
I
=
9
5
1
I
9
9
9
-
-
-
3
-
-
-
-
-
9
-
-
53
-
51
First Total
810
288
45
-
5
6
3
8
5
6
7
8
18
-
-
5+3
-
5+1
Add to Reduce
8+1+0
2+8+8
4+5
-
-
-
-
-
-
-
-
-
1+8
-
-
8
-
6
Second Total
9
18
9
-
5
6
3
8
5
6
7
8
9
-
-
-
-
-
Reduce to Deduce
-
1+8
-
-
-
-
-
-
-
-
-
-
-
-
-
8
-
6
Essence of Number
9
9
9
-
5
6
3
8
5
6
7
8
9

 

 

-
11
I
L
L
U
M
I
N
A
T
O
R
-
-
-
-
-
--
-
-
-
-
-
-
9
-
-
-
-
9
5
-
-
6
-
+
=
29
2+9
=
11
1+1
2
-
2
-
-
9
-
-
-
-
9
14
-
-
15
-
+
=
47
4+7
=
11
1+1
2
-
2
-
11
I
L
L
U
M
I
N
A
T
O
R
-
-
-
-
-
--
-
-
-
-
-
`--
-
3
3
3
4
-
-
1
2
-
9
+
=
25
2+5
=
7
=
7
-
7
--
`-
-
12
12
21
13
-
-
1
20
-
18
+
=
97
9+7
=
16
1+6
7
-
7
-
11
I
L
L
U
M
I
N
A
T
O
R
-
-
-
-
-
--
-
-
-
-
-
`-
9
12
12
21
13
9
14
1
20
15
18
+
=
144
1+4+4
=
9
-
9
-
9
-
-
9
3
3
3
4
9
5
1
2
6
9
+
=
54
5+4
=
9
-
9
-
9
-
11
I
L
L
U
M
I
N
A
T
O
R
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
1
-
-
-
-
-
1
occurs
x
1
=
1
=
1
-
-
-
-
-
-
-
-
-
-
2
-
-
-
-
2
occurs
x
1
=
2
=
2
-
-
-
3
3
3
-
-
-
-
-
-
-
-
-
3
occurs
x
3
=
9
=
9
-
-
-
-
-
-
4
-
-
-
-
-
-
-
-
4
occurs
x
1
=
4
=
4
-
-
-
-
-
-
-
-
5
-
-
-
-
-
-
5
occurs
x
1
=
5
=
5
-
-
-
-
-
-
-
-
-
-
-
6
-
-
-
6
occurs
x
1
=
6
=
6
7
-
-
-
-
-
-
-
-
-
-
-
-
-
-
7
SEVEN
7
-
-
-
-
-
8
-
-
-
-
-
-
--
-
-
-
-
-
-
-
8
EIGHT
8
-
-
-
-
-
-
-
9
-
-
-
-
9
-
-
-
-
9
-
-
9
occurs
x
3
=
27
2+7
9
15
11
I
L
L
U
M
I
N
A
T
O
R
-
-
30
-
-
11
-
63
-
36
1+5
1+1
-
3
3
3
-
-
-
-
-
-
-
-
-
3+0
-
-
1+1
-
6+3
-
3+6
6
2
I
L
L
U
M
I
N
A
T
O
R
-
-
3
-
-
2
-
9
-
9
-
1+1
9
3
3
3
4
9
5
1
2
6
9
-
-
-
-
-
-
-
-
-
-
6
2
I
L
L
U
M
I
N
A
T
O
R
-
-
3
-
-
2
-
9
-
9

 

 

11
I
L
L
U
M
I
N
A
T
O
R
-
-
-
-
-
--
-
-
-
-
-
9
-
-
-
-
9
5
-
-
6
-
+
=
29
2+9
=
11
1+1
2
-
2
-
9
-
-
-
-
9
14
-
-
15
-
+
=
47
4+7
=
11
1+1
2
-
2
11
I
L
L
U
M
I
N
A
T
O
R
-
-
-
-
-
--
-
-
-
-
`--
-
3
3
3
4
-
-
1
2
-
9
+
=
25
2+5
=
7
=
7
-
7
`-
-
12
12
21
13
-
-
1
20
-
18
+
=
97
9+7
=
16
1+6
7
-
7
11
I
L
L
U
M
I
N
A
T
O
R
-
-
-
-
-
--
-
-
-
-
`-
9
12
12
21
13
9
14
1
20
15
18
+
=
144
1+4+4
=
9
-
9
-
9
-
9
3
3
3
4
9
5
1
2
6
9
+
=
54
5+4
=
9
-
9
-
9
11
I
L
L
U
M
I
N
A
T
O
R
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
1
-
-
-
-
-
1
occurs
x
1
=
1
=
1
-
-
-
-
-
-
-
-
-
2
-
-
-
-
2
occurs
x
1
=
2
=
2
-
-
3
3
3
-
-
-
-
-
-
-
-
-
3
occurs
x
3
=
9
=
9
-
-
-
-
-
4
-
-
-
-
-
-
-
-
4
occurs
x
1
=
4
=
4
-
-
-
-
-
-
-
5
-
-
-
-
-
-
5
occurs
x
1
=
5
=
5
-
-
-
-
-
-
-
-
-
-
6
-
-
-
6
occurs
x
1
=
6
=
6
-
9
-
-
-
-
9
-
-
-
-
9
-
-
9
occurs
x
3
=
27
2+7
9
11
I
L
L
U
M
I
N
A
T
O
R
-
-
30
-
-
11
-
63
-
36
1+1
-
3
3
3
-
-
-
-
-
-
-
-
-
3+0
-
-
1+1
-
6+3
-
3+6
2
I
L
L
U
M
I
N
A
T
O
R
-
-
3
-
-
2
-
9
-
9
1+1
9
3
3
3
4
9
5
1
2
6
9
-
-
-
-
-
-
-
-
-
-
2
I
L
L
U
M
I
N
A
T
O
R
-
-
3
-
-
2
-
9
-
9

 

 

-
11
E
N
L
I
G
H
T
E
N
E
R
-
-
-
-
-
--
-
-
-
-
-
`--
-
5
-
9
-
8
-
-
5
-
-
+
=
27
2+7
=
9
-
9
-
9
--
`-
-
14
-
9
-
8
-
-
14
-
-
+
=
45
4+5
=
9
-
9
-
9
-
11
E
N
L
I
G
H
T
E
N
E
R
-
-
-
-
-
--
-
-
-
-
-
`--
5
-
3
-
7
-
2
5
-
5
9
+
=
36
3+6
=
9
-
9
-
9
--
`-
5
-
12
-
7
-
20
5
-
5
18
+
=
72
7+2
=
9
-
9
-
9
-
11
E
N
L
I
G
H
T
E
N
E
R
-
-
-
-
-
--
-
-
-
-
-
`-
5
14
12
9
7
8
20
5
14
5
18
+
=
117
1+1+7
=
9
-
9
-
9
-
-
5
5
3
9
7
8
2
5
5
5
9
+
=
63
6+3
=
9
-
9
-
9
-
11
E
N
L
I
G
H
T
E
N
E
R
-
-
-
-
-
-
-
-
-
-
1
-
-
-
-
-
-
-
-
-
-
-
-
-
-
1
ONE
1
-
-
-
-
-
-
-
-
-
-
-
-
-
2
-
-
-
-
-
-
2
occurs
x
1
=
2
=
2
-
-
-
-
3
-
-
-
-
-
-
-
-
-
-
3
occurs
x
1
=
3
=
3
4
-
-
-
-
-
-
-
-
-
-
-
-
-
-
4
FOUR
4
-
-
-
-
-
-
-
5
5
-
-
-
-
-
5
5
5
-
-
-
5
occurs
x
5
=
25
2+5
7
6
-
-
-
-
-
-
-
-
-
-
-
-
-
-
6
SIX
6
-
-
-
-
-
-
-
-
-
-
-
7
-
-
-
-
-
-
-
-
7
occurs
x
1
=
7
=
7
-
-
-
-
-
--
-
8
-
-
-
-
-
-
-
8
occurs
x
1
=
8
=
8
-
-
-
-
-
9
-
-
-
-
-
-
9
-
-
9
occurs
x
2
=
18
1+8
9
11
11
E
N
L
I
G
H
T
E
N
E
R
-
-
39
-
-
11
-
63
-
36
1+1
1+1
5
5
-
-
-
-
-
5
5
5
-
-
-
3+9
-
-
1+1
-
6+3
-
3+6
2
2
E
N
L
I
G
H
T
E
N
E
R
-
-
12
-
-
2
-
9
-
9
1+1
1+1
5
5
3
9
7
8
2
5
5
5
9
-
-
1+2
-
-
-
-
-
-
-
2
2
E
N
L
I
G
H
T
E
N
E
R
-
-
3
-
-
2
-
9
-
9

 

 

1
E
N
L
I
G
H
T
E
N
E
R
-
-
-
-
-
--
-
-
-
-
`--
-
5
-
9
-
8
-
-
5
-
-
+
=
27
2+7
=
9
-
9
-
9
`-
-
14
-
9
-
8
-
-
14
-
-
+
=
45
4+5
=
9
-
9
-
9
11
E
N
L
I
G
H
T
E
N
E
R
-
-
-
-
-
--
-
-
-
-
`--
5
-
3
-
7
-
2
5
-
5
9
+
=
36
3+6
=
9
-
9
-
9
`-
5
-
12
-
7
-
20
5
-
5
18
+
=
72
7+2
=
9
-
9
-
9
11
E
N
L
I
G
H
T
E
N
E
R
-
-
-
-
-
--
-
-
-
-
`-
5
14
12
9
7
8
20
5
14
5
18
+
=
117
1+1+7
=
9
-
9
-
9
-
5
5
3
9
7
8
2
5
5
5
9
+
=
63
6+3
=
9
-
9
-
9
11
E
N
L
I
G
H
T
E
N
E
R
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
2
-
-
-
-
-
-
2
occurs
x
1
=
2
=
2
-
-
-
3
-
-
-
-
-
-
-
-
-
-
3
occurs
x
1
=
3
=
3
-
5
5
-
-
-
-
-
5
5
5
-
-
-
5
occurs
x
5
=
25
2+5
7
-
-
-
-
-
7
-
-
-
-
-
-
-
-
7
occurs
x
1
=
7
=
7
-
-
-
-
--
-
8
-
-
-
-
-
-
-
8
occurs
x
1
=
8
=
8
-
-
-
-
9
-
-
-
-
-
-
9
-
-
9
occurs
x
2
=
18
1+8
9
11
E
N
L
I
G
H
T
E
N
E
R
-
-
39
-
-
11
-
63
-
36
1+1
5
5
-
-
-
-
-
5
5
5
-
-
-
3+9
-
-
1+1
-
6+3
-
3+6
2
E
N
L
I
G
H
T
E
N
E
R
-
-
12
-
-
2
-
9
-
9
1+1
5
5
3
9
7
8
2
5
5
5
9
-
-
1+2
-
-
-
-
-
-
-
2
E
N
L
I
G
H
T
E
N
E
R
-
-
3
-
-
2
-
9
-
9

 

 

-
ASTRAL BODY
-
-
-
6
ASTRAL
71
71
8
4
BODY
46
19
1
10
ASTRAL BODY
117
36
9
1+0
-`
1+1+7
3+6
-
1
ASTRAL BODY
9
9
9

 

 

KEEPER OF GENESIS

A

QUEST

FOR THE HIDDEN LEGACY OF MANKIND

Robert Bauval Graham Hancock

1996

Return to the Beginning

Page 283

'I stand before the masters who witnessed the genesis, who were the authors of their own forms, who walked the dark, circuitous passages of their own becoming. . .

I stand before the masters who witnessed the transformation of the body of a man into the body in spirit, who were witnesses to resurrection when the corpse of Osiris entered the mountain and the soul of Osiris walked out shining. . . when he came forth from death, a shining thing, his face white with heat. . .

I stand before the masters who know the histories of the dead, who decide which tales to hear again, who judge the books of lives as either fun or empty, who are themselves authors of truth. And they are Isis and Osiris, the divine intelligences. And when the story is written and the end is good and the soul of a man is perfected, with a shout they lift him into heaven. . .'

Ancient Egyptian Book of the Dead (Norrnandi Ellis translation)

 

4
ISIS
56
20
2
5
HORUS
81
27
9
6
OSIRIS
89
35
8

 

 

I

ME

I SAY ISIS SAY I

I SAY OSIRIS SAY I

I SAY CHRIST SAY I

I SAY KRISHNA SAY I

I SAY RISHI ISHI ISHI RISHI SAY I

I SAY VISHNU SHIVA SHIVA VISHNU SAY I

ARISES THAT SUN SETS THAT SUN SETS THAT SUN ARISES THAT SUN

OSIRIS THAT SON SETS THAT SON SETS THAT SON OSIRIS THAT SON

 

 

WISDOM OF THE EAST

by Hari Prasad Shastri 1948

Page 8

"There is no such word in Sanscrita as 'Creation' applied to the universe. The Sanscrita word for Creation is Shristi, which means 'projection' Creation means to bring something into being out /Page 9/ of nothing, to create, as a novelist creates a character. There was no Miranda, for example, until Shakespeare created her. Similarly the ancient Indians (this term is innacurately used as there was no India at that time). who were our ancestors long, long ago. used a word for creation that means 'projection'

 

 

BHAGAVAD GITA

ARUJNA KRISHNA VISHNU SHIVA BRAHMA

 

 

4
ISHI
45
27
9
5
RISHI
63
36
9
4
SHAH
36
9
9
7
HASHISH
72
36
9

 

 

Middle Eastern Mythology

S. H. Hooke 1963

Page 111/112

Hebrew Mythology

"Next, and again out of the soil, Yahweh moulds animals and birds, to see if they may provide a help for the man, but since the man recognizes none of these as suitable for this purpose, Yahweh causes a magic sleep (the Hebrew /word tardemah indicates a supernatural sleep; compare Gen. 15:12) to overwhelm the man, and takes out a 'rib' (the Hebrew word also means 'side' and 'builds' it into a woman as his counterpoint, and in 3:20 gives her the name Hawwah, Eve, which means 'life'. The other apellation given to her in 2:3, Ishshah, is not a proper name but the usual Hebrew word for 'wife', the feminine of 'ish, man, or husband (cf. Hos. 2:16)"

 

ISHSHAH HASHISH

 

-
ISHSHAH
-
-
-
1
I
9
9
9
2
S+H
27
9
9
2
S+H
27
9
9
2
H+A
9
9
9
7
ISHSHAH
72
36
36
-
-
7+2
3+6
3+6
7
ISHSHAH
9
9
9

 

"The other apellation given to her in 2:3, Ishshah, is not a proper name but the usual Hebrew word for 'wife', the feminine of 'ish, man, or husband (cf. Hos. 2:16)"

ISHSHAH

9+1+8+1+8+1+8 = 36 3+6 = 9

ISHSHAH

 

HASHISH ISHSHAH

 

-
HASHISH
-
-
-
4
S+H+A+H
36
9
9
3
I+S+H
36
18
9
7
HASHISH
72
36
18
-
-
7+2
3+6
3+6
7
HASHISH
9
9
9

 

HASHISH

8+1+1+8+9+1+8 = 36 3+6 = 9

HASHISH

 

-
HASHISH
-
-
-
2
H+A
9
9
9
2
S+H
27
9
9
1
I
9
9
9
2
S+H
27
9
9
7
HASHISH
72
36
36
-
-
7+2
3+6
3+6
7
HASHISH
9
9
9

 

hashish: meaning and definitions — Infoplease.com hashish: Definition and Pronunciation. ... Pronunciation: (hashsh, -ish, ha-shēsh', -), [key] —n. 1. the flowering tops and leaves of Indian hemp smoked ...
dictionary.infoplease.com/hashish

hashish

Pronunciation: (hashsh, -ish, ha-shēsh', -), [key]
—n.
1. the flowering tops and leaves of Indian hemp smoked, chewed, or drunk as a narcotic and intoxicant.
2. the dried resinous exudate of the flowering tops of this plant, containing larger amounts of the active ingredient. Also,hash•eeshPronunciation: ('shēsh, -shēsh').

 

 

THE HOLY BIBLE

Scofield References

Hosea Chapter 2

Page 922/923

16

And it shall be at that day, saith the LORD, that thou shalt call me Ishi; and shalt call me no more Baali.

 

AND IT SHALL BE AT THAT DAY SAITH THE LORD THAT THOU SHALT CALL ME

ISHI

 

 

THE LOST LANGUAGE OF SYMBOLISM

Harold Bayley 1912

Page 278

""According to the authors of The Perfect Way, the words IS and ISH originally meant Light, and the name ISIS, once ISH-ISH, was Egyptian for Light-Light."

 

6
ISH-ISH
72
36
9
4
ISHI
45
36
9

Page 278

"ONE-EYE, TWO-EYES, THREE-EYES"

"According to the authors of The Perfect Way, the words IS and ISH originally meant Light, and the name ISIS, once ISH-ISH,

 

 

BELOVED ISIS QUEEN OF THE NIGHT COME WEAVE THY WEB WITH RAPID LIGHT

 

 

I

ME

I SAY ISIS SAY I

I SAY OSIRIS SAY I

I SAY CHRIST SAY I

I SAY KRISHNA SAY I

I SAY RISHI ISHI ISHI RISHI SAY I

I SAY VISHNU SHIVA SHIVA VISHNU SAY I

ARISES THAT SUN SETS THAT SUN SETS THAT SUN ARISES THAT SUN

OSIRIS THAT SON SETS THAT SON SETS THAT SON OSIRIS THAT SON

 

 

WISDOM OF THE EAST

by Hari Prasad Shastri 1948

Page 8

"There is no such word in Sanscrita as 'Creation' applied to the universe. The Sanscrita word for Creation is Shristi, which means 'projection' Creation means to bring something into being out /Page 9/ of nothing, to create, as a novelist creates a character. There was no Miranda, for example, until Shakespeare created her. Similarly the ancient Indians (this term is innacurately used as there was no India at that time). who were our ancestors long, long ago. used a word for creation that means 'projection'

 

SHRISTI CHRISTOS OSIRIS

SO IRIS ISIS IS

 

 

P
=
7
-
10
PROJECTION
125
53
8
P
=
7
-
11
PROJECTIONS
144
54
9

 

 

A
=
1
-
6
ASTRAL
71
17
8
P
=
7
-
10
PROJECTION
125
44
8
-
-
8
-
16
First Total
196
61
16
-
-
-
-
1+6
Add to Reduce
1+9+6
6+1
1+6
-
-
8
-
7
Second Total
16
7
7
-
-
-
-
-
Reduce to Deduce
1+6
-
-
-
-
8
-
7
Essence of Number
7
7
7

 

 

A
=
1
-
6
ASTRAL
71
17
8
B
=
2
-
4
BODY
46
19
1
-
=
3
-
10
Add to Reduce
117
36
9
-
=
-
-
1+0
Reduce to Deduce
1+1+7
3+6
-
-
=
3
-
1
Essence of Number
9
9
9

 

 

-
ASTRAL
-
-
-
1
A
1
1
1
4
STAR
58
13
4
1
L
12
3
3
6
Add to Reduce
71
17
8
-
Reduce to Deduce
7+1
1+7
-
3
Essence of Number
8
8
8

 

 

-
ASTRAL
-
-
-
2
AL
13
4
4
4
STAR
58
13
4
6
Add to Reduce
71
17
8
-
Reduce to Deduce
7+1
1+7
-
6
Essence of Number
8
8
8

 

 

-
ASTRAL
-
-
-
4
RA
19
10
1
1
LAST
52
7
7
6
Add to Reduce
71
17
8
-
Reduce to Deduce
7+1
1+7
-
3
Essence of Number
8
8
8

 

 

A
=
1
-
6
ASTRAL
71
17
8
S
=
1
-
9
SPIRITUAL
125
44
8
P
=
7
-
10
PROJECTION
125
53
8
-
-
9
-
25
Add to Reduce
321
114
24
-
-
-
-
2+5
Reduce to Deduce
3+2+1
1+1+4
2+4
-
-
9
-
7
Essence of Number
6
6
6

 

 

A
=
1
-
6
ASTRAL
71
17
8
T
=
2
-
6
TRAVEL
78
24
6
-
-
3
-
12
First Total
149
41
14
-
-
-
-
1+2
Add to Reduce
1+4+9
4+1
4+1
-
-
3
-
3
Second Total
14
5
5
-
-
-
-
-
Reduce to Deduce
1+4
-
-
-
-
3
-
3
Essence of Number
5
5
5

 

 

ASTRAL

ARTS STAR RATS

 

 

BHAGAVAD GITA

ARUJNA KRISHNA VISHNU SHIVA BRAHMA

 

 

Freiheit-Keeping The Dream Alive lyrics. From the Original Motion Picture... In my fantasy I remember their faces The hopes we had were much too high ... www.lyricsmode.com/lyrics/f/freiheit/keeping_the_dream_alive.html

 

THE HOPES WE HAD WE'RE MUCH TWO HIGH WAY OUT OF REACH BUT WE HAVE TO TRY

NO NEED TO HIDE NO NEED TO RUN 'CAUSE ALL THE ANSWERS COME ONE BY ONE

THE DAY WILL NEVER BE OVER BECAUSE WE 'RE KEEPING THE DREAM ALIVE

 

Freiheit-Keeping The Dream Alive lyrics. From the Original Motion Picture ... In my fantasy I remember their faces The hopes we had were much too high ... www.lyricsmode.com/lyrics/f/freiheit/keeping_the_dream_alive.html


Tonight the rain is falling
Full of memories of people and places
And while the past is calling
In my fantasy I remember their faces

The hopes we had were much too high
Way out of reach but we have to try
The game will never be over
Because we're keeping the dream alive

I hear myself recalling
Things you said to me
The night it all started
And still the rain is falling
Makes me feel the way
I felt when we parted

The hopes we had were much too high
Way out of reach but we have to try
No need to hide no need to run
'Cause all the answers come one by one
The game will never be over
Because we're keeping the dream alive

I need you
I love you

The game will never be over
Because we're keeping the dream alive

The hopes we had were much too high
Way out of reach but we have to try
No need to hide no need to run
'Cause all the answers come one by one

The hopes we had were much too high
Way out of reach but we have to try
No need to hide no need to run
'Cause all the answers come one by one

The game will never be over
Because we're keeping the dream alive

The game will never be over
Because we're keeping the dream alive

The game will never be over

Mmm mmm mmm mmm mmm mmm mmm mmm mmm.

 

7
BECAUSE
56
20
2
4
WE'RE
51
24
6
7
KEEPING
67
40
4
3
THE
33
15
6
5
DREAM
41
23
5
5
ALIVE
49
22
4
31
First Total
297
144
27
3+1
Add to Reduce
2+9+7
1+4+4
7+2
4
Second Total
18
9
9
-
Reduce to Deduce
1+8
-
-
4
Essence of Number
9
9
9

 

 

THE HOPES WE HAD WE'RE MUCH TWO HIGH WAY OUT OF REACH BUT WE HAVE TO TRY

NO NEED TO HIDE NO NEED TO RUN 'CAUSE ALL THE ANSWERS COME ONE BY ONE

THE DAY WILL NEVER BE OVER BECAUSE WE 'RE KEEPING THE DREAM ALIVE

 

 

Q
=
8
=
7
QUANTUM
107
26
8
E
=
5
=
13
ENTANGLEMENTS
149
50
5
-
-
13
-
20
First Total
256
76
13
-
-
1+3
-
2+0
Add to Reduce
2+5+6
7+6
1+3
-
-
4
-
2
Second Total
13
13
4
-
-
-
-
-
Reduce to Deduce
1+3
1+3
-
-
-
4
-
2
Essence of Number
4
4
4

 

 

I

ME

ENTANGLEMENTS

 

 

Quantum entanglement is a quantum mechanical phenomenon in which the quantum states of two or more objects have to be described with reference to each other ...en.wikipedia.org/wiki/Quantum_entanglement

Quantum entanglement

Quantum entanglement is a quantum mechanical phenomenon in which the quantum states of two or more objects have to be described with reference to each other, even though the individual objects may be spatially separated. This leads to correlations between observable physical properties of the systems. For example, it is possible to prepare two particles in a single quantum state such that when one is observed to be spin-up, the other one will always be observed to be spin-down and vice versa, this despite the fact that it is impossible to predict, according to quantum mechanics, which set of measurements will be observed. As a result, measurements performed on one system seem to be instantaneously influencing other systems entangled with it. But quantum entanglement does not enable the transmission of classical information faster than the speed of light (see discussion in next section below).

Quantum entanglement applications in the emerging technologies of quantum computing and quantum cryptography, and has been used to realize quantum teleportation experimentally. At the same time, it prompts some of the more philosophically oriented discussions concerning quantum theory. The correlations predicted by quantum mechanics, and observed in experiment, reject the principle of local realism , which is that information about the state of a system should only be mediated by interactions in its immediate surroundings. Different views of what is actually occurring in the process of quantum entanglement can be related to different interpretations of quantum mechanics.

 

 

Quantum entanglement just got a whole lot weirder, says Michael Brooks ... The team believe that quantum entanglement between the atoms is the only ..www.biophysica.com/quantum

Entanglement:  The weirdest link

New Scientist vol 181 issue 2440 - 27 March 2004, page 32

That spooky connection between tiny particles is appearing everywhere, and its consequences are even affecting the world that we experience. It seems to unravel the past, and may be what keeps us alive. Quantum entanglement just got a whole lot weirder, says Michael Brooks

ENTANGLEMENT. Erwin Schrödinger called this phenomenon the defining trait of quantum theory. Einstein famously dubbed it spukhafte Fernwirkungen: "spooky action at a distance". It is not hard to understand why. Set things up correctly, and you can instantaneously affect the physical properties of a particle on the other side of the universe simply by prodding its entangled twin.

This is no longer just a curiosity of the quantum world, visible only in excruciatingly delicate experiments. Physicists now believe that entanglement between particles exists everywhere, all the time, and have recently found shocking evidence that it affects the wider, "macroscopic" world that we inhabit.

It is a discovery that might have far-reaching consequences. Not only will it give us a better grip on technological applications, such as quantum computing and cryptography, and the teleportation of quantum states, it could also open up a whole new realm of reality, enabling us to retain and control quantum weirdness in our everyday world. And it's not just a strange kind of "remote control" over matter that is at stake. Entanglement could even be the key to understanding what gives rise to the phenomenon of life. It's enough to set Einstein spinning in his grave.

Entanglement has been an affront to our sensibilities for several decades now. Schrödinger discovered it through his newly formed quantum theory, when he examined the mathematical descriptions of two quantum particles that bump into one other. After the interaction, it is impossible to tease apart the two particles' characteristics. Once they are entangled, it makes no sense to talk about the properties of just one of them. All the information about the particles, such as their momentum and spin, lies only in their joint properties. So if something affects the quantum state of one particle, it will inevitably affect the quantum state of the other, no matter how far apart they are. It is this that gives entanglement the "spooky" character that Einstein found so distasteful.

Although it seems like something from the realm of fantasy, many physicists now use entanglement as a kind of resource for experiments and applications. Entangled pairs of quantum particles such as photons are routinely created and sent down microscopes or fired across vast distances. Their spooky properties are used to perform such feats as high-resolution imaging, quantum teleportation or quantum cryptography.

But, despite the growing use of entanglement as a technological tool, physicists are beginning to realise we have only just scratched the surface of its potential. "Are there some other forms of entanglement that we haven't yet discovered?" asks Benni Reznik, a theoretical physicist at Tel Aviv University in Israel. "I think there are."

Just how little we know about entanglement was made crystal clear last year by a collaboration led by Sayantani Ghosh at the University of Chicago (Nature, vol 425, p 48). The team analysed experiments done more than a decade ago with a sample of a magnetic salt containing holmium atoms, and compared them with theoretical predictions. What they found is extraordinary.

The holmium atoms within the salt behave like tiny magnets and respond to each others' magnetic fields by adjusting their relative orientation, just as a compass needle orients itself to align with the Earth's magnetic field. But the atoms change this settled orientation if they are placed in an external magnetic field. The degree to which they align with the field is known as the salt's "magnetic susceptibility".

Ghosh and his colleagues examined how the susceptibility of the salt varied with temperature. They expected it would decrease as the temperature rose, because the extra energy at higher temperatures disrupts the atoms' ability to maintain the optimum alignment. And it did. But at very low temperatures, the atoms were aligned to a greater degree than would be expected if they had normal quantum energy levels (Graphic omitted). The team believe that quantum entanglement between the atoms is the only explanation for this phenomenon.

It's a big shock: it shows that the quantum phenomenon of entanglement, whose power was thought to be confined to the infinitesimal world of subatomic particles, can produce effects that remain measurable on macroscopic scales.

Ghosh and his colleagues also showed that entanglement affects the salt's heat capacity, defined as the amount of heat needed to change the temperature of a kilogram of substance by 1 kelvin. Throw in some heat, and you can only determine exactly how far the salt's temperature will rise if you take entanglement between atoms into account.

According to Vlatko Vedral, a theoretical physicist at Imperial College in London, these discoveries are highly important. Vedral was one of the team that first predicted the effect, three years ago (Physical Review Letters, vol 87, p 017901). The fact that the prediction has been borne out by experiment catapults the mystery of entanglement into the list of big unanswered questions that scientists need to address, he says.

That's partly because physicists can no longer content themselves with using the quantum and classical energy level descriptions of a material if they want to determine and understand its properties. The effects of entanglement now have to be included as an integral part of any accurate calculation.

But the results also suggest that, if we knew where to look, we might find entanglement causing significant effects in other materials. "It's not just magnetic salts - this should be a more universal thing," Vedral says.

The best place to look first, he believes, might be the enigmatic phenomenon of high-temperature superconductivity. Vedral points out that superconductors contain pairs of electrons whose quantum descriptions, or wave functions, appear to be entangled. "The wave function describing the pair is not equal to the product of two wave functions," he says. "Mathematically, I can see there is entanglement."

So should entanglement be considered as a possible cause of high-temperature superconductivity? Might it show us how to make materials that are superconducting at room temperature? At this stage, it is too early to say: the effects of entanglement on Ghosh's magnetic salt only become noticeable below 1 kelvin. "That is almost absolute zero," Vedral admits. "What would be really interesting would be to find a material that exhibits the effects of entanglement at higher temperatures." Eventually, he thinks, we might well find such a material at room temperature. "I don't think it's going to be a very easy search, but I can't think of anything that would rule this out on the basis of fundamental theory. It doesn't look impossible to me."

While this might seem hopelessly optimistic at first glance, other recent discoveries about entanglement are suggesting otherwise. Entanglements at room temperature appear to be an everyday part of the universe. Reznik, for instance, has shown that all of empty space - what physicists refer to as the vacuum - is filled with pairs of particles that are entangled. "It's an unusual idea," says Reznik. "It was quite hard to get our first paper on this accepted." His paper was finally published last year in Foundations of Physics (vol 33, p 167).

Thomas Durt of Vrije University in Brussels also believes entanglement is everywhere. He has recently shown, from the basic equations that Schrödinger considered, that almost all quantum interactions produce entanglement, whatever the conditions. "When you see light coming from a faraway star, the photon is almost certainly entangled with the atoms of the star and the atoms encountered along the way," he says. And the constant interactions between electrons in the atoms that make up your body are no exception. According to Durt, we are a mass of entanglements.

Curiouser and curiouser

Of course, that is no guarantee we can use them. Reznik says he doesn't think you can take his vacuum entanglement and use it to perform feats such as teleportation. Indeed, he is not even sure how to demonstrate that this entanglement exists. Though the equations of quantum field theory show that it is present, he is still working out how to perform an experiment that makes vacuum entanglement more than a theoretical result.

These are all tantalising revelations, because they suggest that something priceless is within our grasp. But how do we reach it?

We certainly need to find a better handle on practical entanglement: at the moment, the only forms of it we have learned to use are somewhat constraining. The entangled photons used for cryptography and teleportation are produced by firing a photon into a "non-linear" crystal, such as beta barium borate. The optical properties of a non-linear crystal depend on its orientation, and a photon fired in at the correct angle will split into two entangled photons. But the entanglement between the photon pair is an artefact of the internal properties of the original photon - its path and polarisation (Link New Scientist, 30 October 1999, p 32. omitted). So entangled photons from a non-linear crystal effectively remain just one quantum system, rather than being the result of two distinct particles meeting and interacting. "It's a kind of entanglement, but not quite the same as between different quantum systems," Vedral says.

What physicists would dearly like, the resource that would open the way for the best experiments, is an unlimited source of pure two-particle entanglements. Despite the recent progress, this rich source of quantum magic has eluded them so far. So how do we take things forward? Schrödinger first discovered entanglement through analysing the mathematical descriptions of quantum theory, so perhaps mathematicians should be the pioneers. The trouble with this is that entanglement gives mathematicians a severe headache - especially when the entanglement is between anything more than two particles.

In theory, just bouncing particles off an entangled pair will establish another entanglement link that can then be put to work, but it's much easier said than done. Experimental physicists John Rarity and Paul Tapster were the first to entangle three photons, in their laboratory at the UK Defence Evaluation and Research Agency in Malvern, Worcestershire, five years ago. But no one has ever managed to work out how to describe the properties of such a system. For the most part, theorists can't even look at a given quantum state and tell if it is entangled - it is only possible in a few special cases. "Although I can define what it means to be entangled, that is, I can write down a state that's entangled and a state that's not, if you give me a state and ask whether it's entangled, then I have no efficient way of telling you that," says Vedral. In other words, he knows how to formulate the calculation, but it is so difficult that no computer can actually perform it.

But these problems may be nothing compared to the bombshell that Caslav Brukner of the University of Vienna has just dropped. As if our current understanding of entanglement between widely separated particles were not sketchy enough, Brukner, working with Vedral and two other Imperial College researchers, has uncovered a radical twist. They have shown that moments of time can become entangled too (link omitted).

They achieved this through a thought experiment that examines how quantum theory links successive measurements of a single quantum system. Measure a photon's polarisation, for example, and you will get a particular result. Do it again some time later, and you will get a second result. What Brukner and Vedral have found is a strange connection between the past and the future: the very act of measuring the photon polarisation a second time can affect how it was polarised earlier on. "It's really surprising," says Vedral.

This entanglement between moments in time is so bizarre that it could expose a hole in the very fabric of quantum theory, the researchers believe. The formulation does not allow messages to be sent back in time, but it still means that quantum mechanics seems to be bending the laws of cause and effect. On top of that, entanglement in time puts space and time on an equal footing in quantum theory, and that goes sharply against the grain.

Space and time have always been very different in quantum theory. A location in space is an "observable" - like momentum or spin, spatial coordinates are just another property any quantum particle can have. The passing of time, on the other hand, has always been part of the backdrop. An electron can have a particular value of spin, or momentum or location, but it cannot have a particular time.

But if time can become entangled, it should be considered as an observable, and there is no way to write that into quantum theory. "People have tried, but something in quantum mechanics always has to be violated if you want a proper time-observable," Vedral says. "So it could be that something in quantum mechanics has to be reformulated."

In other words, Brukner's result suggests that we might be missing something important in our understanding of how the world works. Maybe that shouldn't surprise us. After all, entanglement between two spatially separated objects already tells us that space doesn't really have the form that classical physics says it does: instantaneous cause and effect across cosmological distances is not something that any theory of the universe can cope with. And now Brukner's result seems to extend this "impossibility" to events separated in time as well.

It's not cause for despair, though. We know that relativity and quantum theory have to be meshed together if we are to create a "final" theory of how the universe works. It is too early to read much into Brukner's result, but maybe it is a clue about how to produce such a theory.

In the meantime, Vedral thinks he's identified an equally significant project to pursue. If, as Ghosh's result suggests, entanglement can produce macroscopic effects, is it such a stretch to reason that quantum entanglement might be the key to understanding life?

We know that quantum mechanics describes how atoms combine into molecules, and so underpins chemistry. And chemical processes underpin all biological processes, including the metabolic cycle and replication. So could entanglement support the emergent, macroscopic characteristic of chemistry that we call life? Reznik and Durt's revelations - that entanglements exist around us and inside us all the time - can only add to the intrigue. "I think it's a speculation worth making," Vedral says. "There may be some experiments in biology or biochemistry where we can see more of these effects, interpret some of the results in a different light. It would be a very exciting find."

Couple that with the ability to create materials that exploit our unfolding understanding of entanglement, and we might one day even gain the ability to use entanglement to create new forms of life. Now that is a spooky thought.

Michael Brooks

 

7
QUANTUM
107
26
8
12
ENTANGLEMENT
130
49
4

 

 

3
IS
19
10
1
3
THE
33
15
6
6
SPOOKY
101
29
2
6
EFFECT
45
27
9

 

 

6
ELECTRO
78
33
6
8
MAGNETIC
72
36
9
12
ENTANGLEMENT
130
49
4
26
First Total
280
118
19
2+6
Add to Reduce
2+8+0
1+1+8
1+9
8
Second Total
10
10
10
-
Reduce to Deduce
1+0
1+0
1+0
8
Essence of Number
1
1
1

 

 

-
12
E
N
T
A
N
G
L
E
M
E
N
T
-
-
-
-
-
--
-
-
-
-
-
-
-
5
-
-
5
-
-
-
-
-
5
-
+
=
15
1+5
=
6
-
6
-
6
-
-
-
14
-
-
14
-
-
-
-
-
14
-
+
=
42
4+2
=
6
-
6
-
6
-
12
E
N
T
A
N
G
L
E
M
E
N
T
-
-
-
-
-
--
-
-
-
-
-
-
5
-
2
1
-
7
3
5
4
5
-
2
+
=
34
3+4
=
7
-
7
-
7
-
-
5
-
20
1
-
7
12
5
13
5
-
20
+
=
88
8+8
=
16
1+6
7
-
7
-
12
E
N
T
A
N
G
L
E
M
E
N
T
-
-
-
-
-
--
-
-
-
-
-
-
5
14
20
1
14
7
12
5
13
5
14
20
+
=
130
1+3+0
=
4
-
4
-
4
-
-
5
5
2
1
5
7
3
5
4
5
5
2
+
=
49
4+9
=
13
1+3
4
-
4
-
12
E
N
T
A
N
G
L
E
M
E
N
T
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
1
-
-
-
-
-
-
-
-
-
-
1
occurs
x
1
=
1
-
1
-
-
-
-
2
-
-
-
-
-
-
-
-
2
-
-
2
occurs
x
2
=
4
-
4
-
-
-
-
-
-
-
-
3
-
-
-
-
-
-
-
3
occurs
x
1
=
3
-
3
-
-
-
-
-
-
-
-
-
-
4
-
-
-
-
-
4
occurs
x
1
=
4
-
4
-
-
5
5
-
-
5
-
-
5
-
5
5
-
=
-
5
occurs
x
6
=
30
3+0
3
6
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
6
-
-
-
-
-
-
-
-
-
-
-
-
-
-
7
-
-
-
-
-
-
-
-
7
occurs
x
1
=
7
-
7
8
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
8
-
-
-
-
-
-
-
9
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
9
-
-
-
-
-
-
-
23
12
E
N
T
A
N
G
L
E
M
E
N
T
-
-
22
-
-
12
-
49
-
22
2+3
1+2
5
5
-
-
5
-
-
5
-
5
5
-
-
-
2+2
-
-
1+2
-
4+9
-
2+2
5
3
E
N
T
A
N
G
L
E
M
E
N
T
-
-
4
-
-
3
-
13
-
4
-
-
5
5
2
1
5
7
3
5
4
5
5
2
-
-
-
-
-
-
-
1+3
-
-
5
3
E
N
T
A
N
G
L
E
M
E
N
T
-
-
4
-
-
3
-
4
-
4

 

 

12
E
N
T
A
N
G
L
E
M
E
N
T
-
-
-
-
-
--
-
-
-
-
-
-
5
-
-
5
-
-
-
-
-
5
-
+
=
15
1+5
=
6
-
6
-
6
-
-
14
-
-
14
-
-
-
-
-
14
-
+
=
42
4+2
=
6
-
6
-
6
12
E
N
T
A
N
G
L
E
M
E
N
T
-
-
-
-
-
--
-
-
-
-
-
5
-
2
1
-
7
3
5
4
5
-
2
+
=
34
3+4
=
7
-
7
-
7
-
5
-
20
1
-
7
12
5
13
5
-
20
+
=
88
8+8
=
16
1+6
7
-
7
12
E
N
T
A
N
G
L
E
M
E
N
T
-
-
-
-
-
--
-
-
-
-
-
5
14
20
1
14
7
12
5
13
5
14
20
+
=
130
1+3+0
=
4
-
4
-
4
-
5
5
2
1
5
7
3
5
4
5
5
2
+
=
49
4+9
=
13
1+3
4
-
4
12
E
N
T
A
N
G
L
E
M
E
N
T
-
-
-
-
-
-
-
-
-
-
-
-
-
-
1
-
-
-
-
-
-
-
-
-
-
1
occurs
x
1
=
1
-
1
-
-
-
2
-
-
-
-
-
-
-
-
2
-
-
2
occurs
x
2
=
4
-
4
-
-
-
-
-
-
-
3
-
-
-
-
-
-
-
3
occurs
x
1
=
3
-
3
-
-
-
-
-
-
-
-
-
4
-
-
-
-
-
4
occurs
x
1
=
4
-
4
=
5
5
-
-
5
-
-
5
-
5
5
-
=
-
5
occurs
x
6
=
30
3+0
3
-
-
-
-
-
-
7
-
-
-
-
-
-
-
-
7
occurs
x
1
=
7
-
7
12
E
N
T
A
N
G
L
E
M
E
N
T
-
-
22
-
-
12
-
49
-
22
1+2
5
5
2
1
5
7
3
5
4
5
5
2
-
-
2+2
-
-
1+2
-
4+9
-
2+2
3
E
N
T
A
N
G
L
E
M
E
N
T
-
-
4
-
-
3
-
13
-
4
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
1+3
-
-
3
E
N
T
A
N
G
L
E
M
E
N
T
-
-
4
-
-
3
-
4
-
4

 

 

-
13
E
N
T
A
N
G
L
E
M
E
N
T
S
-
-
-
-
-
--
-
-
-
-
-
-
-
5
-
-
5
-
-
-
-
-
5
-
1
+
=
16
1+6
=
7
-
7
-
7
-
-
-
14
-
-
14
-
-
-
-
-
14
-
19
+
=
61
6+1
=
7
-
7
-
7
-
13
E
N
T
A
N
G
L
E
M
E
N
T
S
-
-
-
-
-
--
-
-
-
-
-
-
5
-
2
1
-
7
3
5
4
5
-
2
-
+
=
34
3+4
=
7
-
7
-
7
-
-
5
-
20
1
-
7
12
5
13
5
-
20
-
+
=
88
8+8
=
16
1+6
7
-
7
-
13
E
N
T
A
N
G
L
E
M
E
N
T
S
-
-
-
-
-
--
-
-
-
-
-
-
5
14
20
1
14
7
12
5
13
5
14
20
19
+
=
149
1+4+9
=
14
1+4
5
-
5
-
-
5
5
2
1
5
7
3
5
4
5
5
2
1
+
=
50
5+0
=
5
-
5
-
5
-
13
E
N
T
A
N
G
L
E
M
E
N
T
S
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
1
-
-
-
-
-
-
-
-
1
-
-
1
occurs
x
2
=
2
-
2
-
-
-
-
2
-
-
-
-
-
-
-
-
2
-
-
-
2
occurs
x
2
=
4
-
4
-
-
-
-
-
-
-
-
3
-
-
-
-
-
-
-
-
3
occurs
x
1
=
3
-
3
-
-
-
-
-
-
-
-
-
-
4
-
-
-
-
-
-
4
occurs
x
1
=
4
-
4
-
-
5
5
-
-
5
-
-
5
-
5
5
-
-
=
-
5
occurs
x
6
=
30
3+0
3
6
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
6
-
-
-
-
-
-
-
-
-
-
-
-
-
-
7
-
-
-
-
-
-
-
-
-
7
occurs
x
1
=
7
-
7
8
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
8
-
-
-
-
-
-
-
9
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
9
-
-
-
-
-
-
-
23
13
E
N
T
A
N
G
L
E
M
E
N
T
S
-
-
22
-
-
13
-
50
-
23
2+3
1+3
5
5
-
-
5
-
-
5
-
5
5
-
-
-
-
2+2
-
-
1+3
-
5+0
-
2+3
5
4
E
N
T
A
N
G
L
E
M
E
N
T
S
-
-
4
-
-
4
-
5
-
5
-
-
5
5
2
1
5
7
3
5
4
5
5
2
1
-
-
-
-
-
-
-
-
-
-
5
4
E
N
T
A
N
G
L
E
M
E
N
T
S
-
-
4
-
-
4
-
5
-
5

 

 

-
13
E
N
T
A
N
G
L
E
M
E
N
T
S
-
-
-
-
-
-
-
-
-
-
-
-
-
5
-
-
5
-
-
-
-
-
5
-
1
+
=
16
1+6
=
7
-
7
-
7
-
-
-
14
-
-
14
-
-
-
-
-
14
-
19
+
=
61
6+1
=
7
-
7
-
7
-
13
E
N
T
A
N
G
L
E
M
E
N
T
S
-
-
-
-
-
-
-
-
-
-
-
-
5
-
2
1
-
7
3
5
4
5
-
2
-
+
=
34
3+4
=
7
-
7
-
7
-
-
5
-
20
1
-
7
12
5
13
5
-
20
-
+
=
88
8+8
=
16
1+6
7
-
7
-
13
E
N
T
A
N
G
L
E
M
E
N
T
S
-
-
-
-
-
-
-
-
-
-
-
-
5
14
20
1
14
7
12
5
13
5
14
20
19
+
=
149
1+4+9
=
14
1+4
5
-
5
-
-
5
5
2
1
5
7
3
5
4
5
5
2
1
+
=
50
5+0
=
5
-
5
-
5
-
13
E
N
T
A
N
G
L
E
M
E
N
T
S
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
1
-
-
-
-
-
-
-
-
1
-
-
1
occurs
x
2
=
2
-
2
-
-
-
-
2
-
-
-
-
-
-
-
-
2
-
-
-
2
occurs
x
2
=
4
-
4
-
-
-
-
-
-
-
-
3
-
-
-
-
-
-
-
-
3
occurs
x
1
=
3
-
3
-
-
-
-
-
-
-
-
-
-
4
-
-
-
-
-
-
4
occurs
x
1
=
4
-
4
-
-
5
5
-
-
5
-
-
5
-
5
5
-
-
=
-
5
occurs
x
6
=
30
3+0
3
6
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
6
SIX
6
-
-
-
-
-
-
-
-
-
-
-
-
7
-
-
-
-
-
-
-
-
-
7
occurs
x
1
=
7
-
7
8
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
8
EIGHT
8
-
-
-
-
-
9
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
9
NINE
-
-
-
-
-
-
23
13
E
N
T
A
N
G
L
E
M
E
N
T
S
-
-
22
-
-
13
-
50
-
23
2+3
1+3
5
5
-
-
5
-
-
5
-
5
5
-
-
-
-
2+2
-
-
1+3
-
5+0
-
2+3
5
4
E
N
T
A
N
G
L
E
M
E
N
T
S
-
-
4
-
-
4
-
5
-
5
-
-
5
5
2
1
5
7
3
5
4
5
5
2
1
-
-
-
-
-
-
-
-
-
-
5
4
E
N
T
A
N
G
L
E
M
E
N
T
S
-
-
4
-
-
4
-
5
-
5

 

 

THIRTEEN = 99 99 = THIRTEEN

 

Q
=
8
=
7
QUANTUM
107
26
8
E
=
5
=
13
ENTANGLEMENTS
149
50
5
-
-
13
-
20
First Total
256
76
13
-
-
1+3
-
2+0
Add to Reduce
2+5+6
7+6
1+3
-
-
4
-
2
Second Total
13
13
4
-
-
-
-
-
Reduce to Deduce
1+3
1+3
-
-
-
4
-
2
Essence of Number
4
4
4

 

 

-
20
Q
U
A
N
T
U
M
-
E
N
T
A
N
G
L
E
M
E
N
T
S
-
-
-
-
-
--
-
-
-
-
-
-
-
-
-
5
-
-
-
-
-
5
-
-
5
-
-
-
-
-
5
-
1
+
=
21
2+1
=
3
=
3
=
3
-
-
-
-
-
14
-
-
-
-
-
14
-
-
14
-
-
-
-
-
14
-
19
+
=
75
7+5
=
12
1+2
3
=
3
-
20
Q
U
A
N
T
U
M
-
E
N
T
A
N
G
L
E
M
E
N
T
S
-
-
-
-
-
--
-
-
-
-
-
-
8
3
1
-
2
3
4
-
5
-
2
1
-
7
3
5
4
5
-
2
-
+
=
55
5+5
=
10
1+0
1
=
1
-
-
17
21
1
-
20
21
13
-
5
-
20
1
-
7
12
5
13
5
-
20
-
+
=
181
1+8+1
=
10
1+0
1
=
1
-
20
Q
U
A
N
T
U
M
-
E
N
T
A
N
G
L
E
M
E
N
T
S
-
-
-
-
-
--
-
-
-
-
-
-
17
21
1
14
20
21
13
-
5
14
20
1
14
7
12
5
13
5
14
20
19
+
+
256
2+5+6
=
13
1+3
4
=
4
-
-
8
3
1
5
2
3
4
-
5
5
2
1
5
7
3
5
4
5
5
2
1
+
+
76
7+6
=
13
1+3
4
=
4
-
20
Q
U
A
N
T
U
M
-
E
N
T
A
N
G
L
E
M
E
N
T
S
-
-
-
-
-
-
-
-
-
-
-
-
-
-
1
-
-
-
-
-
-
-
-
1
-
-
-
-
-
-
-
-
1
-
-
1
occurs
x
3
=
3
=
3
-
``-
-
-
-
-
2
-
-
-
-
-
2
-
-
-
-
-
-
-
-
2
-
-
-
2
occurs
x
3
=
6
=
6
-
-
-
3
-
-
-
3
-
-
-
-
-
-
-
-
3
-
-
-
-
-
-
-
-
3
occurs
x
3
=
9
=
9
-
-
-
-
-
-
-
-
4
-
-
-
-
-
-
-
-
-
4
-
-
-
-
-
-
4
occurs
x
2
=
8
=
8
-
-
-
-
-
5
-
-
-
-
5
5
-
-
5
-
-
5
-
5
5
-
-
-
-
5
occurs
x
7
=
35
3+5
8
6
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
6
SIX
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
7
-
-
-
-
-
-
-
-
-
7
occurs
x
1
=
7
=
7
-
-
8
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
8
occurs
x
1
=
8
=
8
9
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
9
NINE
-
-
-
-
-
-
15
20
Q
U
A
N
T
U
M
-
E
N
T
A
N
G
L
E
M
E
N
T
S
-
-
30
-
-
20
-
76
-
49
1+5
2+0
-
-
-
5
-
-
-
-
5
5
-
-
5
-
-
5
-
5
5
-
-
-
-
3+0
-
-
2+0
-
7+6
-
4+9
6
2
Q
U
A
N
T
U
M
-
E
N
T
A
N
G
L
E
M
E
N
T
S
-
-
3
-
-
2
-
13
-
13
-
-
8
3
1
5
2
3
4
-
5
5
2
1
5
7
3
5
4
5
5
2
1
-
-
-
-
-
-
-
1+3
-
1+3
6
2
Q
U
A
N
T
U
M
-
E
N
T
A
N
G
L
E
M
E
N
T
S
-
-
3
-
-
2
-
4
-
4

 

 

-
20
Q
U
A
N
T
U
M
-
E
N
T
A
N
G
L
E
M
E
N
T
S
-
-
-
-
-
--
-
-
-
-
-
-
-
-
-
5
-
-
-
-
-
5
-
-
5
-
-
-
-
-
5
-
1
+
=
21
2+1
=
3
=
3
=
3
-
-
-
-
-
14
-
-
-
-
-
14
-
-
14
-
-
-
-
-
14
-
19
+
=
75
7+5
=
12
1+2
3
=
3
-
20
Q
U
A
N
T
U
M
-
E
N
T
A
N
G
L
E
M
E
N
T
S
-
-
-
-
-
--
-
-
-
-
-
-
8
3
1
-
2
3
4
-
5
-
2
1
-
7
3
5
4
5
-
2
-
+
=
55
5+5
=
10
1+0
1
=
1
-
-
17
21
1
-
20
21
13
-
5
-
20
1
-
7
12
5
13
5
-
20
-
+
=
181
1+8+1
=
10
1+0
1
=
1
-
20
Q
U
A
N
T
U
M
-
E
N
T
A
N
G
L
E
M
E
N
T
S
-
-
-
-
-
--
-
-
-
-
-
-
17
21
1
14
20
21
13
-
5
14
20
1
14
7
12
5
13
5
14
20
19
+
+
256
2+5+6
=
13
1+3
4
=
4
-
-
8
3
1
5
2
3
4
-
5
5
2
1
5
7
3
5
4
5
5
2
1
+
+
76
7+6
=
13
1+3
4
=
4
-
20
Q
U
A
N
T
U
M
-
E
N
T
A
N
G
L
E
M
E
N
T
S
-
-
-
-
-
-
-
-
-
-
-
-
-
-
1
-
-
-
-
-
-
-
-
1
-
-
-
-
-
-
-
-
1
-
-
1
occurs
x
3
=
3
=
3
-
``-
-
-
-
-
2
-
-
-
-
-
2
-
-
-
-
-
-
-
-
2
-
-
-
2
occurs
x
3
=
6
=
6
-
-
-
3
-
-
-
3
-
-
-
-
-
-
-
-
3
-
-
-
-
-
-
-
-
3
occurs
x
3
=
9
=
9
-
-
-
-
-
-
-
-
4
-
-
-
-
-
-
-
-
-
4
-
-
-
-
-
-
4
occurs
x
2
=
8
=
8
-
-
-
-
-
5
-
-
-
-
5
5
-
-
5
-
-
5
-
5
5
-
-
-
-
5
occurs
x
7
=
35
3+5
8
6
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
6
SIX
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
7
-
-
-
-
-
-
-
-
-
7
occurs
x
1
=
7
=
7
-
-
8
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
8
occurs
x
1
=
8
=
8
9
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
9
NINE
-
-
-
-
-
-
15
20
Q
U
A
N
T
U
M
-
E
N
T
A
N
G
L
E
M
E
N
T
S
-
-
30
-
-
20
-
76
-
49
1+5
2+0
-
-
-
5
-
-
-
-
5
5
-
-
5
-
-
5
-
5
5
-
-
-
-
3+0
-
-
2+0
-
7+6
-
4+9
6
2
Q
U
A
N
T
U
M
-
E
N
T
A
N
G
L
E
M
E
N
T
S
-
-
3
-
-
2
-
13
-
13
-
-
8
3
1
5
2
3
4
-
5
5
2
1
5
7
3
5
4
5
5
2
1
-
-
-
-
-
-
-
1+3
-
1+3
6
2
Q
U
A
N
T
U
M
-
E
N
T
A
N
G
L
E
M
E
N
T
S
-
-
3
-
-
2
-
4
-
4

 

 

TRANSFORMATION THE BREAKTHROUGH

Whitley Strieber 1988

Page 128

"Dr Gliedman had given me his essay "Quantum Entanglements: On Atomic Physics and the Nature of Reality," and I had been reading it..."

"Page 129

"I returned to Dr. Gliedman's essay.

I read the following sentence: "The mind is not the playwright of reality."

At that moment there came a knocking on the side of the house. This was a substantial noise, very regular and sharp. The knocks were so exactly spaced that they sounded like they were being produced by a machine. Both cats were riveted with terror. They stared at the wall. The knocks went on, nine of them in three groups of three, followed by a tenth lighter double-knock that communicated an impresssion of finality.

These knocks were coming from just below the line of the roof, at a spot approximately eighteen feet above the gravel driveway. Below the point of origin of the knocks were two open windows. Had anybody been out on the driveway with a ladder I would certainly have heard their movements on the gravel.

In addition, to get a ladder to that point they would have activated the movement-sensitive lights. But it was dark beeyond the windows.

It would be next to impossible to stand on the sharply angled roof that covers the living room of the cabin. While the angle of the roof above the upstairs bedroom is almost flat, this roof is extremely steep. What's more, I would cerrtainly have heard anybody crawling around on the roof. There would have been creaks and groans from the boards, and there is no question but that I would have noticed the sounds, given the profound silence of the country night.

I am absolutely dead certain about the reality of the knocks. They were not made by the house settling. Nothing but an intentional act could have produced such loud, evenly spaced sounds. They were not a prank being played by neighbors. In the summer of 1986 I had not yet told my neighbors about the visitors. What's more, the prank explaanation was hopelessly impractical.

To reach the place from which I heard the knocks..."

Page 131

cannot be put down to disease. Such a thing is not a sympptom. My cats would not have reacted to something happenning in my mind. I am reporting a true event. It was the first definite, physical indication I had while in a state of commpletely normal consciousness that the visitors were part of this world.

They were responding to my attempts to develop the relationship and accept my fear by making their physical reality more plain.

The stunning event of August 27, 1986, strengthened my wavering resolve to keep the matter where it belongs, which is in question. It is an awfully serious business, and it cannot be removed from question except as we learn more facts. Should we decide to believe something about this that is not true, we will ruin it for ourselves. We will form yet another mythology around the visitors, as I suspect we have been doing throughout our history.

The moment after the nine knocks I thought to go outside. I also thought, You're not ready yet. You just go up to bed.

The next morning I thought that was exactly what I had done. But there was something wrong. While the knocks were taking place I was unquestionably in a normal state of mind. As soon as I began to move from the chair, though, I feel that I may have entered another state.

Unfortunately, I did not remember that something may have happened after the knocks until weeks later. On the morning after, my immediate thought was that I had failed miserably. The visitors had come, had knocked-and I'd just sat there, too scared even to open the door!

I therefore don:t know whether I concocted the subseequent memories to make myself feel better, or if they were hidden by a more prosaic screen memory.

One day I glanced at the clock on our videotape machine and suddenly remembered seeing it when it said 2:18 A.M. An instant later I recalled that I'd seen it reading that time as I went upstairs on the night of the nine knocks. But they

Page 134 (omitted)

TWELVE

Fire of the Question

"In the days after I heard the nine knocks I was shattered, overwhelmed. I remembered their eerie precision-three groups of three perfectly measured, exactly spaced sounds, each precisely as loud as the one previous. And then there had been a soft double-knock completely different in tone from the others. It had communicated a distinct sense of finality, and seemed by its lightness of tone not to be a part of the group. The nine knocks were a sort of communication. The tenth was punctuation..."

Page 135

"The nine knocks made me struggle even harder to understand. And I did not understand. But I had a few ideas

It was as if I had discovered an unknown world that has always been around us, that may be an even greater reality..."

 

 

-
20
Q
U
A
N
T
U
M
-
E
N
T
A
N
G
L
E
M
E
N
T
S
-
-
-
-
-
--
-
-
-
-
-
-
-
-
-
5
-
-
-
-
-
5
-
-
5
-
-
-
-
-
5
-
1
+
=
21
2+1
=
3
=
3
=
3
-
-
-
-
-
14
-
-
-
-
-
14
-
-
14
-
-
-
-
-
14
-
19
+
=
75
7+5
=
12
1+2
3
=
3
-
20
Q
U
A
N
T
U
M
-
E
N
T
A
N
G
L
E
M
E
N
T
S
-
-
-
-
-
--
-
-
-
-
-
-
8
3
1
-
2
3
4
-
5
-
2
1
-
7
3
5
4
5
-
2
-
+
=
55
5+5
=
10
1+0
1
=
1
-
-
17
21
1
-
20
21
13
-
5
-
20
1
-
7
12
5
13
5
-
20
-
+
=
181
1+8+1
=
10
1+0
1
=
1
-
20
Q
U
A
N
T
U
M
-
E
N
T
A
N
G
L
E
M
E
N
T
S
-
-
-
-
-
--
-
-
-
-
-
-
17
21
1
14
20
21
13
-
5
14
20
1
14
7
12
5
13
5
14
20
19
+
+
256
2+5+6
=
13
1+3
4
=
4
-
-
8
3
1
5
2
3
4
-
5
5
2
1
5
7
3
5
4
5
5
2
1
+
+
76
7+6
=
13
1+3
4
=
4
-
20
Q
U
A
N
T
U
M
-
E
N
T
A
N
G
L
E
M
E
N
T
S
-
-
-
-
-
-
-
-
-
-
-
-
-
-
1
-
-
-
-
-
-
-
-
1
-
-
-
-
-
-
-
-
1
-
-
1
occurs
x
3
=
3
=
3
-
``-
-
-
-
-
2
-
-
-
-
-
2
-
-
-
-
-
-
-
-
2
-
-
-
2
occurs
x
3
=
6
=
6
-
``-
-
3
-
-
-
3
-
-
-
-
-
-
-
-
3
-
-
-
-
-
-
-
-
3
occurs
x
3
=
9
=
9
-
-
-
-
-
-
-
-
4
-
-
-
-
-
-
-
-
-
4
-
-
-
-
-
-
4
occurs
x
2
=
8
=
8
-
-
-
-
-
5
-
-
-
-
5
5
-
-
5
-
-
5
-
5
5
-
-
-
-
5
occurs
x
7
=
35
3+5
8
6
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
6
-
6
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
7
-
-
-
-
-
-
-
-
-
7
occurs
x
1
=
7
=
7
-
-
8
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
8
occurs
x
1
=
8
=
8
9
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
9
-
9
-
-
-
-
-
15
20
Q
U
A
N
T
U
M
-
E
N
T
A
N
G
L
E
M
E
N
T
S
-
-
30
-
-
20
-
76
-
49
1+5
2+0
-
-
-
5
-
-
-
-
5
5
-
-
5
-
-
5
-
5
5
-
-
-
-
3+0
-
-
2+0
-
7+6
-
4+9
6
2
Q
U
A
N
T
U
M
-
E
N
T
A
N
G
L
E
M
E
N
T
S
-
-
3
-
-
2
-
13
-
13
-
-
8
3
1
5
2
3
4
-
5
5
2
1
5
7
3
5
4
5
5
2
1
-
-
-
-
-
-
-
1+3
-
1+3
6
2
Q
U
A
N
T
U
M
-
E
N
T
A
N
G
L
E
M
E
N
T
S
-
-
3
-
-
2
-
4
-
4

 

 

20
Q
U
A
N
T
U
M
E
N
T
A
N
G
L
E
M
E
N
T
S
-
-
-
-
-
--
-
-
-
-
-
-
-
-
5
-
-
-
-
5
-
-
5
-
-
-
-
-
5
-
1
+
=
21
2+1
=
3
=
3
=
3
-
-
-
-
14
-
-
-
-
14
-
-
14
-
-
-
-
-
14
-
19
+
=
75
7+5
=
12
1+2
3
=
3
20
Q
U
A
N
T
U
M
E
N
T
A
N
G
L
E
M
E
N
T
S
-
-
-
-
-
--
-
-
-
-
-
8
3
1
-
2
3
4
5
-
2
1
-
7
3
5
4
5
-
2
-
+
=
55
5+5
=
10
1+0
1
=
1
-
17
21
1
-
20
21
13
5
-
20
1
-
7
12
5
13
5
-
20
-
+
=
181
1+8+1
=
10
1+0
1
=
1
20
Q
U
A
N
T
U
M
E
N
T
A
N
G
L
E
M
E
N
T
S
-
-
-
-
-
--
-
-
-
-
-
17
21
1
14
20
21
13
5
14
20
1
14
7
12
5
13
5
14
20
19
+
+
256
2+5+6
=
13
1+3
4
=
4
-
8
3
1
5
2
3
4
5
5
2
1
5
7
3
5
4
5
5
2
1
+
+
76
7+6
=
13
1+3
4
=
4
20
Q
U
A
N
T
U
M
E
N
T
A
N
G
L
E
M
E
N
T
S
-
-
-
-
-
-
-
-
-
-
-
-
-
1
-
-
-
-
-
-
-
1
-
-
-
-
-
-
-
-
1
-
-
1
occurs
x
3
=
3
=
3
-
-
-
-
-
2
-
-
-
-
2
-
-
-
-
-
-
-
-
2
-
-
-
2
occurs
x
3
=
6
=
6
-
-
3
-
-
-
3
-
-
-
-
-
-
-
3
-
-
-
-
-
-
-
-
3
occurs
x
3
=
9
=
9
-
-
-
-
-
-
-
4
-
-
-
-
-
-
-
-
4
-
-
-
-
-
-
4
occurs
x
2
=
8
=
8
-
-
-
-
5
-
-
-
5
5
-
-
5
-
-
5
-
5
5
-
-
-
-
5
occurs
x
7
=
35
3+5
8
-
-
-
-
-
-
-
-
-
-
-
-
-
7
-
-
-
-
-
-
-
-
-
7
occurs
x
1
=
7
=
7
-
8
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
8
occurs
x
1
=
8
=
8
20
Q
U
A
N
T
U
M
E
N
T
A
N
G
L
E
M
E
N
T
S
-
-
30
-
-
20
-
76
-
49
2+0
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-``
-
-
-
-
-
-
3+0
-
-
2+0
-
7+6
-
4+9
2
Q
U
A
N
T
U
M
E
N
T
A
N
G
L
E
M
E
N
T
S
-
-
3
-
-
2
-
13
-
13
-
8
3
1
5
2
3
4
5
5
2
1
5
7
3
5
4
5
5
2
1
-
-
-
-
-
-
-
1+3
-
1+3
2
Q
U
A
N
T
U
M
E
N
T
A
N
G
L
E
M
E
N
T
S
-
-
3
-
-
2
-
4
-
4

 

 

I

ME

YOU

ENTANGLEMENTS

MENTAL ANGLE ANGEL ANGLE MENTAL

ENTANGLE MENTALLY MENTALLY ENTANGLE

KARMAS THOUGHT ENTANGLEMENT THOUGHT KARMAS

0123456789 REAL REALITY REVEALED REALITY REAL 9876543210

0987654321 GODS REAL REALITY REAL GODS 1234567890

ONE GOD ONE I ONE ME ONE YOU ONE EVERYTHING GODS

INTO THE WITHIN OF THE WITHOUT THAT IS UNIVERSAL MIND OF DIVINE THOUGHT

ABCDEFGHIJKLMNOPQRSTUVWXYZ WELCOME HERO WELCOME ABCDEFGHIJKLMNOPQRSTUVWXYZ

 

-
THE RAINBOW LIGHT
-
-
-
3
THE
33
15
6
7
RAINBOW
82
37
1
5
LIGHT
56
29
2
15
THE RAINBOW LIGHT
171
81
9
1+5
-
1+7+1
8+1
-
6
THE RAINBOW LIGHT
9
9
9

 

 

THE LIGHT IS RISING RISING IS THE LIGHT

 

 

-
5
M
A
G
I
C
-
-
-
-
-
--
-
-
-
`-
-
-
-
9
-
+
=
9
-
=
9
=
9
-
`-
-
-
-
9
-
+
=
9
-
=
9
=
9
-
5
M
A
G
I
C
-
-
-
-
-
--
-
-
--
-
4
1
7
-
3
+
=
15
1+5
=
6
=
6
--
`-
13
1
7
-
12
+
=
24
2+4
=
6
=
6
-
5
M
A
G
I
C
-
-
-
-
-
--
-
-
-
`-
13
1
7
9
3
+
=
33
3+3
=
6
-
6
-
-
4
1
7
9
3
+
=
24
2+4
=
6
=
6
-
5
M
A
G
I
C
T
-
-
-
-
-
-
-
-
-
-
1
-
-
-
-
-
1
occurs
x
1
=
1
2
-
-
-
-
-
-
-
-
2
TWO
-
-
-
-
-
-
-
-
-
-
3
-
-
3
occurs
x
1
=
3
-
-
4
-
-
-
-
-
-
4
occurs
x
1
=
4
5
-
-
-
-
-
-
-
-
5
FIVE
-
-
-
-
6
-
-
-
-
-
-
-
-
6
SIX
-
-
-
-
-
-
-
-
7
-
-
-
-
7
occurs
x
1
=
7
8
--
-
-
-
-
-
-
-
8
EIGHT
-
-
-
-
-
-
-
-
-
9
-
-
-
9
occurs
x
1
=
9
21
5
M
A
G
I
C
-
-
24
-
-
5
-
24
2+1
-
-
-
-
9
-
-
-
2+4
-
-
-
-
2+4
3
5
M
A
G
I
C
-
-
6
-
-
5
-
6
-
-
4
1
7
9
3
T
-
-
-
-
-
-
-
3
5
M
A
G
I
C
-
-
6
-
-
5
-
6

 

 

5
M
A
G
I
C
-
-
-
-
-
--
-
-
`-
-
-
-
9
-
+
=
9
-
=
9
=
9
`-
-
-
-
9
-
+
=
9
-
=
9
=
9
5
M
A
G
I
C
-
-
-
-
-
--
-
-
-
4
1
7
-
3
+
=
15
1+5
=
6
=
6
`-
13
1
7
-
12
+
=
24
2+4
=
6
=
6
5
M
A
G
I
C
-
-
-
-
-
--
-
-
`-
13
1
7
9
3
+
=
33
3+3
=
6
-
6
-
4
1
7
9
3
+
=
24
2+4
=
6
=
6
5
M
A
G
I
C
T
-
-
-
-
-
-
-
-
-
1
-
-
-
-
-
1
occurs
x
1
=
1
-
-
-
-
-
3
-
-
3
occurs
x
1
=
3
-
4
-
-
-
-
-
-
4
occurs
x
1
=
4
-
-
-
7
-
-
-
-
7
occurs
x
1
=
7
-
-
-
-
9
-
-
-
9
occurs
x
1
=
9
5
M
A
G
I
C
-
-
24
-
-
5
-
24
-
-
-
-
9
-
-
-
2+4
-
-
-
-
2+4
5
M
A
G
I
C
-
-
6
-
-
5
-
6
-
4
1
7
9
3
T
-
-
-
-
-
-
-
5
M
A
G
I
C
-
-
6
-
-
5
-
6

 

 

9

NINE

I = 9 9 = I

 I

GODS

BRIGHT SPARKLING BRIGHT

POINT

WITH

THAT MIRAGE THOU ART PLEASED TO CALL THAT

I

ME

SELF THAT FEELS THAT FEELSTHAT SELF

HEARKEN

O

NAMUH

GODS

LIGHT LIVING AGELESS LIVING LIGHT

THOU ART ALL THAT THAT ISISIS THAT THAT ALL ART THOU

 

 

JUST SIX NUMBERS

Martin Rees

1
999

OUR COSMIC HABITAT I

PLANETS STARS AND LIFE

Page 24

"A proton is 1,836 times heavier than an electron, and the number 1,836 would have the same connotations to any 'intelligence' "
Page 24 / 25
"A manifestly artificial signal- even if it were as boring as lists of prime numbers, or the digits of 'pi' - would imply that 'intelli- gence' wasn't unique to the Earth and had evolved elsewhere. The nearest potential sites are so far away that signals would take many years in transit. For this reason alone, transmission would be primarily one-way. There would be time to send a measured response, but no scope for quick repartee!
Any remote beings who could communicate with us would have some concepts of mathematics and logic that paralleled our own. And they would also share a knowledge of the basic particles and forces that govern our universe. Their habitat may be very different (and the biosphere even more different) from ours here on Earth; but they, and their planet, would be made of atoms just like those on Earth. For them, as for us, the most important particles would be protons and electrons: one electron orbiting a proton makes a hydrogen atom, and electric currents and radio transmitters involve streams of electrons. A proton is 1,836 times heavier than an electron, and the number 1,836 would have the same connotations to any 'intelligence' able and motivated to transmit radio signals. All the basic forces and natural laws would be the same. Indeed, this uniformity - without which our universe would be a far more baffling place - seems to extend to the remotest galaxies that astronomers can study. (Later chapters in this book will, however, speculate about other 'universes', forever beyond range of our telescopes, where different laws may prevail.)
Clearly, alien beings wouldn't use metres, kilograms or seconds. But we could exchange information about the ratios of two masses (such as thc ratio of proton and electron masses) or of two lengths, which are 'pure numbers' that don't depend on what units are used: the statement that one rod is ten times as long as another is true (or false) whether we measure lengths / in feet or metres or some alien units"

 

"A proton is

1,836 times heavier than an electron, and the number 1,836

would have the same connotations to any 'intelligence'"

 

 

E
=
5
-
8
EIGHTEEN
73
46
1
T
=
2
-
9
THIRTYSIX
152
53
8
-
-
7
4
17
First Total
225
99
9
-
-
-
-
1+7
Add to Reduce
2+2+5
9+9
-
Q
-
7
-
8
Second Total
9
18
9
-
-
-
-
1+7
Reduce to Deduce
-
1+8
-
Q
-
7
-
8
Essence of Number
9
9
9

 

 

WHY SMASH ATOMS

A. K. Solomon 1940

VAN DE GRAAFF GENERATOR

Page 77

"Once the fairy tale hero has penetrated the ring of fire round the magic mountain he is free to woo the heroine in her castle on the mountain top."

 

 

OF TIME AND STARS

Arthur C. Clarke 1972

FOREWORD

"'Into the Comet' and 'The Nine Billion Names of God' both involve computers and the troubles they may cause us. While writing this preface, I had occasion to call upon my own HP 9100A computer, Hal Junior, to answer an interesting question. Looking at my records, I find that I have now written just about one hundred short stories. This volume contains eighteen of them: therefore, how many possible 18-story collections will I be able to put together? The answer ­as I am sure will be instantly obvious to you - is 100 x 99. . . x 84 x 83 divided by 18 x 17 x 16 ... x .2 x 1. This is an impressive number - Hal Junior tells me that it is approximately 20,772,733,124,605,000,000.

Page 15

The Nine Billion Names of God

'This is a slightly unusual request,' said Dr Wagner, with what he hoped was commendable restraint. 'As far as I know, it's the first time anyone's been asked to supply a Tibetan monastery with an Automatic Sequence Computer. I don't wish to be inquisitive, but I should hardly have thought that your - ah - establishment had much use for such a machine. Could you explain just what you intend to do with it?'
'Gladly,' replied the lama, readjusting his silk robes and carefully putting away the slide rule he had been using far currency conversions. 'Your Mark V Computer can carry out any routine mathematical operation involving up to ten digits. However, for our work we are interested in letters, not numbers. As we wish you to modify the output circuits, the machine will be printing words, not columns of figures.'
'I don't quite understand. . .'
'This is a project on which we have been working for the last three centuries - since the lamasery was founded, in fact. It is somewhat alien to your way of thought, so I hope you will listen with an open mind while I explain it.'
'Naturally.'
'It is really quite simple. We have been compiling a list which shall contain all the possible names of God.'
'I beg your pardon?'

Page16

'We have reason to believe,' continued the lama imperturbably, 'that all such names can be written with not more than nine letters in an alphabet we have devised.'
'And you have been doing this for three centuries?'
'Yes: we expected it would take us about fifteen thousand years to complete the task.'
'Oh,' Dr Wagner looked a little dazed. 'Now I see why you wanted to hire one of our machines. But what exactly is the purpose of this project?'
The lama hesitated for a fraction of a second, and Wagner wondered if he had offended him. If so, there was no trace of annoyance in the reply.
'Call it ritual, if you like, but it's a fundamental part of our belief. All the many names of the Supreme Being - God Jehova, Allah, and so on - they are only man-made labels. There is a philosophical problem of some difficulty here, which I do not propose to discuss, but somewhere among all the possible combinations of letters that can occur are what one may call the real names of God. By systematic permutation of letters, we have been trying to list them all.'
'I see. You've been starting at AAAAAAA . . . and working up to ZZZZZZZZ . . .'
'Exactly - though we use a special alphabet of our own. Modifying the electromatic typew
riters to deal with this is, of course, trivial. A rather more interesting problem is that of devising suitable circuits to eliminate ridiculous combinations. For example, no letter must occur more than three times in succession.'
,'Three? Surely you mean two.'
'Three is correct: I am afraid it would take too long to explain why, even if you understood our language.' "

 

 

I = 9 9 = I

R = 9 9 = R

 

 

OF

T9ME AND STA9S

A9thu9 C. Cla9ke,1972

Page 15

THE N9NE B9LL9ON NAMES OF GOD

'Th9s 9s a sl9ghtly unusual 9equest,'sa9d D9 Wagne9, w9th what he hoped was commendable 9est9a9nt.' As fa9 as 9 know, 9t's the f99st t9me anyone's been asked to supply a T9betan monaste9y with an Automat9c Sequence Compute9. 9 don't w9sh to be 9nqu9s9t9ve, but 9 should ha9dly have thought that you9- ah - establ9shment had much use for such a mach9ne.Could you expla9n just what you 9ntend to do w9th 9t?'

'Gladly,' 9epl9ed the lama, 9eadjust9ng h9s s9lk 9obes and ca9efully putting away the sl9de 9ule he had been us9ng fo9 cu99ency conve9s9ons. 'You9 Ma9k V Compute9 can ca99y out any 9out9ne mathemat9cal ope9at9on 9nvolv9ng up to ten d9g9ts. Howeve9, for ou9 work we are 9nte9ested 9n lette9s, not numbe9s. As we w9sh you to mod9fy the output c9rcu9ts,the mach9ne w9ll be p99nt9ng wo9ds not columns of f9gu9es.'

'9 dont qu9te unde9stand…'

'Th9s 9s a p9oject on wh9ch we have been work9ng fo9 the last th9ee centu99es - s9nce the lamase9y was founded, 9n fact.9t 9s somewhat al9en to you9 way of thought, so9 hope you w9ll l9sten with an open m9nd wh9le 9 expla9n 9t

'Natu9ally.'

'9t 9s 9eally qu9te s9mple.We have been comp9l9ng a l9st wh9ch shall conta9n all the poss9ble names of God'

'9 beg you9 pa9don?' / Page16 / 'We have 9eason to bel9eve' cont9nued the lama 9mpe9tu9bably, ' that all such names can be w99tten with not mo9e than n9ne lette9s 9n an alphabet we have dev9sed,'

'And you have been do9ng th9s for three centu99es?

'Yes: we expected9t would take us about f9fteen thousand years to complete the task.'

'Oh, Dr Wagne9 looked a l9ttle dazed. 'Now9 see why you wanted to h99e one of ou9 mach9nes. But what exactly9s the pu9pose of th9s p9oject ?

'The lama hes9tated fo9 a f9act9on of a second, and Wagne9 wonde9ed9f he had offended h9m.9f so the9e was no t9ace of annoyance9n the 9eply.

'Call9t 99tual, 9f you l9ke, but 9t's a fundamental pa9t of ou9 bel9ef. All the many names of the Sup9eme Be9ng - God , Jehova , Allah , and so on - they a9e only man made labels. The9e 9s a ph9losoph9cal p9oblem of some d9ff9culty he9e, wh9ch9 do not p9opose to d9scuss, but somewhe9e among all the poss9ble comb9nat9ons of lette9s that can occu9 a9e what one may call the 9eal names of God. By systemat9c pe9mutat9on of lette9s, we have been t9y9ng to l9st them all'

9 see. You've been sta9t9ng at AAAAAAA… and wo9k-9ng up to ZZZZZZZZ …'

'Exactly - though we use a spec9al alphabet of ou9 own. Mod9fy9ng the elect9omat9c typew99te9s to deal w9th th9s 9s of cou9se t99v9al. A 9athe9 mo9e 9nte9est9ng p9oblem 9s that of dev9s9ng su9table c99cu9ts to el9m9nate 9 9d9culous comb9nat9ons. Fo9 example, no lette9 must occu9 mo9e than th9ee t9mes 9n sucess9on.'

'Th9ee? Su9ely you mean two.'

'Th9ee 9s co99ect; 9 am af9a9d 9t would take too long to expla9n why , even 9f you unde9stood ou9 language.'/ Page 17 / '9'm su9e 9t would,' sa9d Wagne9 hast9ly. 'Go on.'

'Luck9ly, 9t w9ll be a s9mple matte9 to adapt you9 Automat9c Sequence Compute9 fo9 th9s wo9k, s9nce once 9t has been p9og9ammed p9ope9ly 9t w9ll pe9mute each lette9 9n tu9n and p99nt the 9esult. What would have taken us f9fteen thousand years 9t w9ll be able to do 9n a hund9ed days.'

'Dr Wagne9 was sca9cely consc9ous of the fa9nt sounds f9om the Manhatten st9eets fa9 below. He was 9n a d9ffe9ent wo9ld, a wo9ld of natu9al, not man-made mounta9ns. H9gh up 9n the99 9emote ae99es these monks had been pat9ently at wo9k gene9at9on afte9 gene9at9on, comp9l9ng the99 l9sts of mean9ngless wo9ds. Was the9e any l9m9ts to the foll9es of mank9nd ? St9ll, he must g9ve no h9nt of h9s 9nne9 thoughts. The custome9 was always 99ght…"

 

 

OF TIME AND STARS

Arthur C. Clarke 1972

Page 68

Into the Comet


"Pickett's fingers danced over the beads, sliding them up and down the wires with lightning speed. There were twelve wires in all, so that the abacus could handle numbers up to 999,999,999,999 - or could be divided into separate sections where several independent calculations could be carried out simultaneously.
'374072,' said Pickett, after an incredibly brief interval of time. 'Now see how long you take to do it, with pencil and paper.'
There was a much longer delay before Martens, who like most mathematicians was poor at arithmetic, called out '375072'. A hasty check soon confirmed that Martens had taken at least three times as long as Pickett to arrive at the wrong answer.
The atronomer's face was a study in mingled chagrin, astonishment, and curiosity.
'Where did you learn that trick?' he asked. 'I thought those things could only add and subtract.'
'Well - multiplication's only repeated addition, isn't it? All I did was to add 856 seven times in the unit column, three times in the tens column, and four times in the hundreds column. You do the same thing when you use pencil and paper. Of course, there are some short cuts, but if you think I'm fast, you should have seen my grand-uncle. He used to work in a Yokohama bank, and you couldn't see his fingers / Page 69 / when he was going at speed"

 

 

DECIPHER

MANKIND HAD 1200 YEARS YEARS

TO CRACK THE CODE WE HAVE

ONE WEEK LEFT

Stel Pavlou

Page 357

24 hours

"We live in a universe of patterns. Every night the stars move in circles across the sky. The seasons cycle at yearly inter vals. No two snowflakes are ever exactly the same, but the all have sixfold symmetry. Tigers and zebras are covered in patterns of stripes; leopards and hyenas are covered in pat terns of spots. Intricate trains of waves march across the oceans; very similar trains of sand dunes march across the desert . . . By using mathematics... we have discovered great secret: nature's patterns are not just there to be admired, they are vital clues to the rules that govern natural processes."

Ian Stewart, Nature's Numbers, 1995

 

 

2061

ODYSSEY THREE

Arthur C. Clarke 1987

Page 13 (number 0mitted)

"THE MAGIC MOUNTAIN"

 

 

THE LOST WORLDS OF 2001

Arthur C.Clarke

1972

"Sorry to interrupt the festivities, but we have a problem."
(HAL 9000, during Frank Poole's birthday party)


"Houston, we've had a problem." (Jack Swigert, shortly after playing the

Zarathustra

theme to his TV audience, aboard Apollo 13 Command Module Odyssey)

 

 

THE MAGIC MOUNTAIN

Thomas Mann 1924

Page 706 /716 (inclusive)

THE

THUNDERBOLT

Page 716

"FINIS OPERIS"

 

 

THE DIE IS NOW CAST NOW CAST IS THE DIE

 

CITIZENS OF PLANET EARTH

WE HOLD THESE TRUTHS TO BE SELF EVIDENT

THAT

ALL

HUMAN BEINGS

ARE CREATED EQUAL THAT THEY ARE ENDOWED BY THEIR

CREATOR

WITH CERTAIN UNALIENABLE RIGHTS THAT AMONG THESE ARE

LIFE

LIBERTY AND THE PURSUIT OF HAPPINESS

 

 

GODS

PEACE BE UNTO

YOU

CHILDREN OF THE RAINBOW LIGHT

SALUTATIONS AND GOODWILL

THOUGHTS

OF

LIGHT AND LOVE GODS LOVE AND LIGHT

UPON YOU AND UPON ALL SENTIENT BEINGS

 

 

 

1
I
9
9
9
4
THAT
49
13
4
2
AM
14
5
5
11
TERRESTRIAL
145
55
3
16
EXTRATERRESTRIAL
213
78
6
2
AND
19
10
1
9
CELESTIAL
86
32
8
2
AM
14
5
5
1
I
9
9
9
22
First Total
558
216
54
2+2
Add to Reduce
5+5+8
2+1+6
5+4
4
Second Total
18
9
9
-
Reduce to Deduce
1+8
-
-
4
Essence of Number
9
9
9

 

 

GOD ONE GOD

AND ONE CHOSEN RACE THE HUMAN RACE

 

 

HOLY BIBLE

Scofield References

C 1 V 16

THE ACTS OF THE APOSTLES

Page 1148 (Part quoted)

"MEN AND BRETHREN THIS SCRIPTURE MUST NEEDS HAVE BEEN FULFILLED

WHICH THE HOLY GHOST BY THE MOUTH OF DAVID SPAKE"

 

 

-
6
D
I
V
I
N
E
-
-
-
-
-
--
-
-
-
-
-
-
-
9
-
9
5
-
+
=
23
2+3
=
5
-
5
=
5
-
-
-
9
-
9
14
-
+
=
32
3+2
=
5
-
5
=
5
-
6
D
I
V
I
N
E
-
-
-
-
-
-
-
-
-
-
-
-
4
-
4
-
-
5
+
=
13
1+3
=
4
-
4
=
4
-
-
4
-
22
-
-
5
+
=
31
3+1
=
4
-
4
=
4
-
6
D
I
V
I
N
E
-
-
-
-
-
--
-
-
-
-
-
-
4
9
22
9
14
5
+
=
63
6+3
=
9
-
9
=
9
-
-
4
9
4
9
5
5
+
=
36
4+5
=
9
-
9
=
9
-
6
D
I
V
I
N
E
-
-
-
-
-
-
-
-
-
-
1
-
-
-
-
-
-
-
-
-
1
ONE
1
-
-
-
-
-
2
-
-
-
-
-
-
-
-
-
2
TWO
2
-
-
-
-
-
3
-
-
-
-
-
-
-
-
-
3
THREE
3
-
-
-
-
-
-
-
4
-
4
-
-
-
-
-
4
occurs
x
2
=
8
=
8
-
-
-
-
-
-
5
5
-
-
5
occurs
x
2
=
10
1+0
1
6
-
-
-
-
-
-
-
-
-
6
SIX
6
-
-
-
-
-
7
-
-
-
-
-
-
-
-
-
7
SEVEN
7
-
-
-
-
-
8
-
-
-
-
-
-
-
-
-
8
EIGHT
8
-
-
-
-
-
-
-
-
9
-
9
-
-
-
-
9
occurs
x
2
=
18
1+8
9
27
9
D
I
V
I
N
E
-
-
18
-
-
9
-
36
-
18
2+7
-
-
9
-
9
-
-
-
-
1+8
-
-
-
-
3+6
-
1+8
9
9
D
I
V
I
N
E
-
-
9
-
-
9
-
9
-
9
-
-
4
9
4
9
5
5
-
-
-
-
-
-
-
-
-
-
9
9
D
I
V
I
N
E
-
-
9
-
-
9
-
9
-
9

 

 

6
D
I
V
I
N
E
-
-
-
-
-
--
-
-
-
-
-
-
9
-
9
5
-
+
=
23
2+3
=
5
=
5
=
5
-
-
9
-
9
14
-
+
=
32
3+2
=
5
=
5
=
5
6
D
I
V
I
N
E
-
-
-
-
-
-
-
-
-
-
-
4
-
4
-
-
5
+
=
13
1+3
=
4
=
4
=
4
-
4
-
22
-
-
5
+
=
31
3+1
=
4
=
4
=
4
6
D
I
V
I
N
E
-
-
-
-
-
--
-
-
-
-
-
4
9
22
9
14
5
+
=
63
6+3
=
9
=
9
=
9
-
4
9
4
9
5
5
+
=
36
4+5
=
9
=
9
=
9
6
D
I
V
I
N
E
-
-
-
-
-
-
-
-
-
-
-
4
-
4
-
-
-
-
-
4
occurs
x
2
=
8
=
8
-
-
-
-
-
5
5
-
-
5
occurs
x
2
=
10
1+0
1
-
-
9
-
9
-
-
-
-
9
occurs
x
2
=
18
1+8
9
9
D
I
V
I
N
E
-
-
18
-
-
9
-
36
-
18
-
-
9
-
9
-
-
-
-
1+8
-
-
-
-
3+6
-
1+8
9
D
I
V
I
N
E
-
-
9
-
-
9
-
9
-
9
-
4
9
4
9
5
5
-
-
-
-
-
-
-
-
-
-
9
D
I
V
I
N
E
-
-
9
-
-
9
-
9
-
9

 

 

-
7
T
H
O
U
G
H
T
-
-
-
-
-
--
-
-
-
-
-
-
-
8
6
-
-
8
-
+
=
22
2+2
=
4
=
4
=
4
-
-
-
8
15
-
-
8
-
+
=
31
3+1
=
4
=
4
=
4
-
7
T
H
O
U
G
H
T
-
-
-
-
-
--
-
-
-
-
-
-
2
-
-
3
7
-
2
+
=
14
1+4
=
5
=
5
=
5
-
-
20
-
-
21
7
-
20
+
=
68
6+8
=
14
1+4
5
=
5
-
7
T
H
O
U
G
H
T
-
-
-
-
-
--
-
-
-
-
-
-
20
8
15
21
7
8
20
+
=
99
9+9
=
18
1+8
9
=
9
-
-
2
8
6
3
7
8
2
+
=
36
3+6
=
9
=
9
=
9
-
7
T
H
O
U
G
H
T
-
-
-
-
-
-
-
-
-
-
1
-
-
-
-
-
-
-
-
-
-
1
ONE
1
-
-
-
-
-
-
-
2
-
-
-
-
-
2
-
-
2
occurs
x
2
=
4
=
4
-
-
-
-
-
3
-
-
-
-
-
3
occurs
x
1
=
3
=
3
4
-
-
-
-
-
-
-
-
-
-
4
FOUR
4
-
-
-
-
-
5
-
-
-
-
-
-
-
-
-
-
5
FIVE
5
-
-
-
-
-
-
-
-
-
6
-
-
-
-
-
-
6
occurs
x
1
=
6
=
6
-
-
-
-
-
-
7
-
-
-
-
7
occurs
x
1
=
7
=
7
-
-
-
8
-
-
-
8
-
-
-
8
occurs
x
2
=
16
1+6
7
9
-
-
-
-
-
-
-
-
-
-
9
NINE
9
-
-
-
-
-
19
7
T
H
O
U
G
H
T
-
-
26
-
-
7
-
36
-
27
1+9
-
-
-
-
-
-
-
-
-
-
2+6
-
-
-
-
3+6
-
2+7
10
7
T
H
O
U
G
H
T
-
-
8
-
-
7
-
9
-
9
1+0
-
2
8
6
3
7
8
2
-
-
-
-
-
-
-
-
-
-
1
7
T
H
O
U
G
H
T
-
-
8
-
-
7
-
9
-
9

 

 

7
T
H
O
U
G
H
T
-
-
-
-
-
--
-
-
-
-
-
-
8
6
-
-
8
-
+
=
22
2+2
=
4
=
4
=
4
-
-
8
15
-
-
8
-
+
=
31
3+1
=
4
=
4
=
4
7
T
H
O
U
G
H
T
-
-
-
-
-
--
-
-
-
-
-
2
-
-
3
7
-
2
+
=
14
1+4
=
5
=
5
=
5
-
20
-
-
21
7
-
20
+
=
68
6+8
=
14
1+4
5
=
5
7
T
H
O
U
G
H
T
-
-
-
-
-
--
-
-
-
-
-
20
8
15
21
7
8
20
+
=
99
9+9
=
18
1+8
9
=
9
-
2
8
6
3
7
8
2
+
=
36
3+6
=
9
=
9
=
9
7
T
H
O
U
G
H
T
-
-
-
-
-
-
-
-
-
-
-
2
-
-
-
-
-
2
-
-
2
occurs
x
2
=
4
=
4
-
-
-
-
3
-
-
-
-
-
3
occurs
x
1
=
3
=
3
-
-
-
6
-
-
-
-
-
-
6
occurs
x
1
=
6
=
6
-
-
-
-
-
7
-
-
-
-
7
occurs
x
1
=
7
=
7
-
-
8
-
-
-
8
-
-
-
8
occurs
x
2
=
16
1+6
7
7
T
H
O
U
G
H
T
-
-
26
-
-
7
-
36
-
27
-
-
-
-
-
-
-
-
-
-
2+6
-
-
-
-
3+6
-
2+7
7
T
H
O
U
G
H
T
-
-
8
-
-
7
-
9
-
9
-
2
8
6
3
7
8
2
-
-
-
-
-
-
-
-
-
-
7
T
H
O
U
G
H
T
-
-
8
-
-
7
-
9
-
9

 

 

-
16
D
I
V
I
N
E
--
T
H
O
U
G
H
T
-
-
-
-
-
--
-
-
-
-
-
-
-
9
-
9
5
-
-
-
8
6
-
-
8
-
+
=
27
2+7
=
9
-
9
=
9
-
-
-
9
-
9
14
-
-
-
8
15
-
-
8
-
+
=
99
9+9
=
18
1+8
9
=
9
-
16
D
I
V
I
N
E
-
T
H
O
U
G
H
T
-
-
-
-
-
--
-
-
-
-
-
-
4
-
4
-
-
5
-
2
-
-
3
7
-
2
+
=
32
3+2
=
9
=
9
=
9
-
-
4
-
22
-
-
5
-
20
-
-
21
7
-
20
+
=
45
4+5
=
9
=
9
=
9
-
16
D
I
V
I
N
E
-
T
H
O
U
G
H
T
-
-
-
-
-
--
-
-
-
-
-
-
4
9
22
9
14
5
-
20
8
15
21
7
8
20
+
=
162
1+6+2
=
9
=
9
=
9
-
-
4
9
4
9
5
5
-
2
8
6
3
7
8
2
+
=
72
7+2
=
9
=
9
=
9
-
16
D
I
V
I
N
E
-
T
H
O
U
G
H
T
-
-
-
-
-
-
-
-
-
-
1
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
1
ONE
1
-
-
-
-
-
-
-
-
-
-
-
-
-
-
2
-
-
-
-
-
2
-
-
2
occurs
x
2
=
4
=
4
-
-
-
-
-
-
-
-
-
-
-
-
3
-
-
-
-
-
3
occurs
x
1
=
3
=
3
-
-
4
-
4
-
-
-
-
-
-
-
-
-
-
-
-
-
4
occurs
x
2
=
8
=
8
-
-
-
-
-
-
5
5
-
-
-
-
-
-
-
-
-
-
5
occurs
x
2
=
10
3+0
10
-
-
-
-
-
-
-
-
-
-
-
6
-
-
-
-
-
-
6
occurs
x
1
=
6
=
6
-
-
-
-
-
-
-
-
-
-
-
-
-
7
-
-
-
-
7
occurs
x
1
=
7
=
7
-
-
-
-
-
-
-
-
-
-
8
-
-
-
8
-
-
-
8
occurs
x
2
=
16
=
7
-
-
-
9
-
9
-
-
-
-
-
-
-
-
-
-
-
-
9
occurs
x
2
=
18
2+7
9
1
13
D
I
V
I
N
E
-
T
H
O
U
G
H
T
-
-
44
-
-
13
-
72
-
54
-
1+3
-
9
-
9
-
-
-
-
-
-
-
-
-
-
-
-
4+4
-
-
1+3
-
7+2
-
5+4
1
4
D
I
V
I
N
E
-
T
H
O
U
G
H
T
-
-
8
-
-
4
-
9
-
9
-
-
4
9
4
9
5
5
-
2
8
6
3
7
8
2
-
-
-
-
-
--
-
-
-
-
1
4
D
I
V
I
N
E
-
T
H
O
U
G
H
T
-
-
8
-
-
4
-
9
-
9

 

 

-
12
D
I
V
I
N
E
-
R
E
A
S
O
N
-
-
-
-
-
--
-
-
-
-
-
-
-
9
-
9
5
-
-
-
-
-
1
6
5
+
=
35
3+5
=
8
=
8
=
8
-
-
-
9
-
9
14
-
-
-
-
-
19
15
14
+
=
80
8+0
=
8
=
8
=
8
-
12
D
I
V
I
N
E
-
R
E
A
S
O
N
-
-
-
-
-
--
-
-
-
-
-
-
4
-
4
-
-
5
-
9
5
1
-
-
-
+
=
28
2+8
=
10
1+0
1
=
1
-
-
4
-
22
-
-
5
-
18
5
1
-
-
-
+
=
55
5+5
=
10
1+0
1
=
1
-
12
D
I
V
I
N
E
-
R
E
A
S
O
N
-
-
-
-
-
--
-
-
-
-
-
-
4
9
22
9
14
5
-
18
5
1
19
15
14
+
=
135
1+3+5
=
9
=
9
=
9
-
-
4
9
4
9
5
5
-
9
5
1
1
6
5
+
=
63
6+3
=
9
=
9
=
9
-
12
D
I
V
I
N
E
-
R
E
A
S
O
N
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
1
1
-
-
-
-
1
occurs
x
2
=
2
=
2
2
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
2
TWO
2
-
-
-
-
-
3
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
3
THREE
3
-
-
-
-
-
-
-
4
-
4
-
-
-
-
-
-
-
-
-
-
-
-
4
occurs
x
2
=
8
=
8
-
-
-
-
-
-
5
5
-
-
5
-
-
-
5
-
-
5
occurs
x
4
=
20
2+0
2
-
-
-
-
-
-
-
-
-
-
-
-
-
6
-
-
-
6
occurs
x
1
=
6
=
6
7
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
7
FOUR
7
-
-
-
-
-
8
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
8
EIGHT
8
-
-
-
-
-
-
-
-
9
-
9
-
-
-
9
-
-
-
-
-
-
-
9
occurs
x
3
=
27
2+7
9
20
12
D
I
V
I
N
E
-
R
E
A
S
O
N
-
-
25
-
-
12
-
63
-
27
2+0
1+2
-
-
-
-
5
5
-
-
5
-
-
-
5
-
-
2+5
-
-
1+2
-
6+3
-
2+7
2
3
D
I
V
I
N
E
-
R
E
A
S
O
N
-
-
7
-
-
3
-
9
-
9
-
-
4
9
4
9
5
5
-
9
5
1
1
6
5
-
-
-
-
-
-
-
-
-
-
2
3
D
I
V
I
N
E
-
R
E
A
S
O
N
-
-
7
-
-
3
-
9
-
9

 

 

12
D
I
V
I
N
E
-
R
E
A
S
O
N
-
-
-
-
-
--
-
-
-
-
-
-
9
-
9
5
-
-
-
-
-
1
6
5
+
=
35
3+5
=
8
=
8
=
8
-
-
9
-
9
14
-
-
-
-
-
19
15
14
+
=
80
8+0
=
8
=
8
=
8
12
D
I
V
I
N
E
-
R
E
A
S
O
N
-
-
-
-
-
--
-
-
-
-
-
4
-
4
-
-
5
-
9
5
1
-
-
-
+
=
28
2+8
=
10
1+0
1
=
1
-
4
-
22
-
-
5
-
18
5
1
-
-
-
+
=
55
5+5
=
10
1+0
1
=
1
12
D
I
V
I
N
E
-
R
E
A
S
O
N
-
-
-
-
-
--
-
-
-
-
-
4
9
22
9
14
5
-
18
5
1
19
15
14
+
=
135
1+3+5
=
9
=
9
=
9
-
4
9
4
9
5
5
-
9
5
1
1
6
5
+
=
63
6+3
=
9
=
9
=
9
12
D
I
V
I
N
E
-
R
E
A
S
O
N
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
1
1
-
-
-
-
1
occurs
x
2
=
2
=
2
-
4
-
4
-
-
-
-
-
-
-
-
-
-
-
-
4
occurs
x
2
=
8
=
8
-
-
-
-
-
5
5
-
-
5
-
-
-
5
-
-
5
occurs
x
4
=
20
2+0
2
-
-
-
-
-
-
-
-
-
-
-
-
6
-
-
-
6
occurs
x
1
=
6
=
6
-
-
9
-
9
-
-
-
9
-
-
-
-
-
-
-
9
occurs
x
3
=
27
2+7
9
12
D
I
V
I
N
E
-
R
E
A
S
O
N
-
-
25
-
-
12
-
63
-
27
1+2
-
-
-
-
5
5
-
-
5
-
-
-
5
-
-
2+5
-
-
1+2
-
6+3
-
2+7
3
D
I
V
I
N
E
-
R
E
A
S
O
N
-
-
7
-
-
3
-
9
-
9
-
4
9
4
9
5
5
-
9
5
1
1
6
5
-
-
-
-
-
-
-
-
-
-
3
D
I
V
I
N
E
-
R
E
A
S
O
N
-
-
7
-
-
3
-
9
-
9

 

 

-
9
D
I
V
I
N
E
-
L
A
W
-
-
-
-
-
--
-
-
-
-
-
-
-
9
-
9
5
-
-
-
-
-
+
=
23
2+3
=
5
=
5
=
5
-
-
-
9
-
9
14
-
-
-
-
-
+
=
32
3+2
=
5
=
5
=
5
-
9
D
I
V
I
N
E
-
L
A
W
-
-
-
-
-
-
-
-
-
-
-
-
4
-
4
-
-
5
-
3
1
5
+
=
22
2+2
=
4
=
4
=
4
-
-
4
-
22
-
-
5
-
12
1
23
+
=
67
6+7
=
13
1+3
4
=
4
-
9
D
I
V
I
N
E
-
L
A
W
-
-
-
-
-
--
-
-
-
-
-
-
4
9
22
9
14
5
-
12
1
23
+
=
99
9+9
=
18
1+8
9
=
9
-
-
4
9
4
9
5
5
-
3
1
5
+
=
45
4+5
=
9
=
9
=
9
-
9
D
I
V
I
N
E
-
L
A
W
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
1
-
-
-
1
occurs
x
1
=
1
=
1
2
-
-
-
-
-
-
-
-
-
-
-
-
-
2
TWO
2
-
-
-
-
-
-
-
-
-
-
-
-
-
-
3
-
-
-
-
3
occurs
x
1
=
3
=
3
-
-
4
-
4
-
-
-
-
-
-
-
-
-
4
occurs
x
2
=
8
=
8
-
-
-
-
-
-
5
5
-
-
-
5
-
-
5
occurs
x
3
=
15
1+5
6
6
-
-
-
-
-
-
-
-
-
-
-
-
-
6
SIX
6
-
-
-
-
-
7
-
-
-
-
-
-
-
-
-
-
-
-
-
7
SEVEN
7
-
-
-
-
-
8
-
-
-
-
-
-
-
-
-
-
-
-
-
8
EIGHT
8
-
-
-
-
-
-
-
-
9
-
9
-
-
-
-
-
-
-
-
9
occurs
x
2
=
18
1+8
9
23
9
D
I
V
I
N
E
-
L
A
W
-
-
4
-
-
9
-
45
-
27
2+3
-
-
9
-
9
-
-
-
-
-
-
-
-
2+2
-
-
-
-
4+5
-
2+7
5
9
D
I
V
I
N
E
-
L
A
W
-
-
4
-
-
9
-
9
-
9
-
-
4
9
4
9
5
5
-
3
1
5
-
-
-
-
-
-
-
-
-
-
5
9
D
I
V
I
N
E
-
L
A
W
-
-
4
-
-
9
-
9
-
9

 

 

9
D
I
V
I
N
E
-
L
A
W
-
-
-
-
-
--
-
-
-
-
-
-
9
-
9
5
-
-
-
-
-
+
=
23
2+3
=
5
=
5
=
5
-
-
9
-
9
14
-
-
-
-
-
+
=
32
3+2
=
5
=
5
=
5
9
D
I
V
I
N
E
-
L
A
W
-
-
-
-
-
-
-
-
-
-
-
4
-
4
-
-
5
-
3
1
5
+
=
22
2+2
=
4
=
4
=
4
-
4
-
22
-
-
5
-
12
1
23
+
=
67
6+7
=
13
1+3
4
=
4
9
D
I
V
I
N
E
-
L
A
W
-
-
-
-
-
--
-
-
-
-
-
4
9
22
9
14
5
-
12
1
23
+
=
99
9+9
=
18
1+8
9
=
9
-
4
9
4
9
5
5
-
3
1
5
+
=
45
4+5
=
9
=
9
=
9
9
D
I
V
I
N
E
-
L
A
W
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
1
-
-
-
1
occurs
x
1
=
1
=
1
-
-
-
-
-
-
-
-
3
-
-
-
-
3
occurs
x
1
=
3
=
3
-
4
-
4
-
-
-
-
-
-
-
-
-
4
occurs
x
2
=
8
=
8
-
-
-
-
-
5
5
-
-
-
5
-
-
5
occurs
x
3
=
15
1+5
6
-
-
9
-
9
-
-
-
-
-
-
-
-
9
occurs
x
2
=
18
1+8
9
9
D
I
V
I
N
E
-
L
A
W
-
-
4
-
-
9
-
45
-
27
-
-
9
-
9
-
-
-
-
-
-
-
-
2+2
-
-
-
-
4+5
-
2+7
9
D
I
V
I
N
E
-
L
A
W
-
-
4
-
-
9
-
9
-
9
-
4
9
4
9
5
5
-
3
1
5
-
-
-
-
-
-
-
-
-
-
9
D
I
V
I
N
E
-
L
A
W
-
-
4
-
-
9
-
9
-
9

 

 

SECRETS OF THE PYRAMIDS REVEALED

Robert K. Moffett 1976

Page 153

"Maat can be defined loosely as Truth (definately capitalized) or "right order"

"Maat"

"Maat"

Page 154

"In the pursuit of Maat,"

 

9

I

AM AT

MAAT

AM AT MAAT MAAT AM AT

MAAT ISISIS ISISIS MAAT

ISISIS

IS GODS LAW GODS IS

I

AM AT TA MA

AM MAAT AT

AM

I

9

 

 

 

I

ME

REAL REALITY REAL

LAW IS MAAT IS MAAT IS LAW

THAT

ISISIS

THE

CREATORS R PERFECT R CREATORS

BALANCING ALWAYS BALANCING

I AM MAAT AT AM AT MAAT AM I

R DIVINE CREATORS R CREATORS DIVINE R

 

 

-
15
M
A
A
T
-
I
S
-
D
I
V
I
N
E
-
L
A
W
-
-
-
-
-
--
-
-
-
-
-
-
-
-
-
-
-
9
1
-
-
9
-
9
5
-
-
-
-
-
+
=
33
3+3
=
6
=
6
=
6
-
-
-
-
-
-
-
9
19
-
-
9
-
9
14
-
-
-
-
-
+
=
60
6+0
=
6
=
6
=
6
-
15
M
A
A
T
-
I
S
-
D
I
V
I
N
E
-
L
A
W
-
-
-
-
-
--
-
-
-
-
-
-
4
1
1
2
-
-
-
-
4
-
4
-
-
5
-
3
1
5
+
=
30
3+0
=
3
=
3
=
3
-
-
13
1
1
20
-
-
-
-
4
-
22
-
-
5
-
12
1
23
+
=
102
1+0+2
=
3
=
3
=
3
-
15
M
A
A
T
-
I
S
-
D
I
V
I
N
E
-
L
A
W
-
-
-
-
-
--
-
-
-
-
-
-
13
1
1
20
-
9
19
-
4
9
22
9
14
5
-
12
1
23
+
=
162
1+6+2
=
9
=
9
=
9
-
-
4
1
1
2
-
9
1
-
4
9
4
9
5
5
-
3
1
5
+
=
63
6+3
=
9
=
9
=
9
-
15
M
A
A
T
-
I
S
-
D
I
V
I
N
E
-
L
A
W
-
-
-
-
-
-
-
-
-
-
-
-
-
1
1
-
-
-
1
-
-
-
-
-
-
-
-
-
1
-
-
-
1
occurs
x
4
=
4
=
4
-
-
-
-
-
2
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
2
occurs
x
1
=
2
=
2
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
3
-
-
-
-
3
occurs
x
1
=
3
=
3
-
-
4
-
-
-
-
-
-
-
4
-
4
-
-
-
-
-
-
-
-
-
4
occurs
x
3
=
12
1+2
3
-
-
-
-
-
-
-
-
-
-
-
-
-
-
5
5
-
-
-
5
-
-
5
occurs
x
3
=
15
1+5
6
6
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
6
SIX
6
-
-
-
-
-
7
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
7
SEVEN
7
-
-
-
-
-
8
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
8
EIGHT
8
-
-
-
-
-
-
-
-
-
-
-
-
9
-
-
-
9
-
9
-
-
-
-
-
-
-
-
9
occurs
x
3
=
27
2+7
9
21
15
M
A
A
T
-
I
S
-
D
I
V
I
N
E
-
L
A
W
-
-
24
-
-
15
-
63
-
27
2+1
2+1
-
-
-
-
-
9
-
-
-
9
-
9
-
-
-
-
-
-
-
-
2+4
-
-
1+5
-
6+3
-
2+7
3
6
M
A
A
T
-
I
S
-
D
I
V
I
N
E
-
L
A
W
-
-
6
-
-
6
-
9
-
9
-
-
4
1
1
2
-
9
1
-
4
9
4
9
5
5
-
3
1
5
-
-
-
-
-
-
-
-
-
-
3
6
M
A
A
T
-
I
S
-
D
I
V
I
N
E
-
L
A
W
-
-
6
-
-
6
-
9
-
9

 

 

15
M
A
A
T
-
I
S
-
D
I
V
I
N
E
-
L
A
W
-
-
-
-
-
--
-
-
-
-
-
-
-
-
-
-
9
1
-
-
9
-
9
5
-
-
-
-
-
+
=
33
3+3
=
6
=
6
=
6
-
-
-
-
-
-
9
19
-
-
9
-
9
14
-
-
-
-
-
+
=
60
6+0
=
6
=
6
=
6
15
M
A
A
T
-
I
S
-
D
I
V
I
N
E
-
L
A
W
-
-
-
-
-
--
-
-
-
-
-
4
1
1
2
-
-
-
-
4
-
4
-
-
5
-
3
1
5
+
=
30
3+0
=
3
=
3
=
3
-
13
1
1
20
-
-
-
-
4
-
22
-
-
5
-
12
1
23
+
=
102
1+0+2
=
3
=
3
=
3
15
M
A
A
T
-
I
S
-
D
I
V
I
N
E
-
L
A
W
-
-
-
-
-
--
-
-
-
-
-
13
1
1
20
-
9
19
-
4
9
22
9
14
5
-
12
1
23
+
=
162
1+6+2
=
9
=
9
=
9
-
4
1
1
2
-
9
1
-
4
9
4
9
5
5
-
3
1
5
+
=
63
6+3
=
9
=
9
=
9
15
M
A
A
T
-
I
S
-
D
I
V
I
N
E
-
L
A
W
-
-
-
-
-
-
-
-
-
-
-
-
1
1
-
-
-
1
-
-
-
-
-
-
-
-
-
1
-
-
-
1
occurs
x
4
=
4
=
4
-
-
-
-
2
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
2
occurs
x
1
=
2
=
2
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
3
-
-
-
-
3
occurs
x
1
=
3
=
3
-
4
-
-
-
-
-
-
-
4
-
4
-
-
-
-
-
-
-
-
-
4
occurs
x
3
=
12
1+2
3
-
-
-
-
-
-
-
-
-
-
-
-
-
5
5
-
-
-
5
-
-
5
occurs
x
3
=
15
1+5
6
-
-
-
-
-
-
9
-
-
-
9
-
9
-
-
-
-
-
-
-
-
9
occurs
x
3
=
27
2+7
9
15
M
A
A
T
-
I
S
-
D
I
V
I
N
E
-
L
A
W
-
-
24
-
-
15
-
63
-
27
2+1
-
-
-
-
-
9
-
-
-
9
-
9
-
-
-
-
-
-
-
-
2+4
-
-
1+5
-
6+3
-
2+7
6
M
A
A
T
-
I
S
-
D
I
V
I
N
E
-
L
A
W
-
-
6
-
-
6
-
9
-
9
-
4
1
1
2
-
9
1
-
4
9
4
9
5
5
-
3
1
5
-
-
-
-
-
-
-
-
-
-
6
M
A
A
T
-
I
S
-
D
I
V
I
N
E
-
L
A
W
-
-
6
-
-
6
-
9
-
9

 

 

 

-
16
D
I
V
I
N
E
-
C
O
N
S
C
I
E
N
C
E
-
-
-
-
-
--
-
-
-
-
-
-
-
9
-
9
5
-
-
-
6
5
1
-
9
-
5
-
-
+
=
49
4+9
=
13
1+3
4
=
4
-
-
-
9
-
9
14
-
-
-
15
14
19
-
9
-
14
-
-
+
=
103
1+0+3
=
4
=
4
=
4
-
16
D
I
V
I
N
E
-
C
O
N
S
C
I
E
N
C
E
-
-
-
-
-
--
-
-
-
-
-
-
4
-
4
-
-
5
-
3
-
-
-
3
-
5
-
3
5
+
=
32
3+2
=
5
=
5
=
5
-
-
4
-
22
-
-
5
-
3
-
-
-
3
-
5
-
3
5
+
=
50
5+0
=
5
=
5
=
5
-
16
D
I
V
I
N
E
-
C
O
N
S
C
I
E
N
C
E
-
-
-
-
-
--
-
-
-
-
-
-
4
9
22
9
14
5
-
3
15
14
19
3
9
5
14
3
5
+
=
153
1+5+3
=
9
=
9
=
9
-
-
4
9
4
9
5
5
-
3
6
5
1
3
9
5
5
3
5
+
=
81
8+1
=
9
=
9
=
9
-
16
D
I
V
I
N
E
-
C
O
N
S
C
I
E
N
C
E
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
1
-
-
-
-
-
-
-
-
1
occurs
x
1
=
1
=
1
2
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
2
TWO
2
-
-
-
-
-
-
-
-
-
-
-
-
-
-
3
-
-
-
3
-
-
-
3
-
-
-
3
occurs
x
3
=
9
=
9
-
-
4
-
4
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
4
occurs
x
2
=
8
=
8
-
-
-
-
-
-
5
5
-
-
-
5
-
-
-
5
5
-
5
-
-
5
occurs
x
6
=
30
3+0
3
-
-
-
-
-
-
-
-
-
-
6
-
-
-
-
-
-
-
-
-
-
6
occurs
x
1
=
6
=
6
7
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
7
SEVEN
7
-
-
-
-
-
8
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
8
EIGHT
8
-
-
-
-
-
-
-
-
9
-
9
-
-
-
-
-
-
-
-
9
-
-
-
-
-
-
9
occurs
x
3
=
27
2+7
9
17
16
D
I
V
I
N
E
-
C
O
N
S
C
I
E
N
C
E
-
-
28
-
-
16
-
81
-
36
1+7
1+6
-
-
-
-
5
5
-
-
-
5
-
-
-
5
5
-
5
-
-
2+8
-
-
1+6
-
8+1
-
3+6
8
7
D
I
V
I
N
E
-
C
O
N
S
C
I
E
N
C
E
-
-
10
-
-
7
-
9
-
9
-
-
4
9
4
9
5
5
-
3
6
5
1
3
9
5
5
3
5
-
-
1+0
-
-
-
-
-
-
-
8
7
D
I
V
I
N
E
-
C
O
N
S
C
I
E
N
C
E
-
-
1
-
-
7
-
9
-
9

 

 

16
D
I
V
I
N
E
-
C
O
N
S
C
I
E
N
C
E
-
-
-
-
-
--
-
-
-
-
-
-
9
-
9
5
-
-
-
6
5
1
-
9
-
5
-
-
+
=
49
4+9
=
13
1+3
4
=
4
-
-
9
-
9
14
-
-
-
15
14
19
-
9
-
14
-
-
+
=
103
1+0+3
=
4
=
4
=
4
16
D
I
V
I
N
E
-
C
O
N
S
C
I
E
N
C
E
-
-
-
-
-
--
-
-
-
-
-
4
-
4
-
-
5
-
3
-
-
-
3
-
5
-
3
5
+
=
32
3+2
=
5
=
5
=
5
-
4
-
22
-
-
5
-
3
-
-
-
3
-
5
-
3
5
+
=
50
5+0
=
5
=
5
=
5
16
D
I
V
I
N
E
-
C
O
N
S
C
I
E
N
C
E
-
-
-
-
-
--
-
-
-
-
-
4
9
22
9
14
5
-
3
15
14
19
3
9
5
14
3
5
+
=
153
1+5+3
=
9
=
9
=
9
-
4
9
4
9
5
5
-
3
6
5
1
3
9
5
5
3
5
+
=
81
8+1
=
9
=
9
=
9
16
D
I
V
I
N
E
-
C
O
N
S
C
I
E
N
C
E
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
1
-
-
-
-
-
-
-
-
1
occurs
x
1
=
1
=
1
-
-
-
-
-
-
-
-
3
-
-
-
3
-
-
-
3
-
-
-
3
occurs
x
3
=
9
=
9
-
4
-
4
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
4
occurs
x
2
=
8
=
8
-
-
-
-
-
5
5
-
-
-
5
-
-
-
5
5
-
5
-
-
5
occurs
x
6
=
30
3+0
3
-
-
-
-
-
-
-
-
-
6
-
-
-
-
-
-
-
-
-
-
6
occurs
x
1
=
6
=
6
-
-
9
-
9
-
-
-
-
-
-
-
-
9
-
-
-
-
-
-
9
occurs
x
3
=
27
2+7
9
16
D
I
V
I
N
E
-
C
O
N
S
C
I
E
N
C
E
-
-
28
-
-
16
-
81
-
36
1+6
-
-
-
-
5
5
-
-
-
5
-
-
-
5
5
-
5
-
-
2+8
-
-
1+6
-
8+1
-
3+6
7
D
I
V
I
N
E
-
C
O
N
S
C
I
E
N
C
E
-
-
10
-
-
7
-
9
-
9
-
4
9
4
9
5
5
-
3
6
5
1
3
9
5
5
3
5
-
-
1+0
-
-
-
-
-
-
-
7
D
I
V
I
N
E
-
C
O
N
S
C
I
E
N
C
E
-
-
1
-
-
7
-
9
-
9

 

 

 

-
14
G
O
D
S
-
D
I
V
I
N
E
-
L
O
V
E
-
-
-
-
-
--
-
-
-
-
-````
-
-
6
-
1
-
-
9
-
9
5
-
-
-
6
-
-
+
=
36
3+6
=
9
=
9
=
9
-
-
-
15
-
19
-
-
9
-
9
14
-
-
-
15
-
-
+
=
81
8+1
=
9
=
9
=
9
-
14
G
O
D
S
-
D
I
V
I
N
E
-
L
O
V
E
-
-
-
-
-
--
-
-
-
-
-
-
7
-
4
-
-
4
-
4
-
-
5
-
3
-
4
5
+
=
36
3+6
=
9
=
9
=
9
-
-
7
-
4
-
-
4
-
22
-
-
5
-
12
-
22
5
+
=
81
8+1
=
9
=
9
=
9
-
14
G
O
D
S
-
D
I
V
I
N
E
-
L
O
V
E
-
-
-
-
-
--
-
-
-
-
-
-
7
15
4
19
-
4
9
22
9
14
5
-
12
15
22
5
+
=
162
1+6+2
=
9
=
9
=
9
-
-
7
6
4
1
-
4
9
4
9
5
5
-
3
6
4
5
+
=
72
7+2
=
9
=
9
=
9
-
14
G
O
D
S
-
D
I
V
I
N
E
-
L
O
V
E
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
1
-
-
-
-
-
-
-
-
-
-
-
-
-
-
1
occurs
x
1
=
1
=
1
2
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
2
TWO
2
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
3
-
-
-
-
-
3
occurs
x
1
=
3
=
3
-
-
-
-
4
-
-
4
-
4
-
-
-
-
-
-
4
-
-
-
4
occurs
x
4
=
16
1+6
7
-
-
-
-
-
-
-
-
-
-
-
5
5
-
-
-
-
5
-
-
5
occurs
x
3
=
15
1+5
6
-
--
-
6
-
-
-
-
-
-
-
-
-
-
-
6
-
-
-
-
6
occurs
x
2
=
12
1+2
3
-
-
4
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
7
occurs
x
1
=
7
=
7
8
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
8
EIGHT
8
-
-
-
-
-
-
-
-
-
-
-
-
-
9
-
9
-
-
-
-
-
-
-
-
-
9
occurs
x
2
=
18
1+8
9
10
14
G
O
D
S
-
D
I
V
I
N
E
-
L
O
V
E
-
-
35
-
-
14
-
72
-
36
1+0
1+4
-
-
-
-
-
-
9
-
9
-
-
-
-
-
-
-
-
-
3+5
-
-
1+4
-
7+2
-
3+6
1
5
G
O
D
S
-
D
I
V
I
N
E
-
L
O
V
E
-
-
8
-
-
5
-
9
-
9
-
-
7
6
4
1
-
4
9
4
9
5
5
-
3
6
4
5
-
-
-
-
-
--
-
-
-
-
1
5
G
O
D
S
-
D
I
V
I
N
E
-
L
O
V
E
-
-
8
-
-
5
-
9
-
9

 

 

14
G
O
D
S
-
D
I
V
I
N
E
-
L
O
V
E
-
-
-
-
-
--
-
-
-
-
-
-
6
-
1
-
-
9
-
9
5
-
-
-
6
-
-
+
=
36
3+6
=
9
=
9
=
9
-
-
15
-
19
-
-
9
-
9
14
-
-
-
15
-
-
+
=
81
8+1
=
9
=
9
=
9
14
G
O
D
S
-
D
I
V
I
N
E
-
L
O
V
E
-
-
-
-
-
--
-
-
-
-
-
7
-
4
-
-
4
-
4
-
-
5
-
3
-
4
5
+
=
36
3+6
=
9
=
9
=
9
-
7
-
4
-
-
4
-
22
-
-
5
-
12
-
22
5
+
=
81
8+1
=
9
=
9
=
9
14
G
O
D
S
-
D
I
V
I
N
E
-
L
O
V
E
-
-
-
-
-
--
-
-
-
-
-
7
15
4
19
-
4
9
22
9
14
5
-
12
15
22
5
+
=
162
1+6+2
=
9
=
9
=
9
-
7
6
4
1
-
4
9
4
9
5
5
-
3
6
4
5
+
=
72
7+2
=
9
=
9
=
9
14
G
O
D
S
-
D
I
V
I
N
E
-
L
O
V
E
-
-
-
-
-
-
-
-
-
-
-
-
-
-
1
-
-
-
-
-
-
-
-
-
-
-
-
-
-
1
occurs
x
1
=
1
=
1
-
-
-
-
-
-
-
-
-
-
-
-
-
3
-
-
-
-
-
3
occurs
x
1
=
3
=
3
-
-
-
4
-
-
4
-
4
-
-
-
-
-
-
4
-
-
-
4
occurs
x
4
=
16
1+6
7
-
-
-
-
-
-
-
-
-
-
5
5
-
-
-
-
5
-
-
5
occurs
x
3
=
15
1+5
6
--
-
6
-
-
-
-
-
-
-
-
-
-
-
6
-
-
-
-
6
occurs
x
2
=
12
1+2
3
-
4
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
7
occurs
x
1
=
7
=
7
-
-
-
-
-
-
-
9
-
9
-
-
-
-
-
-
-
-
-
9
occurs
x
2
=
18
1+8
9
14
G
O
D
S
-
D
I
V
I
N
E
-
L
O
V
E
-
-
35
-
-
14
-
72
-
36
1+4
-
-
-
-
-
-
9
-
9
-
-
-
-
-
-
-
-
-
3+5
-
-
1+4
-
7+2
-
3+6
5
G
O
D
S
-
D
I
V
I
N
E
-
L
O
V
E
-
-
8
-
-
5
-
9
-
9
-
7
6
4
1
-
4
9
4
9
5
5
-
3
6
4
5
-
-
-
-
-
--
-
-
-
-
5
G
O
D
S
-
D
I
V
I
N
E
-
L
O
V
E
-
-
8
-
-
5
-
9
-
9

 

 

HOW GREAT THOU ART MY GOD HOW GREAT THOU ART

 

 
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